This is the final book written by the seventeenth-century occultist and alchemist, Thomas Vaughan. Originally published under Vaughan's penname, Eugenius Philalethes, the work found a new audience in the Rosicrucian circles of the nineteenth century, when William Wynn Westcott, Supreme Magus of the Society, republished the volume in 1896 with a commentary As Above, So Below
The classic book on William Blake as prophet of the New Age William Blake (1757–1827) inhabited a remarkable inner world, one that he brought vividly to life in his poetry, painting, and printmaking. Blake and Antiquity situates this brilliant and enigmatic artist within the Western esoteric canon, revealing his indebtedness to Neoplatonism, the Gnostics, alchemy, and astrology. In this book, Kathleen Raine demonstrates how Blake rejected conventional orthodoxy and went in search among the occult traditions of antiquity for symbols that might expand the mind’s awareness into a spiritual state where space, time, and even death are transcended.
First published in 2002. This is a collection of topics of A.W.Mellon Lectures of fine Arts stemming from 1962 on the works of Blake. This volume looks at Blake’s work in three discussions; Reason, Perception and ‘What is Man’. Includes poems such as The Tyger, The Ancient Trees and The Sickness of Albion.
The Tantric Alchemist is a work on alchemy as decoded by Tantra and a work on Tantra as understood by alchemists. It uncovers works by Thomas Vaughan and suggests how he and his wife—a 17th-century Welsh couple unique in the history of western alchemy—met their fate when dealing with forces they knew only too well, but which were stronger than their ability to control them. Using the works of Vaughan as his text, Levenda applies the “twilight language” of Tantra to the surreal prose of the alchemist and in the process lays bare the lineaments of the arcane tradition that gave rise to the legend of Christian Rosenkreutz, the reputed founder of Rosicrucianism who learned his art in the East; and to the 19th- and 20th-century occult movements lead by such luminaries as P.B. Randolph, Theodore Reuss, Helena Blavatsky, and Aleister Crowley who also sought (and discovered) this technology in the religions and cultures of Asia. Readers will find that the many disparate threads of an authentic spiritual tradition are woven together here in a startling tapestry that reveals—without pretense or euphemism—the psycho-sexual technique that is at the root of both Tantra and alchemy: that is to say, of both Asian and European forms of esoteric praxis.
Thomas Vaughan’s challenging books on alchemy, magic, and other esoterica make better sense in the context of the Rosicrucian ideas he introduced to English readers in the seventeenth century. This is the first scholarly book on his life, sources, writings, and subsequent influence.
Contemporaries of English polymath Sir Francis Bacon (1561–1626) eulogized him as “a muse more choice than the nine muses” who “showered the age with frequent volumes” and “filled the world with works”; “the very nerve of genius, the marrow of persuasion, the golden stream of eloquence, the precious gem of hidden literature.” Orthodox scholars credit Bacon with a substantial body of anonymous writing; more controversially, everything from Shakespeare to Don Quixote to The Anatomy of Melancholy has been ascribed to him. Here we explore parallel lines of thought and expression between Bacon’s acknowledged works and others of the period; whether these correspondences are sufficient to indicate common authorship or merely mutual influences, they constitute a cross section of a uniquely fruitful period in world literature.