Epistemologies of Aesthetics

Epistemologies of Aesthetics

Author: Dieter Mersch

Publisher: Diaphanes

Published: 2015

Total Pages: 0

ISBN-13: 9783037345214

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Art as research, art-based research, and research as art have become popular issues since the 1990s. This conceptual understanding aims at combining the methods of arts and sciences, but oftentimes falls short of considering the different forms of knowledge that arts and sciences create. This essay investigates the long tradition of the philosophical struggle with and for the epistemological status of the Aesthetic and its relation to scientific truth. Its aim is to deconstruct and displace the common terminology that constitutes this struggle. Furthermore, the purpose of this essay is to identify artistic practice as a mode of thought which does not utilize language in its propositional form and therefore cannot be translated into the discursive strategies of science: an aesthetic mode of thought beyond the linguistic turn and the (self-)understanding of philosophical hermeneutics and post-structuralism, a way of thinking which cannot be substituted by any other system than itself."


Aesthetics, Method, and Epistemology

Aesthetics, Method, and Epistemology

Author: Michel Foucault

Publisher: Penguin Classics

Published: 2020-08-06

Total Pages: 0

ISBN-13: 9780241435113

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Aesthetics offers a focused study on the philosophy, literature and art which informed Foucault's engagement with ethics and power, including brilliant commentaries on the work of de Sade, Rousseau, Marx, Nietzsche, Freud and Wagner.


Philosophy of the Film

Philosophy of the Film

Author: Ian Jarvie

Publisher: Routledge

Published: 2003-09-02

Total Pages: 345

ISBN-13: 1135794650

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Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.


Towards a Digital Epistemology

Towards a Digital Epistemology

Author: Jonas Ingvarsson

Publisher: Springer Nature

Published: 2021

Total Pages: 150

ISBN-13: 3030787249

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This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms?


Aesthetics and the Philosophy of Art

Aesthetics and the Philosophy of Art

Author: Robert Stecker

Publisher: Rowman & Littlefield Publishers

Published: 2010-02-16

Total Pages: 330

ISBN-13: 1442201282

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Praised in its original edition for its up-to-date, rigorous presentation of current debates and for the clarity of its presentation, Robert Stecker's new edition of Aesthetics and the Philosophy of Art preserves the major themes and conclusions of the original, while expanding its content, providing new features, and enhancing accessibility. Stecker introduces students to the history and evolution of aesthetics, and also makes an important distinction between aesthetics and philosophy of art. While aesthetics is the study of value, philosophy of art deals with a much wider array of questions including issues in metaphysics, epistemology, the philosophy of mind, as well value theory. Described as a 'remarkably unified introduction to many contemporary debates in aesthetics and the philosophy of art,' Stecker specializes in sympathetically laying bear the play of argument that emerges as competing views on a topic engage each other. This book does not simply present a controversy in its current state of play, but instead demonstrates a philosophical mind at work helping to advance the issue toward a solution.


Adorno's Theory of Philosophical and Aesthetic Truth

Adorno's Theory of Philosophical and Aesthetic Truth

Author: Owen Hulatt

Publisher: Columbia University Press

Published: 2016-09-27

Total Pages: 272

ISBN-13: 0231542208

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In Adorno's Theory of Philosophical and Aesthetic Truth, Owen Hulatt undertakes an original reading of Theodor W. Adorno's epistemology and its material underpinnings, deepening our understanding of his theories of truth, art, and the nonidentical. Hulatt's novel interpretation casts Adorno's theory of philosophical and aesthetic truth as substantially unified, supporting the thinker's claim that both philosophy and art are capable of being true. For Adorno, truth is produced when rhetorical "texture" combines with cognitive "performance," leading to the breakdown of concepts that mediate the experience of the consciousness. Both philosophy and art manifest these features, although philosophy enacts these conceptual issues directly, while art does so obliquely. Hulatt builds a robust argument for Adorno's claim that concepts ineluctably misconstrue their objects. He also puts the still influential thinker into conversation with Hegel, Husserl, Frazer, Sohn-Rethel, Benjamin, Strawson, Dahlhaus, Habermas, and Caillois, among many others.


The Aesthetics of Science

The Aesthetics of Science

Author: Milena Ivanova

Publisher: Routledge

Published: 2020-01-16

Total Pages: 306

ISBN-13: 0429638558

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This volume builds on two recent developments in philosophy on the relationship between art and science: the notion of representation and the role of values in theory choice and the development of scientific theories. Its aim is to address questions regarding scientific creativity and imagination, the status of scientific performances—such as thought experiments and visual aids—and the role of aesthetic considerations in the context of discovery and justification of scientific theories. Several contributions focus on the concept of beauty as employed by practising scientists, the aesthetic factors at play in science and their role in decision making. Other essays address the question of scientific creativity and how aesthetic judgment resolves the problem of theory choice by employing aesthetic criteria and incorporating insights from both objectivism and subjectivism. The volume also features original perspectives on the role of the sublime in science and sheds light on the empirical work studying the experience of the sublime in science and its relation to the experience of understanding. The Aesthetics of Science tackles these topics from a variety of novel and thought-provoking angles. It will be of interest to researchers and advanced students in philosophy of science and aesthetics, as well as other subdisciplines such as epistemology and philosophy of mathematics.


Knowing Art

Knowing Art

Author: Matthew Kieran

Publisher: Springer Science & Business Media

Published: 2007-10-20

Total Pages: 185

ISBN-13: 1402052650

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Artworks potentially convey two kinds of knowledge: knowledge of art itself as well as general empirical knowledge, especially knowledge of human psychology. This book collects ten essays written by leading philosophers who distill and build upon recent work at the intersection of aesthetics and epistemology. The volume also explores the challenges that art poses for theories of knowledge as well as the challenges that artistic knowledge poses to traditional views about art.


Kinaesthetic Knowing

Kinaesthetic Knowing

Author: Zeynep Çelik Alexander

Publisher: University of Chicago Press

Published: 2017-12-08

Total Pages: 328

ISBN-13: 022648520X

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Introduction: a peculiar experiment -- Kinaesthetic knowing: the nineteenth-century biography of another kind of knowledge -- Looking: Wölfflin's comparative vision -- Affecting: Endell's mathematics of living feeling -- Drawing: the Debschitz school and formalism's subject -- Designing: discipline and introspection at the Bauhaus -- Epilogue