"Comparative study in transatlantic Romanticism that traces the links between German idealism, British Romanticism (Wordsworth, Coleridge, Carlyle), and American Transcendentalism. Focuses on Emerson's development and use of the concept of intuitive Reason, which became the intellectual and emotional foundation of American Transcendentalism"--Provided by publisher.
The Oxford Handbook of William Wordsworth deploys its forty-seven original essays to present a stimulating account of Wordsworth's life and achievement and to map new directions in criticism. In addition to twenty-two essays wholly on Wordsworth's poetry, other essays return to the poetry while exploring other dimensions of the life and work of the major Romantic poet. The result is a dialogic exploration of many major texts and problems in Wordsworth scholarship. This uniquely comprehensive handbook is structured so as to present, in turn, Wordsworth's life, career, and networks; aspects of the major lyrical and narrative poetry; components of 'The Recluse'; his poetical inheritance and his transformation of poetics; the variety of intellectual influences upon his work, from classical republican thought to modern science; his shaping of modern culture in such fields as gender, landscape, psychology, ethics, politics, religion, and ecology; and his 19th- and 20th-century reception-most importantly by poets, but also in modern criticism and scholarship.
The Handbook of American Romanticism presents a comprehensive survey of the various schools, authors, and works that constituted antebellum literature in the United States. The volume is designed to feature a selection of representative case studies and to assess them within two complementary frameworks: the most relevant historical, political, and institutional contexts of the antebellum decades and the consequent (re-)appropriations of the Romantic period by academic literary criticism in the twentieth and early twenty-first centuries.
This new study argues that Coleridge was so influential in America because he provided a framework for American intellectuals to address one of the great questions of European Romanticism: what is the relationship between the Romantic triad of nature, spi
Much has been written about Ralph Waldo Emerson's fundamental contributions to American literature and culture as an essayist, philosopher, lecturer, and poet. However, despite wide agreement among literary and rhetorical scholars on the need for further study of Emerson as a rhetorical theorist, not much has been published on the subject. Emerson and the History of Rhetoric fills this gap in our knowledge, reenvisioning Emerson's work through his significant engagement with rhetorical theory throughout his career and providing a more profound understanding of Emerson's influence on American ideology. Moving beyond dominant literary critical thinking about Emerson's public speaking by discussing it in the context of rhetorical history, Thompson argues that for Emerson, rhetoric was both imaginative and nonsystematic. The book covers the influences of rhetoricians from a range of periods on Emerson's model of rhetoric, including Plato, Augustine, Edmund Burke, and Hugh Blair. Thompson analyzes Emerson's application of Plato's search for transcendental truth and democratic access to the means of persuasion; the Ciceronian rhetoric of Edmund Burke, which Emerson conceived as the perfect balance between common and aristocratic speech; and Augustine's idea of submission. Drawing on Emerson's manuscript notes, journal entries, and some of his rarely discussed essays and lectures as well as his more famous works, the author demonstrates not only Emerson's relevance to rhetorical history but also rhetorical history's relevance to Emerson and nineteenth-century American literature and culture. This book bridges the divide between literary and rhetorical studies, expanding our understanding of this iconic nineteenth-century man of letters.
This volume traces the life, thought and work of Ralph Waldo Emerson, a giant of American intellectual history, whose transforming ideas greatly strengthened the two leading reform issues of his day: abolition and women’s rights. A broad and deep, yet cautious revolutionary, he spoke about a spectrum of inner and outer realities—personal, philosophical, theological and cultural—all of which gave his mid-career turn to political and social issues their immediate and lasting power. This multi-authored study frankly explores Emerson's private prejudices against blacks and women while he also publicly championed their causes. Such a juxtaposition freshly charts the evolution of Emerson's slow but steady application of his early neo-idealism to emancipating blacks and freeing women from social bondage. His shift from philosopher to active reformer had lasting effects not only in America but also abroad. In the U.S. Emerson influenced such diverse figures as Thoreau, Whitman, Dickinson and William James, and in Europe Mickiewicz, Wilde, Kipling, Nietzsche, and Camus, as well as many leading followers in India and Japan. The book includes over 170 illustrations, among them eight custom-made maps of Emerson's haunts and wide-ranging lecture itineraries as well as a new four-part chronology of his life placed alongside both national and international events as well as major inventions. Mr. Emerson's Revolution provides essential reading for students and teachers of American intellectual history, the abolitionist and women’s rights movement―and for anyone interested in the nineteenth-century roots of these seismic social changes.
The field of theopoetics explores the ways in which we “make God” (present)—particularly through language. This book explores questions of theopoetics as they relate to the central poetry of the American Sublime. It offers a fresh, theological engagement with what literary critic Harold Bloom terms the American religion (transcendentalism: Emerson’s homespun mysticism). Specifically, it seeks to rehabilitate Emerson’s concept of self-reliance from the charge of gross egoism, by situating it in the context of normative mysticisms Eastern and Western. It undertakes a more poetic approach to reading theologically-inflected poetry, by exegeting four poets collectively constituting Bloom’s American religious “canon”: Ralph Waldo Emerson, Walt Whitman, Wallace Stevens, and Hart Crane. It utilizes a modified version of the ancient fourfold allegorical mode of reading Scripture, to draw out theological dimensions of four quintessential texts (Nature, “Song of Myself,” “Sunday Morning,” “Lachrymae Christi”), in order to offer a more imaginative way of reading imaginative writing. Building on Emerson’s contention, “just as there is creative writing, there is creative reading,” and Bloom’s claim, “a theory of poetry . . . must be poetry, before it can be of any use in interpreting poems,” it demonstrates the unique, viable ways in which poems are able to “do” theology—and perform or embody theopoetic truths.
In his study of Romantic naturalists and early environmentalists, Dewey W. Hall asserts that William Wordsworth and Ralph Waldo Emerson were transatlantic literary figures who were both influenced by the English naturalist Gilbert White. In Part 1, Hall examines evidence that as Romantic naturalists interested in meteorology, Wordsworth and Emerson engaged in proto-environmental activity that drew attention to the potential consequences of the locomotive's incursion into Windermere and Concord. In Part 2, Hall suggests that Wordsworth and Emerson shaped the early environmental movement through their work as poets-turned-naturalists, arguing that Wordsworth influenced Octavia Hill’s contribution to the founding of the United Kingdom’s National Trust in 1895, while Emerson inspired John Muir to spearhead the United States’ National Parks movement in 1890. Hall’s book traces the connection from White as a naturalist-turned-poet to Muir as the quintessential early environmental activist who camped in Yosemite with President Theodore Roosevelt. Throughout, Hall raises concerns about the growth of industrialization to make a persuasive case for literature's importance to the rise of environmentalism.
This volume brings together a wide range of scholars to offer new perspectives on the relationship between Romanticism and philosophy. The entanglement of Romantic literature with philosophy is increasingly recognized, just as Romanticism is increasingly viewed as European and Transatlantic, yet few studies combine these coordinates and consider the philosophical significance of distinctly literary questions in British and American Romantic writings. The essays in this book are concerned with literary writing as a form of thinking, investigating the many ways in which Romantic literature across the Atlantic engages with European thought, from 18th- and 19th-century philosophy to contemporary theory. The contributors read Romantic texts both as critical responses to the major debates that have shaped the history of philosophy, and as thought experiments in their own right. This volume thus examines anew the poetic philosophy of Wordsworth, Coleridge, Blake, Shelley, and Clare, also extending beyond poetry to consider other literary genres as philosophically significant, such as Jane Austen’s novels, De Quincey’s autofiction, Edgar Allan Poe’s tales, or Emerson’s essays. Grounded in complementary theoretical backgrounds and reading practices, the various contributions draw on an impressive array of writers and thinkers and challenge our understanding not only of Romanticism, but also of what we have come to think of as "literature" and "philosophy."
