Jeremy Bentham, the founder of classical utilitarianism, was a seminal figure in the history of modern political thought. This lively monograph presents the numerous French connections of an emblematic British thinker. Perhaps more than any other intellectual of his time, Bentham engaged with contemporary events and people in France, even writing in French in the 1780s. Placing Bentham's thought in the context of the French-language Enlightenment through to the post-Revolutionary era, Emmanuelle de Champs makes the case for a historical study of 'Global Bentham'. Examining previously unpublished sources, she traces the circulation of Bentham's letters, friends, manuscripts, and books in the French-speaking world. This study in transnational intellectual history reveals how utilitarianism, as a doctrine, was both the product of, and a contribution to, French-language political thought at a key time in European history. The debates surrounding utilitarianism in France cast new light on the making of modern Liberalism.
A groundbreaking work that places the mechanical arts and the world of making at the heart of the Enlightenment What would the Enlightenment look like from the perspective of artistes, the learned artisans with esprit, who presented themselves in contrast to philosophers, savants, and routine-bound craftsmen? Making a radical change of historical protagonists, Paola Bertucci places the mechanical arts and the world of making at the heart of the Enlightenment. At a time of great colonial, commercial, and imperial concerns, artistes planned encyclopedic projects and sought an official role in the administration of the French state. The Société des Arts, which they envisioned as a state institution that would foster France’s colonial and economic expansion, was the most ambitious expression of their collective aspirations. Artisanal Enlightenment provides the first in-depth study of the Société, and demonstrates its legacy in scientific programs, academies, and the making of Diderot and D’Alembert’s Encyclopédie. Through insightful analysis of textual, visual, and material sources, Bertucci provides a groundbreaking perspective on the politics of writing on the mechanical arts and the development of key Enlightenment concepts such as improvement, utility, and progress.
Happiness and Utility brings together experts on utilitarianism to explore the concept of happiness within the utilitarian tradition, situating it in earlier eighteenth-century thinkers and working through some of its developments at the end of the nineteenth and beginning of the twentieth centuries. Drawing on a range of philosophical and historical approaches to the study of the central idea of utilitarianism, the chapters provide a rich set of insights into a founding component of ethics and modern political and economic thought, as well as political and economic practice. In doing so, the chapters examine the multiple dimensions of utilitarianism and the contested interpretations of this standard for judgement in morality and public policy.
The eighteenth century saw the creation of a number of remarkable mechanical androids: at least ten prominent automata were built between 1735 and 1810 by clockmakers, court mechanics, and other artisans from France, Switzerland, Austria, and the German lands. Designed to perform sophisticated activities such as writing, drawing, or music making, these “Enlightenment automata” have attracted continuous critical attention from the time they were made to the present, often as harbingers of the modern industrial age, an era during which human bodies and souls supposedly became mechanized. In Androids in the Enlightenment, Adelheid Voskuhl investigates two such automata—both depicting piano-playing women. These automata not only play music, but also move their heads, eyes, and torsos to mimic a sentimental body technique of the eighteenth century: musicians were expected to generate sentiments in themselves while playing, then communicate them to the audience through bodily motions. Voskuhl argues, contrary to much of the subsequent scholarly conversation, that these automata were unique masterpieces that illustrated the sentimental culture of a civil society rather than expressions of anxiety about the mechanization of humans by industrial technology. She demonstrates that only in a later age of industrial factory production did mechanical androids instill the fear that modern selves and societies had become indistinguishable from machines.
"The first book to situate early American experimental science in the context of a transatlantic public sphere, A Most Amazing Scene of Wonders offers a view of the origins of American science and the cultural meaning of the American Enlightenment."--BOOK JACKET.
Intro -- Contents -- Introduction -- 1. Alan Charles Kors / Just and Arbitrary Authority in Enlightenment Thought -- 2. Richard Kennington / Bacon's Reform of Nature -- 3. Pamela Kraus / Method and Metaphysics: The Foundation of Philosophy in the Discourse on Method -- 4. Robert P. Kraynak / Hobbes and the Dogmatism of the Enlightenment -- 5. John C. Mccarthy / Pascal on Certainty and Utility -- 6. Paul J. Bagley / Spinoza, Biblical Criticism, and the Enlightenment -- 7. Philippe Raynaud / Leibniz, Reason -- and Evil -- 8. F.J. Crosson / Hume's Unnatural Religion (Some Humean Footnotes) -- 9. Terence E. Marshall / Poetry and Praxis in Rousseau's Emile: Human Rights and the Sentiment of Humanity -- 10. Kenneth L. Schmitz / Lessing at God's Left Hand -- 11. John R. Silber / Kant and the Mythic Roots of Morality -- 12. Nicholas Capaldi / The Enlightenment Project in Twentieth-Century Philosophy -- Contributors -- Bibliography -- Index
We have long been taught that the Enlightenment was an attempt to free the world from the clutches of Christian civilization and make it safe for philosophy. The lesson has been well learned. In today's culture wars, both liberals and their conservative enemies, inside and outside the academy, rest their claims about the present on the notion that the Enlightenment was a secularist movement of philosophically driven emancipation. Historians have had doubts about the accuracy of this portrait for some time, but they have never managed to furnish a viable alternative to it-for themselves, for scholars interested in matters of church and state, or for the public at large. In this book, William J. Bulman and Robert G. Ingram bring together recent scholarship from distinguished experts in history, theology, and literature to make clear that God not only survived the Enlightenment but thrived within it as well. The Enlightenment was not a radical break from the past in which Europeans jettisoned their intellectual and institutional inheritance. It was, to be sure, a moment of great change, but one in which the characteristic convictions and traditions of the Renaissance and Reformation were perpetuated to the point of transformation, in the wake of the Wars of Religion and during the early phases of globalization. The Enlightenment's primary imperatives were not freedom and irreligion but peace and prosperity. As a result, Enlightenment could be Christian, communitarian, or authoritarian as easily as it could be atheistic, individualistic, or libertarian. Honing in on the intellectual crisis of the late seventeenth and early eighteenth centuries while moving from Spinoza to Kant and from India to Peru, God in the Enlightenment takes a prism to the age of lights.
By turns witty and profound, The Curious Enlightenment of Professor Caritat is a novel in the spirit of Gulliver's Travels or Animal Farm. Telling the story of the travels of a Professor Caritat, who is in search of the perfect world, Steven Lukes us on an irreverent romp through the history of western political philosophy. Doing for that discipline what Sophie's World did for philosophy in general, The Curious Enlightenment of Professor Caritat is both a refreshing humorous introduction to the clasing ideologies of our time, and a passionate defence of the much-abused Enlightenment and its core values of reason, freedom and tolerance.