Si gestionar una empresa no es un camino de rosas, gobernar una organización familiar suele tener alguna que otra espina de más por la peculiar mezcla de responsabilidades, trabajo y relaciones personales que en ella se producen. En este marco resulta aún más indispensable contar con un buen consejo de administración que sea capaz de decidir, con estrategia y sensatez y no con el corazón y las emociones de los lazos de sangre, el camino a seguir. Los consejos de administración de las empresas familiares han de tener las competencias, los procesos y las estructuras necesarias para responsabilizarse de la marcha de la empresa ante los accionistas, por muy familiares que estos sean. El consejo es siempre el responsable frente a los accionistas del resultado obtenido. Con el fin de guiar y explicar cómo lograr un buen consejo de administración, José María Navarro-Rubio y Josep Tàpies presentan un práctico manual de un órgano indispensable para la supervivencia y el crecimiento de la empresa familiar. Tal y como dichos autores explican, «ningún consejo de administración es totalmente inútil. Y, por lo general, basta con que el principal responsable ejecutivo quiera moverlo –trate los temas relevantes que afectan a la empresa– y con que el presidente quiera que funcione, para que sea bueno».
In Pura vida (Life is good)Spanish is more than vocabulary and grammar, just as Spanish-speaking cultures are more than products and practices. In this learner-centered introductory program, the authors’ commitment to a methodology based on true-to-life experiences brings Spanish to life. Pura vida is the discovery of a Spanish-speaking world through the experiences of real people who share anecdotes and reflections on those experiences. Students relate to these people and make deeper, more meaningful connections between language and culture, and acquire Spanish with an unparalleled sense of personal engagement. In this 12-chapter introductory program, students don’t only learn Spanish for real life, but also from real life. They discover that there is not just one homogeneous Hispanic culture, but rather that each Spanish-speaking country has its own rich, unique culture and that the people who live in these countries speak one common language with different accents, characteristics, and idiosyncrasies. The program offers truly seamless integration of cultural notions and language instruction and features 100% contextualized and personalized activities.
Abuela’s Letter is a beautiful story that addresses loss and grief within a Latin family where a young girl is challenged by the death of her grandmother and discovers letter-writing as a way to cope and connect with her loved one's passing. Alma’s favorite days are when her big family gathers at Abuela’s house. Tíos take siestas while tías tell their stories, and primos play dominoes while Abuela stirs the frijoles. Always at the center is the love of Abuela! Alma’s beloved grandmother and her number one fan! When Abuela dies, all of this is suddenly gone. Alma is filled with sadness and grief, until she finds a letter that Abuela left for her. Could Abuela’s words be what fills her heart again with love and sweet memories? This thoughtful story captures the concept of “familismo” beautifully ― a Latin cultural value that involves dedication, commitment, and loyalty to family. Regularly spending time with one's immediate and extended family is part of familismo, as well as seeking the family's advice and support for important decisions and life transitions, such grief and loss. Includes a note to readers in English and Spanish with coping strategies essential to Latino and Hispanic families about grief and loss of a loved one, as well as additional ways to support children and honor the life and memory of beloved family members.
In this lively picture book, children discover a world of shapes all around them: rectangles are ice-cream carts and stone metates, triangles are slices of watermelon and quesadillas. Many of the featured objects are Latino in origin, and all are universal in appeal. With rich, boisterous illustrations, a fun-to-read rhyming text, and an informative glossary, this playful concept book will reinforce the shapes found in every child's day! Plus, this is the fixed format version, which will look almost identical to the print version. Additionally for devices that support audio, this ebook includes a read-along setting.
Against All Odds reproposes Keith Haring as a political artist who incorporated issues around consumerism, drug addiction and AIDS into his concerns, and casts his art as a joyous expression of Nietzsche's "will to power," surmounting cultural malaise with graphic boldness. Haring's relationship with Don and Mera Rubell began early on in his career, when the Rubells visited the Mudd Club (one of New York's earliest discos) in 1981, to see an exhibition of graffiti art which Haring had co-curated. This volume contains the entirety of their collection, much of which is reproduced for the first time, and which is contextualized alongside works by Haring's mentors and friends, Andy Warhol, Francesco Clemente, Jean-Michel Basquiat, George Condo and Tseng Kwong Chi. Mark Coetzee provides a long interview with the Rubells, in which they reminisce on their relationship with Haring.
We all experience parenthood, if not as parents, then by way of having been parented or, in the face of ubiquitous images of idyllic family life, in the longing to be parents or to be parented. Thus, parenthood is one of the most powerful social constructs. This collection of essays gives evidence of the fact that families have never been "real;" that family, like gender or race, is not primarily based on biological criteria, but, above all, has to be performed and is a result of narratives. The relationship between these narratives - their variations in Irish, English, German, Mexican, and Chilean literature or film - and their material confinement is at the core of the essays gathered in this book. (Series: Cultural Studies / Kulturwissenschaft / Estudios Culturales / Etudes Culturelles - Vol. 40)