Juan Castro, at the age of seven, loses his entire family. The Cobra gang of Escuintla raises him up to be a top assassin and drug dealer. Over the course of three decades he escapes death 13 times. Eventually his activities in the gang life become so severe that El Gato Negro is forced to hide in America. Even his education with the wizard, and a myriad of jefes, cannot protect him from the inevitable.
An ALA Top Ten Best Graphic Novel for Children A thrilling new graphic nonfiction series about real FBI cases, launching with a gripping, minute-by-minute account of the only unsolved airplane hijacking in the U.S. CASE NO. 001: NORJAK NOVEMBER 24, 1971 PORTLAND, OREGON 2:00 P.M. A man in his mid-forties, wearing a suit and overcoat, buys a ticket for Northwest Orient Airlines flight 305 bound for Seattle. 3:07 P.M. The man presents his demands: $200,000 in cash and four parachutes. If the demands are not met, he threatens to detonate the explosive device in his briefcase. So begins the astonishing true story of the man known as D.B. Cooper, and the only unsolved airplane hijacking case in the United States. Comic panels, reproductions of documents from real FBI files, and photos from the investigation combine for a thrilling read for sleuths of all ages. What better way to draw readers into nonfiction than through an exciting graphic novel? This series will appeal to readers of series such as Nathan Hale’s Hazardous Tales. Fans of history and whodunits, CSI-club kids, and graphic novel enthusiasts alike will be pulled in by the suspenseful, complex, and kid-appropriate cases in this series. Sidebars provide fun facts about pre-2001 air travel, serial numbers on currency, airplane design, and more. Backmatter showcases period photos and primary source material in FBI archives.
Unlike so many fictional books about gangs, El Gato takes us into the heart of the South American underworld. Trafficking, rivalries, and betrayal become the norm in his biography. From his deep involvement in a number of Guatemalan mobs, our 'cat' details his participation in violence, death, and jealousy within the midst of love, humor, childlike innocence, and the desire for being needed. Eventually, after being a gang member for twenty-one years, Juan Castro experiences an incredible epiphany when coming face-to-face with death for the thirteenth time.
Thirteen boys were born at midnight on the stroke of the new millennium. Twelve of them are dead. A violent cult called "The People" has executed each one and will stop at nothing to reach its last target: thirteen-year-old Adam. But Adam has no idea he's in danger. Raised by adoptive parents, he doesn't know his real birthday connects him to the other victims. Adam's life goes up in flames when a cult deserter tracks him down with a warning. He has until New Year's Eve to thwart the cult's plans to kill him--and the clock is ticking.
Juan Castro, at the age of seven, loses his entire family. The Cobra gang of Escuintla raises him up to be a top assassin and drug dealer. Over the course of three decades he escapes death 13 times. Eventually his activities in the gang life become so severe that El Gato Negro is forced to hide in America. Even his education with the wizard, and a myriad of jefes, cannot protect him from the inevitable.
Juan Castro, at the age of seven, loses his entire family. The Cobra gang of Escuintla raises him up to be a top assassin and drug dealer. Over the course of three decades he escapes death 13 times. Eventually his activities in the gang life become so severe that El Gato Negro is forced to hide in America. Even his education with the wizard, and a myriad of jefes, cannot protect him from the inevitable.
From the multi-award-winning author of The Babes in the Wood and The Rottweiler, a chilling new novel about obsession, superstition, and violence, set in Rendell’s darkly atmospheric London. Mix Cellini (which he pronounces with an ‘S’ rather than a ‘C’) is superstitious about the number 13. In musty old St. Blaise House, where he is the lodger, there are thirteen steps down to the landing below his rooms, which he keeps spick and span. His elderly landlady, Gwendolen Chawcer, was born in St. Blaise House, and lives her life almost exclusively through her library of books, so cannot see the decay and neglect around her. The Notting Hill neighbourhood has changed radically over the last fifty years, and 10 Rillington Place, where the notorious John Christie committed a series of foul murders, has been torn down. Mix is obsessed with the life of Christie and his small library is composed entirely of books on the subject. He has also developed a passion for a beautiful model who lives nearby — a woman who would not look at him twice. Both landlady and lodger inhabit weird worlds of their own. But when reality intrudes into Mix’s life, a long pent-up violence explodes.
Unlike so many fictional books about gangs, El Gato takes us into the heart of the South American underworld. Trafficking, rivalries, and betrayal become the norm in his biography. From his deep involvement in a number of Guatemalan mobs, our 'cat' details his participation in violence, death, and jealousy within the midst of love, humor, childlike innocence, and the desire for being needed. Eventually, after being a gang member for twenty-one years, Juan Castro experiences an incredible epiphany when coming face-to-face with death for the thirteenth time.
One hundred years from now, and against all the odds, Earth has found a new stability; the political order has reached some sort of balance, and the new colony on Mars is growing. But the fraught years of the 21st century have left an uneasy legacy ... Genetically engineered alpha males, designed to fight the century's wars have no wars to fight and are surplus to requirements. And a man bred and designed to fight is a dangerous man to have around in peacetime. Many of them have left for Mars but now one has come back and killed everyone else on the shuttle he returned in. Only one man, a genengineered ex-soldier himself, can hunt him down and so begins a frenetic man-hunt and a battle survival. And a search for the truth about what was really done with the world's last soldiers. BLACK MAN is an unstoppable SF thriller but it is also a novel about predjudice, about the ramifications of playing with our genetic blue-print. It is about our capacity for violence but more worrying, our capacity for deceit and corruption. This is another landmark of modern SF from one of its most exciting and commercial authors.
