Euripides: 'Helen'

Euripides: 'Helen'

Author: Euripides

Publisher: Cambridge University Press

Published: 2008-02-21

Total Pages: 19

ISBN-13: 0521836905

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Detailed commentary, suitable for students, on one of the most skilful and original Greek tragedies.


Greek Tragedy

Greek Tragedy

Author: Aeschylus

Publisher: Penguin UK

Published: 2004-08-26

Total Pages: 271

ISBN-13: 0141961716

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Agememnon is the first part of the Aeschylus's Orestian trilogy in which the leader of the Greek army returns from the Trojan war to be murdered by his treacherous wife Clytemnestra. In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father. Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.


The Structure and Performance of Euripides' Helen

The Structure and Performance of Euripides' Helen

Author: C. W. Marshall

Publisher: Cambridge University Press

Published: 2014-12-04

Total Pages: 337

ISBN-13: 1107073758

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In his detailed study of Euripides' play, Helen, C. W. Marshall expands our understanding of Athenian tragedy and Classical performance.


Orestes and Other Plays

Orestes and Other Plays

Author: Euripides

Publisher: Penguin UK

Published: 2006-02-23

Total Pages: 483

ISBN-13: 0141961988

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Written during the long battles with Sparta that were to ultimately destroy ancient Athens, these six plays by Euripides brilliantly utilize traditional legends to illustrate the futility of war. The Children of Heracles holds a mirror up to contemporary Athens, while Andromache considers the position of women in Greek wartime society. In The Suppliant Women, the difference between just and unjust battle is explored, while Phoenician Women describes the brutal rivalry of the sons of King Oedipus, and the compelling Orestes depicts guilt caused by vengeful murder. Finally, Iphigenia in Aulis, Euripides' last play, contemplates religious sacrifice and the insanity of war. Together, the plays offer a moral and political statement that is at once unique to the ancient world, and prophetically relevant to our own.


Fragments

Fragments

Author: Euripides

Publisher:

Published: 2008

Total Pages: 696

ISBN-13:

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Lost works by ancient Greece's third great tragedian. Eighteen of the ninety or so plays composed by Euripides between 455 and 406 BC survive in a complete form and are included in the preceding six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians. This edition, in a projected two volumes, offers the first complete English translation of the fragments together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.


Women on the Edge

Women on the Edge

Author: Ruby Blondell

Publisher: Routledge

Published: 2002-09-11

Total Pages: 516

ISBN-13: 1135964610

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Women on the Edge, a collection of Alcestis, Medea, Helen, and Iphegenia at Aulis, provides a broad sample of Euripides' plays focusing on women, and spans the chronology of his surviving works, from the earliest, to his last, incomplete, and posthumously produced masterpiece. Each play shows women in various roles--slave, unmarried girl, devoted wife, alienated wife, mother, daughter--providing a range of evidence about the kinds of meaning and effects the category woman conveyed in ancient Athens. The female protagonists in these plays test the boundaries--literal and conceptual--of their lives. Although women are often represented in tragedy as powerful and free in their thoughts, speech and actions, real Athenian women were apparently expected to live unseen and silent, under control of fathers and husbands, with little political or economic power. Women in tragedy often disrupt "normal" life by their words and actions: they speak out boldly, tell lies, cause public unrest, violate custom, defy orders, even kill. Female characters in tragedy take actions, and raise issues central to the plays in which they appear, sometimes in strong opposition to male characters. The four plays in this collection offer examples of women who support the status quo and women who oppose and disrupt it; sometimes these are the same characters.


Fragmenta

Fragmenta

Author: Euripides

Publisher: Harvard University Press

Published: 2002

Total Pages: 652

ISBN-13: 9780674996007

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Euripides has been prized in every age for the pathos, terror, surprising plot twists, and intellectual probing of his dramatic creations. In this fifth volume of the new Loeb Classical Library Euripides, David Kovacs presents a freshly edited Greek text and a faithful and deftly worded translation of three plays. For his Helen the poet employs an alternative history in which a virtuous Helen never went to Troy but spent the war years in Egypt, falsely blamed for the adulterous behavior of her divinely created double in Troy. This volume also includes Phoenician Women, Euripides' treatment of the battle between the sons of Oedipus for control of Thebes; and Orestes, a novel retelling of Orestes' lot after he murdered his mother, Clytaemestra. Each play is annotated and prefaced by a helpful introduction.


The Greek Plays

The Greek Plays

Author: Sophocles

Publisher: Modern Library

Published: 2017-09-05

Total Pages: 866

ISBN-13: 0812983092

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A landmark anthology of the masterpieces of Greek drama, featuring all-new, highly accessible translations of some of the world’s most beloved plays, including Agamemnon, Prometheus Bound, Bacchae, Electra, Medea, Antigone, and Oedipus the King Featuring translations by Emily Wilson, Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Mary Lefkowitz, and James Romm The great plays of Ancient Greece are among the most enduring and important legacies of the Western world. Not only is the influence of Greek drama palpable in everything from Shakespeare to modern television, the insights contained in Greek tragedy have shaped our perceptions of the nature of human life. Poets, philosophers, and politicians have long borrowed and adapted the ideas and language of Greek drama to help them make sense of their own times. This exciting curated anthology features a cross section of the most popular—and most widely taught—plays in the Greek canon. Fresh translations into contemporary English breathe new life into the texts while capturing, as faithfully as possible, their original meaning. This outstanding collection also offers short biographies of the playwrights, enlightening and clarifying introductions to the plays, and helpful annotations at the bottom of each page. Appendices by prominent classicists on such topics as “Greek Drama and Politics,” “The Theater of Dionysus,” and “Plato and Aristotle on Tragedy” give the reader a rich contextual background. A detailed time line of the dramas, as well as a list of adaptations of Greek drama to literature, stage, and film from the time of Seneca to the present, helps chart the history of Greek tragedy and illustrate its influence on our culture from the Roman Empire to the present day. With a veritable who’s who of today’s most renowned and distinguished classical translators, The Greek Plays is certain to be the definitive text for years to come. Praise for The Greek Plays “Mary Lefkowitz and James Romm deftly have gathered strong new translations from Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Emily Wilson, as well as from Mary Lefkowitz and James Romm themselves. There is a freshness and pungency in these new translations that should last a long time. I admire also the introductions to the plays and the biographies and annotations provided. Closing essays by five distinguished classicists—the brilliant Daniel Mendelsohn and the equally skilled David Rosenbloom, Joshua Billings, Mary-Kay Gamel, and Gregory Hays—all enlightened me. This seems to me a helpful light into our gathering darkness.”—Harold Bloom