Praise for Elizabeth Hand: "Fiercely frightening yet hauntingly beautiful."—Tess Gerritsen, author of The Silent Girl "A sinful pleasure."—Katherine Dunn, author of Geek Love No one is innocent, no one unexamined in award-winner Elizabeth Hand's new collection. From the summer isles to the mysterious people next door all the way to the odd guy one cubicle over, Hand teases apart the dark strangenesses of everyday life to show us the impossibilities, broken dreams, and improbable dreams that surely can never come true. Elizabeth Hand's novels include Shirley Jackson Award–winner Generation Loss, Mortal Love, and Available Dark.
This book, first published in 1967, is a comprehensive study of knight-errantry in Chinese history and literature from the fourth century BC to the twentieth century. It discusses the social and intellectual backgrounds of knight-errantry, historical knights and the development of the theme in poetry, fiction and drama.
What happens between book 9 and book 10 of the Young Wizards series? Diane Duane answers the question in this volume, collecting together the three canonical works that constitute a "transitional trilogy" between books 9 and 10.
In this epic fantasy from the acclaimed author of The Grey Bastards, a knight’s valor is tested as he keeps a closely guarded secret from evil forces. Only the most resolute are chosen to join the ranks of the Knights of the Valiant Spur. Bantam Flyn, hot-headed squire and wielder of the renowned sword Coalspur, yearns to be one of them. When Flyn returns to the ancestral stronghold of the chivalric order, he finds the castle under siege from within by malevolent skin-changers in search of a changeling Flyn would die to protect. Suddenly Flyn finds himself on a quest to keep dear Pocket’s location secret. By his side, Deglan Loamtoes, a gnome herbalist with an acerbic wit, and the brilliant but excruciatingly awkward Ingelbert Crane. Venturing into the unforgiving cold of the island of Middangeard, the trio find themselves close to the historical forces that shaped the very world. Hindered by giants, trolls, bands of berserkers, throngs of restless dead, and haunted by the howling phantoms of his own barbaric past, Flyn must face an ancient horror that threatens not only his life, but the fate of his entire race. “An addictively readable—and undeniably cool—fantasy masterwork.” —Kirkus Reviews (starred review) on The Grey Bastards
Focusing on narratives about female knights-errant (xia) along thematic lines in Chinese literacy history, this text provides an overview of the narrative subgenre, the literary representation of gender and the particularities of the Chinese knight-errantry narrative.
The expression laissez les bons temps rouler—"let the good times roll"—conveys the sense of exuberance and good times associated with southern Louisiana’s vibrant cultural milieu. Yet, for Cajuns, descendants of French settlers exiled from New Brunswick and Nova Scotia in the mid-eighteenth century, this sense of celebration has always been mixed with sorrow. By focusing on Cajun music and dance and the ways they convey the dual experiences of joy and pain, Disenchanting Les Bons Temps illuminates the complexities of Cajun culture. Charles J. Stivale shows how vexed issues of cultural identity and authenticity are negotiated through the rich expressions of emotion, sensation, sound, and movement in Cajun music and dance. Stivale combines his personal knowledge and love of Cajun music and dance with the theoretical insights of Gilles Deleuze and Félix Guattari to consider representations of things Cajun. He examines the themes expressed within the lyrics of the Cajun musical repertoire and reflects on the ways Cajun cultural practices are portrayed in different genres including feature films, documentaries, and instructional dance videos. He analyzes the dynamic exchanges between musicians, dancers, and spectators at such venues as bars and music festivals. He also considers a number of thorny socio-political issues underlying Cajun culture, including racial tensions and linguistic isolation. At the same time, he describes various efforts by contemporary musicians and their fans to transcend the limitations of cultural stereotypes and social exclusion. Disenchanting Les Bons Temps will appeal to those interested in Cajun culture, issues of race and ethnicity, music and dance, and the intersection of French and Francophone studies with Anglo and American cultural studies.
Of the Contract is a version of a text that is as old as any memory, or a form of legal instrument that constitutes the basis of the world in which its terms have been translated. The text remains as open to renewal as that world remains to future alteration, and the terms are both already past, and always yet to come. The notion of the debt that is presented by the contract corresponds to a conception of accountancy and finance that provide a new approach to the contemporary problem of the sense of that external to the terms of human access.A reinterpretation of the philosophical tradition that runs through Levinas and Heidegger to Kant, Of the Contract is also grounded in the medieval tradition that was centered on the notion of ¿contraction,¿ and its writing was inspired by forms of life such as those found in the development of monastic constitutions, and the novels of knight errantry. It is also an oblique contribution to the recent discussions on the nature of debt, and is deeply marked by an awareness of climate change, and the insufficiencies of capital to overcome this crisis.All of these concerns however were contracted in a more acute awareness of the process of expression, and the work is given first of all as literature. It is the nature of the terms that they are open to untold interpretations.
