Four characters play a game of life, concluding with the exit of one character and the immobility of the remaining three, in a study of man's relationship to his fellows
Here... at long last... we have it. A new type of endgame book. A book which explains how to handle those positions that frequently occur in practical play but, curiously, are hardly ever the subject of theoretical works. Most endgame books rely upon recycling established theory on basic positions, or concentrate on fantastical studies. This one is different. Well known Grandmaster and endgame expert Glenn Flear examines in depth all endgames which feature either two pieces for each side, or two pieces against one. Why is this an important subject? Because these situations arise surprisingly frequently in practical play. For example, an examination of any big database will reveal that the endgame of rook and minor piece versus rook and minor piece arises in nearly 20% of games. That means that if you open with 1 e4, you are more likely to reach one of these endgames than you are to face the French Defence. And overall, every time you sit down to play a game of chess, there is nearly a 50% chance that you will reach one of the endgames covered in this book. If you can handle such endgames well, your results will inevitably improve. This book will show you how.
For all chess players, beginners to professionals, one thing is crucial: any ending knowledge will bring you the key to success. In this area of the game, many points are given away through the lack of adequate knowledge of these endings. Alexey Dreev continued his journey, after his first in the series 'Practical Play in the Middlegame', he provided an unique and practical guide, logically and clearly organized by theme. On top of that he also included many fascinating exercices to test the reader's understanding. This endgame book should be in anyone's library if you want to acquire the correct knowledge of the final part of our Royal Game.
Jacob Aagaard presents the reader with a few key concepts in the endgame in chess and invites him to test his skills with a lot of examples from recent tournament practice. Where many endgame books are theoretical and emphasize memorization, Endgame Play is based entirely in the real world, where the ability to react precisely in technical positions is a life skill.
If one were to do a survey of club and tournament players to determine which areas of the game they feel that they are weak in, there is little doubt that most would admit to poor endgame play However, while these players would happily spend an afternoon looking at the latest variation of their favorite opening, few spend any time at all studying the endgame. 'Endgame books are just too boring, ' they would say. Not this one! Here, International Master Neil McDonald provides a fresh approach to endgame, concentrating on practical aspects that all players will find useful. This is the ideal handbook for club and tournament players, using games by Kasparov, Anand and others to explain the principles of endgame play, and employing a thematic approach to demonstrate typical endgame motifs. Neil McDonald is also the author of Positional Sacrifices and Modern Chess Miniatures (both of which are available from Cadogan)
This collection of essays the first volume in the Dialogue series brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett s play Endgame. These essays broach a broad range of topics, many of which are inherently controversial and have generated significant levels of debate in the past. Critical readings of the play in relation to music, metaphysics, intertextuality, and time are counterpointed by essays that consider the nature of performance, the history of the theater and the music hall, Beckett s attitudes to directing his play, and his responses to other directors. This collection will be of special interest to Beckett scholars, to students of literature and drama, and to drama theorists and practitioners.
This collection of essays – the first volume in the Dialogue series – brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett’s play Endgame. These essays broach a broad range of topics, many of which are inherently controversial and have generated significant levels of debate in the past. Critical readings of the play in relation to music, metaphysics, intertextuality, and time are counterpointed by essays that consider the nature of performance, the history of the theater and the music hall, Beckett’s attitudes to directing his play, and his responses to other directors. This collection will be of special interest to Beckett scholars, to students of literature and drama, and to drama theorists and practitioners.
Collects over twenty short plays published by the Nobel Prize winning playwright Samuel Beckett. Includes his mimes, radio and television plays, screenplay, and adaptations of other's works.
In this companion volume to Fundamental Chess Endings, M�ller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions. Major topics include: * Basic Principles and Methods * Activity * Schematic Thinking * The Fight for the Initiative * Prophylaxis and Preventing Counterplay * The Bishop-Pair in the Endgame * Domination * The Art of Defence * Typical Mistakes * Rules of Thumb
Originally written in French and translated into English by Beckett, 'Endgame' was given its first London performance at the Royal Court Theatre in 1957.