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Author: James Beattie
Publisher:
Published: 1777
Total Pages: 792
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DOWNLOAD EBOOKAuthor: James Beattie
Publisher:
Published: 1777
Total Pages: 794
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DOWNLOAD EBOOKAuthor: Michelle Faubert
Publisher: Routledge
Published: 2015-10-06
Total Pages: 299
ISBN-13: 1317314328
DOWNLOAD EBOOKDuring the Romantic era, psychology and literature enjoyed a fluid relationship. Faubert focuses on psychologist-poets who grew out of the literary-medical culture of the Scottish Enlightenment. They used poetry as an accessible form to communicate emerging psychological, cultural and moral ideas.
Author: James Beattie
Publisher:
Published: 1778
Total Pages: 510
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DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1884
Total Pages: 794
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DOWNLOAD EBOOKAuthor: Elizabeth Robinson
Publisher: Routledge
Published: 2017-06-26
Total Pages: 381
ISBN-13: 1315463393
DOWNLOAD EBOOKMost academic philosophers and intellectual historians are familiar with the major historical figures and intellectual movements coming out of Scotland in the 18th Century. These scholars are also familiar with the works of Immanuel Kant and his influence on Western thought. But with the exception of discussion examining David Hume’s influence on Kant’s epistemology, metaphysics, and moral theory, little attention has been paid to the influence of the Scottish Enlightenment thinkers on Kant’s philosophy. This volume aims to fill this perceived gap in the literature and provide a starting point for future discussions looking at the influence of Hume, Thomas Reid, Adam Smith, and other Scottish Enlightenment thinkers on Kant’s philosophy.
Author: Leslie Ritchie
Publisher: Routledge
Published: 2017-07-05
Total Pages: 288
ISBN-13: 1351536613
DOWNLOAD EBOOKCombining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Author: Catherine Jones
Publisher: Edinburgh University Press
Published: 2014-07-16
Total Pages: 288
ISBN-13: 074868462X
DOWNLOAD EBOOKThis new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music.
Author: Russell McCormmach
Publisher: Princeton University Press
Published: 2017-03-14
Total Pages: 565
ISBN-13: 1400886392
DOWNLOAD EBOOKThis sixth volume of Historical Studies in the Physical Sciences presents articles by ten eminent scholars on the intellectual and social history of the physical sciences from the eighteenth century to the present. CONTENTS The Emergence of Japan's First Physicists: 1868-1900 (Kenkichiro Koizumi) The Reception of the Wave Theory of Light in Britain: A Case Study Illustrating the Role of Methodology in Scientific Debate (Geoffrey Cantor) Origins and Consolidation of Field Theory in Nineteenth Century Britain: From the Mechanical to the Electromagnetic View of Nature (Barbara Giusti Doran) Hertz's Researches on Electromagnetic Waves (Salvo D'Agostino) God and Nature: Priestley's Way of Rational Dissent (J. G. McEvoy and J. E. McGuire) Laurent, Gerhardt, and the Philosophy of Chemistry (John Hedley Brooke) The Lewis-Langrnuir Theory of Valence and the Chemical Community, 1920-1928 (Robert E. Kohler, Jr.) G. N. Lewis on Detailed Balancing, the Symmetry of Time, and the Nature of Light (Roger H. Stuewer) Rutherford and Recoil Atoms: The Metamorphosis and Success of a Once Stillborn Theory (Thaddeus J. Trenn) Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
