In a test case for the study of epichoric Greek history (that not centered on Athens and Sparta), Thomas Figueira deploys a range of disciplinary methodologies to explore the political history of the ancient island city-state of Aigina, down to the Roman conquest of Greece. Excursions in Epichoric History combines previously published articles, revised and updated, and new essays to provide a set of alternative perspectives on the course of Greek foreign policy and institutional history.
In a test case for the study of epichoric Greek history (that not centered on Athens and Sparta), Thomas Figueira deploys a range of disciplinary methodologies to explore the political history of the ancient island city-state of Aigina, down to the Roman conquest of Greece. Excursions in Epichoric History combines previously published articles, revised and updated, and new essays to provide a set of alternative perspectives on the course of Greek foreign policy and institutional history.
Book V of Herodotus' Histories begins the run-up to the Persian Wars of 490-479 B.C. with Persia's conquest of coastal Thrace after the Scythian expedition and the beginning of the Ionian Revolt against Persia, to which digressions on Sparta and Athens at the end of the sixth century are attached.
J. L. Moles (1949–2015) made fundamental contributions to the fields of ancient (especially Cynic) philosophy, Greek and Roman historiography and biography, Latin poetry, and New Testament studies. These two volumes gather together all of his major articles and reviews, along with six previously unpublished papers. The papers display Moles’ individual and sometimes iconoclastic approach, his impressive range in both Classical and New Testament texts, and his unrivalled abilities in close reading. This is volume 1.
The words 'aristocrats', 'aristocracy' and 'aristocratic values' appear in many a study of ancient history and culture. Sometimes these terms are used with a precise meaning. More often they are casual shorthand for 'upper class', 'ruling elite' and 'high standards'. This book brings together 12 new studies by an impressive international cast of specialists. It demonstrates not only that true aristocracies were rare in the ancient world, but also that the modern use of 'aristocracy' in a looser sense is misleading. The word comes with connotations derived from medieval and modern history. Antiquity, it is here argued, was different. An introductory chapter by the editors argues that 'aristocracy' is rarely a helpful concept for the analysis of political struggles, of historical developments or of ideology. The editors call instead for close study of the varied nature of social inequalities and relationships in particular times and places. The following eleven chapters explore and in most cases challenge the common assumption that hereditary 'aristocrats' who derive much of their status, privilege and power from their ancestors are identifiable at most times and places in the ancient world. They question, too, the related notion that deep ideological divisions existed between 'aristocratic values', such as hospitality, generosity and a disdain for commerce or trade, and the norms and ideals of lower or 'middling' classes. They do so by detailed analysis of archaeological and literary evidence for the rise and nature of elites and leisure classes, diverse elite strategies, and political conflicts in a variety of states across the Mediterranean. Chapters deal with archaic and classical Athens, Samos, Aigina and Crete; the Greek 'colonial' settlements such as Sicily; archaic Rome and central Italy; and the Roman empire under the Principate.
Recent scholarship has acknowledged that the intertextual discourse of ancient comedy with previous and contemporary literary traditions is not limited to tragedy. This book is a timely response to the more sophisticated and theory-grounded way of viewing comedy's interactions with its cultural and intellectual context. It shows that in the process of its self-definition, comedy emerges as voracious and multifarious with a wide spectrum of literary, sub-literary and paraliterary traditions, the engagement with which emerges as central to its projected literary identity and, subsequently, to the reception of the genre itself. Comedy's self-definition through generic discourse far transcends the (narrowly conceived) 'high-low' division of genres. This book explores ancient comedy's interactions with Homeric and Hesiodic epic, iambos, lyric, tragedy, the fable tradition, the ritual performances of the Greek polis, and its reception in Platonic writings and Alexandrian scholarship, within a unified interpretative framework.
Ten new essays from a distinguished international cast treat Sparta's most famous area of activity. The results are challenging. Among the contributors, Thomas Figueira explores the paradox that Sparta's cavalry was an undistinguished institution. Jean Ducat conducts the most thorough study to date of Sparta's official cowards, the 'tremblers'. Anton Powell asks why Sparta chose not to destroy Athens after the Peloponnesian War. And Stephen Hodkinson argues that the image of Spartan society as militaristic may after all be a?mirage. This is the sixth volume from the International Sparta Seminar, founded by Powell and Hodkinson in 1988. The series has established itself as the main forum for the study of Spartan history.
Pindar's Eyes is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. Its aim is to open up analysis of lyric to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attitudes through elaborate use of the lyric first person are combined with art-historical treatments of ecphrasis, of image and text, and of art's framing of ritual experience in ancient Greece. This specific aesthetic approach is expanded through fresh treatments of Simonides' and Bacchylides' own engagements with material culture, as well as an account of Pindaric themes in the Aeginetan logoi of Herodotus' Histories. These come together to offer not just a novel perspective on the relationship between art and text in Pindaric poetry, but to give rise to new claims about the nature of classical Greek visuality and ritual subjectivity, and to foster a richer understanding of the ways in which classical poetry and art shaped the lives and experiences of their consumers.
Athens and Sparta is an essential textbook for the study of Greek history. Providing a comprehensive account of the two key Greek powers in the years after 478 BC, it charts the rise of Athens from city-state to empire after the devastation of the Persian Wars, and the increasing tensions with their rivals, Sparta, culminating in the Peloponnesian Wars. As well as the political history of the period, it also offers an insight into the radically different political systems of these two superpowers, and explores aspects of social history such as Athenian democracy, life in Sparta, and the lives of Athenian women. More than this though, it encourages students to develop their critical skills, guiding them in how to think about history, demonstrating in a lucid way the techniques used in interpreting the ancient sources. In this new third edition, Anton Powell includes discussion of the latest scholarship on this crucial period in Greek history. Its bibliography has been renewed, and for the first time it includes numerous photographs of Greek sites and archaeological objects discussed in the text. Written in an accessible style and covering the key events of the period – the rise to power of Athens, the unusual Spartan state, and their rivalry and eventual clash in all out war – this is an invaluable tool for students of the history of Greece in the fifth century BC.
With Aristomenes of Messene, Daniel Ogden identifies yet another fertile and undervalued topic in Ancient History. He has previously studied illegitimacy in the ancient Greek world (Greek Bastardy, OUP, 1996), Greek ideas about the relationship between deformity and power (Crooked Kings of Ancient Greece, Duckworth, 1997), the nature and causes of dynastic murder in the Hellenistic world (Polygamy, Prostitutes and Death, Classical Press of Wales, 1999) and the techniques of calling up the dead in the ancient world (Greek and Roman Necromancy, Princeton UP, 2001). Among his other books is a volume edited for the Classical Press of Wales, The Hellenistic World: New perspectives (2002).The legends of Aristomenes, hero of the Messenian resistance to Sparta, were designed to excite, gratify and amuse. Yet they remain almost unknown even to specialist ancient historians. This book, the first monograph to be devoted to Aristomenes, redirects attention to his adventures, which at times resemble those of King Arthur, Robin Hood and even Sinbad the Sailor. The book goes beyond the question of the historicity of Aristomenes, and examines the meaning and symbolism of the stories in their own right. The study will be welcomed by those with an interest in the history of Sparta, in Pausanias (our principal source for the tales), and in Greek traditional narrative. Famously, Sparta tried to suppress the identity and self-confidence of its Messenian helots. Yet here are stories which give access to the imagination of this long-muted but ultimately liberated people..
