EL GRITO DEL BRONX & OTHER PLAYS collects for the first time three plays and one song-poem by celebrated Nuyorican poet-playwright Migdalia Cruz. With an introduction by eminent Latino scholar Alberto Sandoval-Sanchez and afterword by theatre scholar Priscilla Page, this is an invaluable addition to the field of US Latina/o drama and all of American theatre.
Four plays for music-theatre and performance by accomplished multi-disciplinary playwright-poet-lyricist-composer-storyteller Rinde Eckert. This volume includes his Pulitzer Prize nominated play ORPHEUS X as well as the plays HORIZON, AND GOD CREATED GREAT WHALES and THE GARDENING OF THOMAS D. With an introduction by scholar Jonathan Chambers, this is an exciting and daring collection by an eminent experimental theatre artist.
Three new plays from American playwright Oliver Mayer take feisty, sexy, playful turns through stories of politics, identity, freedom, music, and trans-locality. With an introduction by dramatist Velina Hasu Houston.
A COOL DIP IN THE BARREN SAHARAN CRICK AND OTHER PLAYS collects three fascinating, political plays by accomplished US playwright Kia Corthron. The book also includes a personal essay on Liberia and its political landscape as well as a preface by Michael John Garces, artistic director of Cornerstone Theatre in Los Angeles, and an interview by playwright Kara Lee Corthron.
WAR PLAYS by Christine Evans collects for the first time three of this US-based, UK-Australian playwright's remarkable plays about war and aftermath: Trojan Barbie, Mothergun and Slow Falling Bird. With an introduction by esteemed filmmaker Peter Davis, this collection is a terrific introduction to Evans' astute theatrical voice.
This book refutes the claim that tragedy is no longer a vital and relevant part of contemporary American theatre. Tragedy in the Contemporary American Theatre examines plays by multiple contemporary playwrights and compares them alongside the works of America’s major twentieth-century tragedians: Eugene O’Neill, Arthur Miller, and Tennessee Williams. The book argues that tragedy is not only present in contemporary American theatre, but issues from an expectation fundamental to American culture: the pressure on characters to create themselves. Tragedy in the Contemporary American Theatre concludes that tragedy is vital and relevant, though not always in the Aristotelian model, the standard for traditional evaluation.
AMERICAN JORNALERO: This new play by playwright Ed Cardona Jr., premiered at INTAR in New York City in May 2012, focuses on the plight of a group of day laborers/jornaleros in Queens. A portrait of the intersecting transient lives in the search for a daily wage in a land of many compromised American dreams. A compassionate, clear-eyed and illuminating look at lives and people too often ignored in the US landscape, AMERICAN JORNALERO is a vibrant play.
Three plays that examine nation-hood, identity, border crossing by three outstanding contemporary US Latino authors who have been part of MetLife Foundation's Nuestras Voces program at venerable institution Spanish Repertory Theatre in NYC.
Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.
