This beloved Newbery Honor-winning story about a feisty heroine is sure to enchant readers new and old. At her birth, Ella of Frell receives a foolish fairy's gift—the “gift” of obedience. Ella must obey any order, whether it's to hop on one foot for a day and a half, or to chop off her own head! But strong-willed Ella does not accept her fate... Against a bold backdrop of princes, ogres, giants, wicked stepsisters, and fairy godmothers, Ella goes on a quest to break the curse forever. A tween favorite for 25 years—now shared with today's young readers by moms, teachers, and other adults who remember the pleasure of discovering this fun fairy-tale retelling themselves!
Enchanted Calvinism's surprising central proposition is that Ghanaian Presbyterian communities have become more enchanted -- i.e., attuned to spiritual explanations of and remedies for suffering -- as they have become moreintegrated into capitalist modes of production. Enchanted Calvinism's central proposition is that Ghanaian Presbyterian communities, both past and present, have become more enchanted -- more attuned to spiritual explanations of and remedies for suffering -- as they havebecome integrated into capitalist modes of production. The author draws on a Weberian concept of religious enchantment to analyze the phenomena of spiritual affliction and spiritual healing within the Presbyterian Church of Ghana, particularly under the conditions of labor migration: first, in the early twentieth century during the cocoa boom in Ghana and, second, at the turn of the twenty-first century in their migration from Ghana to North America. Relying on extensive archival research, oral interviews, and participant-observation conducted in North America, Europe, and West Africa, this study demonstrates that the more these Ghanaian Calvinists became dependent on capitalist modes of production, the more enchanted their lives and, subsequently, their church became, although in different ways within these two migrations. One striking pattern that has emerged among Ghanaian Presbyterian labor migrants in North America, for example, is a radical shift in gendered healing practices, where women have become prominent healers while a significant number of men have become spirit-possessed. Adam Mohr is Senior Writing Fellow in Anthropology in the Critical Writing Program at the University of Pennsylvania.
From The Hobbit to Harry Potter, how fantasy harnesses the cultural power of magic, medievalism, and childhood to re-enchant the modern world Why are so many people drawn to fantasy set in medieval, British-looking lands? This question has immediate significance for millions around the world: from fans of Lord of the Rings, Narnia, Harry Potter, and Game of Thrones to those who avoid fantasy because of the racist, sexist, and escapist tendencies they have found there. Drawing on the history and power of children’s fantasy literature, Re-Enchanted argues that magic, medievalism, and childhood hold the paradoxical ability to re-enchant modern life. Focusing on works by authors such as J. R. R. Tolkien, C. S. Lewis, Susan Cooper, Philip Pullman, J. K. Rowling, and Nnedi Okorafor, Re-Enchanted uncovers a new genealogy for medievalist fantasy—one that reveals the genre to be as important to the history of English studies and literary modernism as it is to shaping beliefs across geographies and generations. Maria Sachiko Cecire follows children’s fantasy as it transforms over the twentieth and twenty-first centuries—including the rise of diverse counternarratives and fantasy’s move into “high-brow” literary fiction. Grounded in a combination of archival scholarship and literary and cultural analysis, Re-Enchanted argues that medievalist fantasy has become a psychologized landscape for contemporary explorations of what it means to grow up, live well, and belong. The influential “Oxford School” of children’s fantasy connects to key issues throughout this book, from the legacies of empire and racial exclusion in children’s literature to what Christmas magic tells us about the roles of childhood and enchantment in Anglo-American culture. Re-Enchanted engages with critical debates around what constitutes high and low culture during moments of crisis in the humanities, political and affective uses of childhood and the mythological past, the anxieties of modernity, and the social impact of racially charged origin stories.
Holiday season 2007 is going to be Enchanted! Featuring an all-star cast that includes Patrick Dempsey and Amy Adams, the new Disney film is sure to be a hit with audiences of all ages. Following the lovable Giselle from an animated world to the mean streets of Manhattan, the movie pays tribute to classic fairy tales and the never-ending belief by girls of all ages that Prince Charming truly does exist. Early Reader #1: A Dream Come True When Giselle falls through a well and lands in the middle of Times Square, she doesn't know what to do. But one little girl is determined to help her find "happily ever after."
For hunters who love the north woods, the past glory of the wilderness is recorded here. Paulina Brandreth, who wrote under the pseudonym Paul Brandreth, was a woman who hunted and photographed deer in the Adirondacks with noted deer hunters Roy Chapman Andrews, General 'Black Jack' Pershing, and Reuben Cary. She began writing for the acclaimed sportsmen's journal Forest and Stream in 1894 at the age of nine. Her material in the magazine was credited to Camp Good Enough, Brandreth Lake, a major deer camp on land purchased by her grandfather specifically for hunting and fishing. One of only a few women writing about hunting at that time, Brandreth chose to continue to write under a pseudonym, publishing Trails of Enchantment in 1930. She was passionate about still-hunting whitetail bucks, evident in a hunt with her guide and friend Reuben Cary: Side by side, we knelt in the snow, waiting for the buck to appear from behind the intervening trunk of a big birch. The suspense was harrowing. And then at last he loomed suddenly before us....
