European Sound Diary
Author: R. Murray Schafer
Publisher: A.R.C. Publications : A.R.C. The Aesthetic Research Centre : Burnaby, B.C. : World Soundscape Project
Published: 1977
Total Pages: 116
ISBN-13:
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Author: R. Murray Schafer
Publisher: A.R.C. Publications : A.R.C. The Aesthetic Research Centre : Burnaby, B.C. : World Soundscape Project
Published: 1977
Total Pages: 116
ISBN-13:
DOWNLOAD EBOOKAuthor: R. Murray Schafer
Publisher: Simon and Schuster
Published: 1993-10-01
Total Pages: 323
ISBN-13: 1594776687
DOWNLOAD EBOOKThe soundscape--a term coined by the author--is our sonic environment, the ever-present array of noises with which we all live. Beginning with the primordial sounds of nature, we have experienced an ever-increasing complexity of our sonic surroundings. As civilization develops, new noises rise up around us: from the creaking wheel, the clang of the blacksmith’s hammer, and the distant chugging of steam trains to the “sound imperialism” of airports, city streets, and factories. The author contends that we now suffer from an overabundance of acoustic information and a proportionate diminishing of our ability to hear the nuances and subtleties of sound. Our task, he maintains, is to listen, analyze, and make distinctions. As a society we have become more aware of the toxic wastes that can enter our bodies through the air we breathe and the water we drink. In fact, the pollution of our sonic environment is no less real. Schafer emphasizes the importance of discerning the sounds that enrich and feed us and using them to create healthier environments. To this end, he explains how to classify sounds, appreciating their beauty or ugliness, and provides exercises and “soundwalks” to help us become more discriminating and sensitive to the sounds around us. This book is a pioneering exploration of our acoustic environment, past and present, and an attempt to imagine what it might become in the future.
Author: Marcia Jenneth Epstein
Publisher: McGill-Queen's Press - MQUP
Published: 2020-10-30
Total Pages:
ISBN-13: 0228004497
DOWNLOAD EBOOKThis book is about how you listen and what you hear, about how to have a dialogue with the sounds around you. Marcia Jenneth Epstein gives readers the impetus and the tools to understand the sounds and noise that define their daily lives in this groundbreaking interdisciplinary study of how auditory stimuli impact both individuals and communities. Epstein employs scientific and sociological perspectives to examine noise in multiple contexts: as a threat to health and peace of mind, as a motivator for social cohesion, as a potent form of communication and expression of power. She draws on a massive base of specialist literature from fields as diverse as nursing and neuroscience, sociology and sound studies, acoustic ecology and urban planning, engineering, anthropology, and musicology, among others, synthesizing and explaining these findings to evaluate the ubiquitous effects of sound in everyday life. Epstein investigates speech and music as well as noise and explores their physical and cultural dimensions. Ultimately she argues for an engaged public dialogue on sound, built on a shared foundation of critical listening, and provides the understanding for all of us to speak and be heard in such a discussion. Sound and Noise is a timely evaluation of the noise that surrounds us, how we hear it, and what we can do about it.
Author: Bruce Davis
Publisher:
Published: 1977
Total Pages: 100
ISBN-13:
DOWNLOAD EBOOKETUDE DES DIFFERENTS PAYSAGES SONORES DE 5 VILLAGES SITUES EN SUISSE, ALLEMAGNE, ITALIE, FRANCE ET ANGLETERRE.
Author: Trevor Pinch
Publisher: OUP USA
Published: 2012-01-05
Total Pages: 610
ISBN-13: 0195388941
DOWNLOAD EBOOKWritten by the world's leading scholars and researchers in sound studies, this handbook offers new and engaging perspectives on the significance of sound in its material and cultural forms.
Author: David Frohlich
Publisher: Springer Science & Business Media
Published: 2004-05-19
Total Pages: 250
ISBN-13: 9781402022098
DOWNLOAD EBOOKIf you read the history of any new communication medium such as the cinema, television or radio, it always happens to be bound up with advances in some underlying technology. For example, cinema was born out of the rapid projection of a series of still images on a celluloid film strip. The difficulty of synchronizing sound recordings with the resulting moving images led to about 30 years of silent films - until such time as the technical problems were solved. In between the inventions, media seem to grow and develop at a slower pace, as content producers and consumers experiment with the most satisfactory and stimulating ways of communicating with each other. In the same example, silent film-makers eventually found ways of adding dialogue through scene titles and having music played during the projection of their films. This book is about the next chapter in the history of photography, which is emerging from a relatively stable period into a chaos of new inventions. Photography as we know it is at the same point as the silent films of 1926. The transition from analog to digital photography is spawning many new ways of taking, manipulating and sharing photographs. It is also bringing photography and videography closer together by unifying sound, still and moving images in the same digital medium.
Author: Karin Bijsterveld
Publisher: MIT Press
Published: 2008
Total Pages: 363
ISBN-13: 0262026392
DOWNLOAD EBOOKTracing efforts to control unwanted sound--the noise of industry, city traffic, gramophones and radios, and aircraft--from the late nineteenth to the late twentieth century.
Author: Mark Michael Smith
Publisher: University of Georgia Press
Published: 2004
Total Pages: 444
ISBN-13: 9780820325828
DOWNLOAD EBOOKHearing History is a long-needed introduction to the basic tenets of what is variously termed historical acoustemology, auditory culture, or aural history. Gathering twenty-one of the fields most important writings, this volume will deepen and broaden our understanding of changing perceptions of sound and hearing and the ongoing education of our senses. The essays stimulate thinking on key questions: What is aural history? Why has vision tended to triumph over hearing in historical accounts? How might we begin to reclaim the sounds of the past? With theoretical and practical essays on the history of sound and hearing in Europe and the United States, the book draws on historical approaches ranging from empiricism to postmodernism. Some essays show the historian of technology at work, others highlight how With theoretical and practical essays on the history of sound and hearing in Europe and the United States, the book draws on historical approaches ranging from empiricism to postmodernism. Some essays show the historian of technology at work, others highlight how military, social, intellectual, and cultural historians have tackled historical acoustemologies. Investigating soundscapes that include a Puritan meetinghouse in colonial New England, the belfries of a French village at the close of the Old Regime, the court hall of Elizabeth I, and a Civil War battlefield, the essays vary just as widely in their topics, which include noise as a marker of social and cultural differences, the privileging of music as the sound of art, the persistence of Aristotelian ideas of sound into the seventeenth century, developments in sound related to medical practice, the advent of sound-recording technology, and noise pollution.
Author: Katherine Norman
Publisher: Routledge
Published: 2005-08-15
Total Pages: 191
ISBN-13: 1135304319
DOWNLOAD EBOOKFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Michael Bull
Publisher: Bloomsbury Publishing USA
Published: 2020-12-10
Total Pages: 849
ISBN-13: 1501338765
DOWNLOAD EBOOKThe field of Sound Studies has changed and developed dramatically over the last two decades involving a vast and dizzying array of work produced by those working in the arts, social sciences and sciences. The study of sound is inherently interdisciplinary and is undertaken both by those who specialize in sound and by others who wish to include sound as an intrinsic and indispensable element in their research. This is the first resource to provide a wide ranging, cross-cultural and interdisciplinary investigation and analysis of the ways in which researchers use a broad range of methodologies in order to pursue their sonic investigations. It brings together 49 specially commissioned chapters that ask a wide range of questions including; how can sound be used in current academic disciplines? Is sound as a methodological tool indispensable for Sound Studies and what can sound artists contribute to the discourse on methodology in Sound Studies? The editors also present 3 original chapters that work as provocative 'sonic methodological interventions' prefacing the 3 sections of the book.