The English and Scottish Popular Ballads; Volume 1

The English and Scottish Popular Ballads; Volume 1

Author: Francis James Child

Publisher: Legare Street Press

Published: 2022-10-26

Total Pages: 0

ISBN-13: 9781015530737

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


English and Scottish Ballads (Vol. 1-8)

English and Scottish Ballads (Vol. 1-8)

Author: Various Authors

Publisher: DigiCat

Published: 2023-11-24

Total Pages: 1828

ISBN-13:

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The Child Ballads are traditional ballads from England and Scotland, collected and anthologized by Francis James Child during the second half of the 19th century. The collection contains examples from the 13th century onward. However, the majority of the ballads date to the seventeenth and eighteenth century. Although some have very ancient influences, only a handful can be definitively traced to before 1600. Child Ballads are heavier and darker than other ballads. The topics of the ballads are romance, enchantment, devotion, determination, obsession, jealousy, forbidden love, hallucination, the suppressed truth, supernatural experiences and deeds, half-human creatures, teenagers, family strife, the boldness of outlaws, authority, lust, death, karma, punishment, sin, morality, vanity, folly, dignity, nobility, and many others. They contain stories of national heroes like Robin Hood and mysterious creatures like elves and fairies.


The Anglo-Scottish Ballad and its Imaginary Contexts

The Anglo-Scottish Ballad and its Imaginary Contexts

Author: David Atkinson

Publisher: Open Book Publishers

Published: 2014-03-12

Total Pages: 228

ISBN-13: 1783740272

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This is the first book to combine contemporary debates in ballad studies with the insights of modern textual scholarship. Just like canonical literature and music, the ballad should not be seen as a uniquely authentic item inextricably tied to a documented source, but rather as an unstable structure subject to the vagaries of production, reception, and editing. Among the matters addressed are topics central to the subject, including ballad origins, oral and printed transmission, sound and writing, agency and editing, and textual and melodic indeterminacy and instability. While drawing on the time-honoured materials of ballad studies, the book offers a theoretical framework for the discipline to complement the largely ethnographic approach that has dominated in recent decades. Primarily directed at the community of ballad and folk song scholars, the book will be of interest to researchers in several adjacent fields, including folklore, oral literature, ethnomusicology, and textual scholarship.


Child's Unfinished Masterpiece

Child's Unfinished Masterpiece

Author: Mary Ellen Brown

Publisher: University of Illinois Press

Published: 2011

Total Pages: 298

ISBN-13: 0252035941

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The premier scholar of the English-language traditional or popular ballad, Francis James Child spent decades working on his widely read and performed collection, The English and Scottish Popular Ballads. In this first single author monograph of Child's life and work, Mary Ellen Brown analyzes Child's editorial methods, his decisions about which ballads to include, and his relationships with colleagues at Harvard and abroad. Brown draws on his extensive correspondence with collaborators to trace the production of his monumental work from conception and selection through organization and collation of the ballads. Child's Unfinished Masterpiece shows readers what was at stake in Child's search for original manuscript materials housed at libraries and estates far afield and his desire to uncover unedited versions of previous editors' texts. In analyzing Child's letters, Brown also delves into his important network of collaborators, scholars, and friends such as William Macmath, Sven Grundtvig, James Russell Lowell, and Charles Eliot Norton, who influenced the organization and content of his work. Readers learn about the questions Child faced as an editor: whether the materials he gathered were authentic, whether a piece was more ballad or a song, or whether the text was sufficiently old or traditional. In showing Child's struggles with content and organization for The English and Scottish Popular Ballads, Brown notes the difficulty in defining the ballad genre while also showing that a clear definition is not a fatal flaw of the volume or to scholars' continued study of it.


The New Penguin Book of English Folk Songs

The New Penguin Book of English Folk Songs

Author: Julia Bishop

Publisher: Penguin UK

Published: 2012-06-07

Total Pages: 666

ISBN-13: 0141964324

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One of the Spectator's Books of the Year 2012 'Farewell and adieu to you fair Spanish ladies Farewell and adieu to you ladies of Spain For we've received orders for to sail for old England But we hope in a short while to see you again' One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. They have thrived when sung on a whim to a handful of friends in a pub; they have bewitched generations of English composers who have set them for everything from solo violin to full orchestra; they are sung in concerts, festivals, weddings, funerals and with nobody to hear but the singer. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A.L.Lloyd's original Penguin Book of English Folk Songs. 'Her keen eye did glitter like the bright stars by night The robe she was wearing was costly and white Her bare neck was shaded with her long raven hair And they called her pretty Susan, the pride of Kildare' In association with EFDSS, the English Folk Dance and Song Society


The Traditional Tunes of the Child Ballads

The Traditional Tunes of the Child Ballads

Author: Bertrand Harris Bronson

Publisher:

Published: 2009-07-01

Total Pages: 586

ISBN-13: 9781935243069

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The Traditional Tunes of the Child Ballads begins where Francis Child's The English and Scottish Popular Ballads leaves off. Bronson has collected all available tunes for each of Child's ballads, annotated and organized them, with notes describing the history and development of each tune and tune family. This is an indispensable text for ballad scholars, performers, and students of the ballad tradition.


The Glenbuchat Ballads

The Glenbuchat Ballads

Author: David Buchan

Publisher: Univ. Press of Mississippi

Published: 2011-01-05

Total Pages: 349

ISBN-13: 1604731583

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Sometime in the early nineteenth century, most likely in the year 1818, the Reverend Robert Scott, minister of the parish of Glenbuchat in Aberdeenshire, Scotland, compiled a collection of traditional ballads that until now has not been published. Most of the ballad collections produced during the Scottish Romantic Revival were eventually anthologized in Francis James Child's seminal English and Scottish Popular Ballads (five volumes, 1882-96). Yet, the Glenbuchat manuscripts, containing sixty-eight ballads in four folio volumes, were not included in Child's volumes. The complete work only came to light in 1949 when it was donated to the Special Collections of the Aberdeen University Library by a descendent of the original compiler. Scott did not give the precise locations of where he collected his ballads or name the performers, but the texts are unique and appear to have been drawn from oral sources. As such, the ballads reveal a great deal about the nature of traditional music at the time they were collected. The Glenbuchat Ballads were originally prepared for publication by David Buchan, one of the leading ballad scholars of the twentieth century. Upon Buchan's death, his former student James Moreira took up and completed his work and wrote the detailed introductory essay and annotations in this volume.


Mad Love, Murder and Mayhem

Mad Love, Murder and Mayhem

Author: Joshua Hampton

Publisher: Createspace Independent Publishing Platform

Published: 2018-06-29

Total Pages: 222

ISBN-13: 9781717495693

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Includes a plot summary, brief history, and list of selected recordings for each ballad! At the end of the 19th century, Harvard professor Francis James Child published a collection of 305 traditional English and Scottish ballads that would influence folk tradition and popular culture for decades to come. Presented here are those Child Ballads that have become most widely known around the world. While the songs themselves may be centuries old, the stories they tell are timeless. So go forth now and enjoy these tales of kings, queens, serving men and maidens, spirits, demons and guardian angels; of redemption, betrayal, avengement and loss, and, of course... MAD LOVE, MURDER & MAYHEM.


The Ballad and Oral Literature

The Ballad and Oral Literature

Author: Joseph Harris

Publisher: Harvard University Press

Published: 1991

Total Pages: 334

ISBN-13: 9780674060456

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Francis James Child, compiler and editor of English and Scottish Popular Ballads, established the scholarly study of folk ballads in the English-speaking world. His successors at Harvard University, notably George Lyman Kittredge, Milman Parry, and Albert B. Lord, discovered new ways of relating ideas about sung narrative to the study of epic poetry and what has come to be called - oral literature. In this volume, 16 scholars from Europe and the United States offer original essays in the spirit of these pioneers. The topics of their studies include well-known Child ballads in their British and American forms; aspects of the oral literatures of France, Ireland, Scandinavia, medieval England, ancient Greece, and modern Egypt; and recent literary ballads and popular songs. Many of the essays evince a concern with the theoretical underpinnings of the study of folklore and literature, orality and literacy; and as a whole the volume re-establishes the European ballad in the wider context of oral literature. Among the contributors are Albert B. Lord, Bengt R. Jonsson, Gregory Nagy, David Buchan, Vesteinn Olason, and Karl Reichl.