"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history. Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.
Ever since it’s existence, perhaps more than happiness, unhappiness, limits and depression have forced artists to produce, and it is seen that artworks which arise primarily as a result of the need to self-heal, bring society together against common and binding challenges. This coronavirus outbreak, which has affected the whole world, is one of the hard times humankind is going through. In this period we have been living since March, art offers the most valuable contribution to the sustainability of life with its features that reconcile emotional conflicts, increase awareness, enable the development of social skills, manage behaviors, guide reality and contribute to solving problems. As the people of the world, in this period when we question our relationship with each other, nature and animals, when we are unsure about the future, and when we reconsider our perceptions and priorities, artworks are the only tools that have the power to cope with the coronavirus under its conditions. Because like the virus itself, artworks are capable of passing all boundaries, and they can influence all people, even if they’re under different flags, speaking different languages. This influence will bring back the awareness, the hope, the knowledge that we’re not alone, the compromise, the sustainability of life and its colors. Goethe’s “One cannot escape from the world with greater certainty than through art, and one cannot relate to it with greater certainty than through art.” aphorism reveals a truth that enlightens our present from centuries ago. I thanks so much to all my artist friends who have contributed to the "International ARTVITAL Interdisciplinary Mixed Exhibition" that we hold with these thoughts online within the ISLC2020 International Conference on Sustainable Living. Also I would like to thank my dear friends who took part in the organizing board and made the exhibition happen and Rating Academy, which always appreciates the aspect of science and art that develops and enriches each other.
The exhibition presents the work of Russian artists of different ages and experience, displayed in various painting techniques and genres, united by one idea to capture the spiritual world of a person and its manifestation in life and culture. The idea of such an exhibition was born a long time ago, and now it has formed into a concept to present the work of both already formed artistic personalities with their own unique vision of the world, who have developed their own manner and painting techniques, and novice, young artists with a direct, open look at the world, untrained visual approaches reflecting their idea of people, their deeds, experiences, exploits, an independent vision of the reality being changed by a person and cultural transformation of space. Artists pay close attention to the transience of the flow of human life, the cyclical nature of natural phenomena, the passion of human nature, the strength of spirit, the height of spirituality, the depth of poetry, historical exploits, cultural traditions and embody in the images of their works.
