The Uses Of Autobiography
The Uses Of Autobiography

Author: Julia Swindells Homerton College, Cambridge.

Publisher: Taylor & Francis

Published: 2014-03-18

Total Pages: 266

ISBN-13: 1135346291

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First Published in 1995. Autobiography is commonly understood in terms of giving readers insight into the private lives of unique individuals, but in recent years the autobiographical project has absorbed a wide variety of social concerns. The contributors to this book explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand and the United Kingdom. The chapters draw on a number of approaches, including historical and literary methods to represent the autobiography's purpose of establishing communities of interest and social change.

Jewish Representation in British Literature 1780-1840
Jewish Representation in British Literature 1780-1840

Author: M. Scrivener

Publisher: Springer

Published: 2011-09-26

Total Pages: 433

ISBN-13: 0230120024

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Describing Jewish representation by Jews and Gentiles in the British Romantic era from the Old Bailey courtroom and popular songs to novels, poetry, and political pamphlets, Scrivener integrates popular culture with belletristic writing to explore the wildly varying treatments of stereotypical Jewish figures.

The Jewess in Nineteenth-Century British Literary Culture
The Jewess in Nineteenth-Century British Literary Culture

Author: Nadia Valman

Publisher: Cambridge University Press

Published: 2007-04-12

Total Pages: 19

ISBN-13: 1139464213

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Stories about Jewesses proliferated in nineteenth-century Britain as debates about the place of the Jews in the nation raged. While previous scholarship has explored the prevalence of antisemitic stereotypes in this period, Nadia Valman argues that the figure of the Jewess - virtuous, appealing and sacrificial - reveals how hostility towards Jews was accompanied by pity, identification and desire. Reading a range of texts from popular romance to the realist novel, she investigates how the complex figure of the Jewess brought the instabilities of nineteenth-century religious, racial and national identity into uniquely sharp focus. Tracing the narrative of the Jewess from its beginnings in Romantic and Evangelical literature, and reading canonical writers including Walter Scott, George Eliot and Anthony Trollope alongside more minor figures such as Charlotte Elizabeth Tonna, Grace Aguilar and Amy Levy, Valman demonstrates the remarkable persistence of this narrative and its myriad transformations across the century.