Re-assesses Germany's relationship with the wider world before 1914 by examining the connections between nationalism, transnationalism, imperialism and globalization.
The authors chronicle the political, economic, and social changes that revolutionised Europe during the long 19th century. From the Congress of Vienna through the assassination of Archduke Franz Ferdinand at Sarajevo, the narrative takes students throughthe complex events of the century in a clear and cogent way.
The history of modern medicine is inseparable from the history of imperialism. Medicine and Empire provides an introduction to this shared history – spanning three centuries and covering British, French and Spanish imperial histories in Africa, Asia and America. Exploring the major developments in European medicine from the seventeenth century to the mid-twentieth century, Pratik Chakrabarti shows that the major developments in European medicine had a colonial counterpart and were closely intertwined with European activities overseas: - The increasing influence of natural history on medicine - The growth of European drug markets - The rise of surgeons in status - Ideas of race and racism - Advancements in sanitation and public health - The expansion of the modern quarantine system - The emergence of Germ theory and global vaccination campaigns Drawing on recent scholarship and primary texts, this book narrates a mutually constitutive history in which medicine was both a 'tool' and a product of imperialism, and provides an original, accessible insight into the deep historical roots of the problems that plague global health today.
How and why did Europe spawn dictatorships and violence in the first half of the twentieth century, and then, after 1945 in the west and after 1989 in the east, create successful civilian societies? In this book, Volker Berghahn explains the rise and fall of the men of violence whose wars and civil wars twice devastated large areas of the European continent and Russia--until, after World War II, Europe adopted a liberal capitalist model of society that had first emerged in the United States, and the beginnings of which the Europeans had experienced in the mid-1920s. Berghahn begins by looking at how the violence perpetrated in Europe's colonial empires boomeranged into Europe, contributing to the millions of casualties on the battlefields of World War I. Next he considers the civil wars of the 1920s and the renewed rise of militarism and violence in the wake of the Great Crash of 1929. The second wave of even more massive violence crested in total war from 1939 to 1945 that killed more civilians than soldiers, and this time included the industrialized murder of millions of innocent men, women, and children in the Holocaust. However, as Berghahn concludes, the alternative vision of organizing a modern industrial society on a civilian basis--in which people peacefully consume mass-produced goods rather than being 'consumed' by mass-produced weapons--had never disappeared. With the United States emerging as the hegemonic power of the West, it was this model that finally prevailed in Western Europe after 1945 and after the end of the Cold War in Eastern Europe as well.
Over recent decades, the responsibility for the past actions of the European colonial powers in relation to their former colonies has been subject to a lively debate. In this book, the question of the responsibility under international law of former colonial States is addressed. Such a legal responsibility would presuppose the violation of the international law that was applicable at the time of colonization. In the ‘Scramble for Africa’ during the Age of New Imperialism (1870-1914), European States and non-State actors mainly used cession and protectorate treaties to acquire territorial sovereignty (imperium) and property rights over land (dominium). The question is raised whether Europeans did or did not on a systematic scale breach these treaties in the context of the acquisition of territory and the expansion of empire, mainly through extending sovereignty rights and, subsequently, intervening in the internal affairs of African political entities.
A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration. Rule of Darkness brings together material from public records, memoirs, popular culture, and canonical literature. Brantlinger explores the influence of the novels of Captain Frederick Marryat, pioneer of British adolescent adventure fiction, and shows the importance of William Makepeace Thackeray's experience of India to his novels. He treats a number of Victorian best sellers previously ignored by literary historians, including the Anglo-Indian writer Philip Meadows Taylor's Confessions of a Thug and Seeta. Brantlinger situates explorers' narratives and travelogues by such famous author-adventurers as David Livingstone and Sir Richard Burton in relation to other forms of Victorian and Edwardian prose. Through readings of works by Arthur Conan Doyle, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, John Hobson, and many others, he considers representations of Africa, India, and other non-British parts of the world in both fiction and nonfiction. The most comprehensive study yet of literature and imperialism in the early and mid-Victorian years, Rule of Darkness offers, in addition, a revisionary interpretation of imperialism as a significant factor in later British cultural history, from the 1880s to World War I. It is essential reading for anyone concerned with Victorian culture and society and, more generally, with the relationship between Victorian writers and imperialism, 'and between racist ideology and patterns of domination in modern history.