Filled with romantic tales of Lancelot and early Grail legends, this exacting translation of de Troyes' verse narratives written in the 12th century features four romances that expound on the ideals of French chivalry.
"[A]n eminently readable text, done clearly and accurately . . . it gives as good an idea as a translation can of the complexity and subtlety of Chrétien's originals. . . . The text is provided by a translator who understands the spirit as well as the letter of the original and renders it with style. . . . [T]his translation should attract a wide audience of students and Arthurian enthusiasts." —Speculum "[A] significant contribution to the field of medieval studies [and] a pleasure to read." —Library Journal "These are, above all, stories of courtly love and of knights tested in their devotion to chivalric ideals (with passion and duty often at odds); but they are also thrilling wonder stories of giants, wild men, tame lions, razor-sharp bridges and visits to the Other World." —Washington Post Book World "This tastefully produced book will be the standard general translation for many years to come." —Choice This new translation brings to life for a new generation of readers the stories of King Arthur, Lancelot, Guinevere, Gawain, Perceval, Yvain, and the other "knights and ladies" of Chrétien de Troyes' famous romances.
Glck's poetry resists collection. With each successive book her drive to leave behind what came before has grown more fierce. She invented a form to accommodate this need, the book-length sequence of poems.
A fine collection...an excellent introduction to Chrétien's world and work. Highly recommended. CHOICE Chrétien de Troyes is arguably the creator of Arthurian romance, and it is on his work that later writers have based their interpretations. This book offers both crucial information on, and a comprehensive coverage of, all aspectsof the work of Chrétien de Troyes - the literary and historical background, patronage, his influence on other writers, manuscripts and editions of his work and, at the heart of the volume, major essays on the themes, techniques and artistic achievements in each of his compositions; the contributions, all from leading experts in Chrétien and related studies, have been commissioned especially for this volume and are designed to remain accessible to studentswhile also addressing specialists in Arthurian studies and Chrétien de Troyes. They reflect the most current critical and scholarly views on one of the greatest of medieval authors. CONTRIBUTORS: JOHN W. BALDWIN, JUNEHALL MCCASH, LAURENCE HARF-LANCNER, NORRIS J. LACY, DOUGLAS KELLY, KEITH BUSBY, PETER F. DEMBOWSKI, ROBERTA L. KRUEGER, DONALD MADDOX, SARA STURM-MADDOX, JOAN TASKER GRIMBERT, MATILDA TOMARYN BRUCKNER, TONY HUNT, RUPERT T. PICKENS, ANNIE COMBES, MICHELLE SZKILNIK, EMMANUELE BAUMGARTNER
A Finalist for the Pulitzer Prize in Poetry A stunning new collection by the award-winning young poet and translator Like, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre’s note in the epic. A poem can hardly exist otherwise. In this new collection, her most ambitious to date, A. E. Stallings continues her archeology of the domestic, her odyssey through myth and motherhood in received and invented forms, from sonnets to syllabics. Stallings also eschews the poetry volume’s conventional sections for the arbitrary order of the alphabet. Contemporary Athens itself, a place never dull during the economic and migration crises of recent years, shakes off the dust of history and emerges as a vibrant character. Known for her wry and musical lyric poems, Stallings here explores her themes in greater depth, including the bravura performance Lost and Found, a meditation in ottava rima on a parent’s sublunary dance with daily-ness and time, set in the moon’s Valley of Lost Things.
Twelfth-century French poet Chrétien de Troyes was one of the most influential figures in Western literature, for his romantic poems on the legend of King Arthur gave rise to a tradition of storytelling that continues to this day. This important and fascinating book is a study of all of Chrétien’s work. Joseph J. Duggan begins with an introduction that sets Chrétien within the social and intellectual currents of his time. He then organizes the book in chapters that focus on major issues in Chrétien’s romances rather than on individual works, topics that range from the importance of kinship and genealogy to standards of secular moral responsibility and from Chrétien’s art of narration to his representation of knighthood. Duggan offers new perspectives on many of these themes: in a chapter on the influence of Celtic mythology, for example, he gives special attention to the ways Chrétien integrated portrayals of motivation with mythic themes and characters, and in discussing the Grail romance, he explores the parallels between Perceval’s and Gauvain’s adventures.
A medieval historian examines what we really know about the man who was “Merlin the Magician” and his impact on Britain. Merlin has remained an enthralling and curious individual since he was first introduced in the twelfth century in Geoffrey of Monmouth’s Historia Regum Britanniae. But although the Merlin of literature and Arthurian myth is well known, his “historical” figure and his relation to medieval magic are less familiar. In this book Anne Lawrence-Mathers explores just who he was and what he has meant to Britain. The historical Merlin was no rough magician: he was a learned figure from the cutting edge of medieval science and adept in astrology, cosmology, prophecy, and natural magic, as well as being a seer and a proto-alchemist. His powers were convincingly real—and useful, for they helped to add credibility to the “long-lost” history of Britain which first revealed them to a European public. Merlin’s prophecies reassuringly foretold Britain’s path, establishing an ancient ancestral line and linking biblical prophecy with more recent times. Merlin helped to put British history into world history. Lawrence-Mathers also explores the meaning of Merlin’s magic across the centuries, arguing that he embodied ancient Christian and pagan magical traditions, recreated for a medieval court and shaped to fit a new moral framework. Linking Merlin’s reality and power with the culture of the Middle Ages, this remarkable book reveals the true impact of the most famous magician of all time. “The story of how the image of Merlin as political prophet, magician and half-demon evolved in the Middle Ages is as fascinating as any romance.”—Euan Cameron
Neil Cartlidge analyses a number of continental texts which are central to any study of medieval marriage - the De amore of Andreas Capellanus, Erec et Enide, and the letters of Abelard and Heloise - but it is the concern with marriage in the medieval literature of England in particular that forms the substance of this book.