When Chris accidentally saves Teresa Johnson from a bully, he finds himself her unwilling boyfriend, and decides he must put Operation Rid Ourselves Of Teresa into action if he ever wants to hang out with his friend Greg again.
After Chris's mom gives him money to buy a new pair of jeans, Greg convinces Chris to buy a new game for Greg's Atari instead. He gives Chris a pair of his old jeans and promises that Chris's mom won't know the difference.
To keep his mother from being elected PTA president, Chris decides to spread a few harmless rumors about her. He soon finds out there's actually something worse than being the PTA president's son.
Indexes popular fiction series for K-6 readers with groupings based on thematics, consistant setting, or consistant characters. Annotated entries are arranged alphabetically by series name and include author, publisher, date, grade level, genre, and a list of individual titles in the series. Volume is indexed by author, title, and subject/genre and includes appendixes suggesting books for boys, girls, and reluctant/ESL readers.
When she discovered that Jim Morrison of The Doors read "The History of Magic" by Kurt Seligmann, she bought it. Though she's not a reader, she liked the illustrations and incorporated some of the characteristics of "Hermetic Conversation" in her cover, since the other picture, which inspired her from a 1960's Good Housekeeping magazine also had two people talking. In reference to her book, the twelve keys can be referred to the 12 months of the year, since she includes dates when she's writing. They can also be referred to the different journals she writes in that are being held like cards. The position of the stars were like the luck of the draw relating to agriculture back then, which is why I put the "cheddar" man wizard on the "basil" card, which looks like Stonehenge, for the cover. He also appears to be a flask used in alchemy to create the philosopher's tincture.
Often overlooked in the history of broadcast television, The CW became a top-rated cable network in primetime during the mid-2000s, at a moment when many critics predicted the death of the medium. Launched as a joint venture and successor to The WB and UPN, The CW focused programming on an 18 to 34-year-old, predominantly female audience and soon won over viewers with shows like Gossip Girl, Jane the Virgin and the DC Arrowverse franchise. Nimbly adapting to the streaming services era, the network has strengthened new series development and its innovative distribution system. This collection of new essays examines The CW's business model, marketing strategies and most popular series.
From Amos 'n' Andy to The Jeffersons to Family Matters to Chappelle's Show, this volume has all different genres—animation, documentaries, sitcoms, sports, talk shows, and variety shows—and performers such as Muhammad Ali, Louis Armstrong, Bill Cosby, and Oprah Winfrey. Additionally, information can be found on general issues ranging from African American audiences and stereotypes through the related networks and organizations. This second edition covers the history of African Americans on television from the beginning of national television through the present day including: chronology introductory essay appendixes bibliography over 1000 cross-referenced entries on actors, performers, producers, directors, news and sports journalists entries on series, specials and movies relevant to African American themes and African American casts This book is an excellent access point for students, researchers, and anyone wanting to know more about the history of African-Americans and their impact on television.
Fed up with being teased by the school bully, Chris blurts out that he's going to the school dance on Friday with the prettiest girl and that he's taking her in a limousine. Can Chris get out of this mess without getting caught or beaten up?
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.