A surveying publication about Chinese armorial porcelain for the Dutch market is lacking up to now. The aim of this publication is a reference book written in English, containing a description of c. 500 Chinese services bearing coats of arms of Dutch families. About 200 services will be varieties.
It is curious that so little information is available in connection with armorial china from any published works on Chinese or other porcelain. Except for the late Mr. F.A. Crisp's "Armorial China", which is an illustrated catalogue of his own collection, and for "Examples of Armorial China", which merely gives reproducations in colour by W. Griggs, of pieces in various collections, there is no work definitely devoted to this subject, while even these works make no attempt in any way to describe its origin and history. Yet the collection of armorial porcelain is a most interesting one, dealing as it does, not only with the manufacture and quality of the china itself, but also, by means of the armorial bearings, conveying its own date and history, and leading the student on to the fascinating study of heraldry and genealogy.--pg. 1.
Porcelain dishes made in China for 18th- and 19th- century American families from Maine to South Carolina and west to Mississippi and California are presented with family crests, initials, names, and original decorations.
"This very thorough catalogue, with excellent footnotes and bibliography, firmly places the subject in its broadest context." --Apollo Covers approximately 95 pieces, representing Chelsea, Bow, Derby, Worcester, Chamberlain-Worcester, Caughley, Longton Hall, Spode, and Hilditch and Sons.
The blue and white porcelain exported by China in the eighteenth and early nineteenth centuries is an important category of artifacts and antiques, a fashion-sensitive commodity that was affected by the ebbs and flows of style and consumer demand. In this copiously illustrated, comprehensive guide to Chinese export porcelain, Andrew Madsen offers both a broad overview and detailed identification and context information for the most common styles and motifs. His focus on the determination of manufacture dates, which are based primarily on data collected from armorial decorated export wares, porcelain cargoes from dated shipwrecks, and tightly dated archaeological contexts, will allow students, scholars, and collectors to refine associations with Chinese export porcelain, revealing the untapped quantity of information that mass-produced Chinese export porcelain has to offer.
From Anthony J. Allen, the author of four best-selling books on ancient Chinese bronzes, ancient Chinese ceramics, and two others on later Chinese porcelain, "Allen's Antique Chinese Porcelain *** The Detection of Fakes" is his most ambitious project yet. In plain language, he describes tricks of the trade learned over his long experience authenticating genuine antiques and detecting fakes. The minefield that antique Chinese porcelain can become for the uninitiated is described and illustrated in full colour detail with examples dating from the Ming dynasty circa 1500 AD to 2000 AD. There is also brief mention of some of the pottery and stoneware ceramics in this period. This book is aimed at the novice collector, dealer, or museum curator, who largely because of rapidly escalating prices and presence of fakes, is often too frightened to enter the fascinating field of antique Chinese porcelain. Both novice and experienced readers will learn from his authentication techniques, as he describes never before published features to look for, firstly to authenticate genuine antique porcelain, but also to rule out the bane of every collector; the fake made intentionally to deceive. Non-Chinese speaking readers are taught to read reign marks and to distinguish genuine marks from those apocryphal marks which have been added to a later piece. There is even a formula for converting Islamic dates to the Gregorian calendar. Allen's forthright style of writing may upset some of his peers, sections of academia, and the sellers of fakes, for which he has zero tolerance, as he leads readers through Imperial, domestic and export porcelain, then into the sub-branches including shipwrecks and shards recovered from the old kiln sites in Jingdezhen, the porcelain capital of China. Underglaze blue, famille rose and verte, monochromes, and pieces of various age, shape and decoration are illustrated, not just with a frontal view, but also of the undersides. Export wares, now the most common type of antique Chinese porcelain still available in the West, get special attention as he focuses on late Ming dynasty wares, underglaze blue, 18th century Chinese Imari, Batavian wares, armorial porcelain and famille rose of the 18th and 19th centuries. Faults, flaws, imperfections, foot rims, glazes, bubbles, are illustrated at length, including those features one expects to find, but also those that should not be present, notably on fakes.
Dehua porcelain, or Blanc de Chine as it is known in the West, is pure ivory-white porcelain made at the Dehua kilns in the southern Chinese province of Fujian. It rose to international significance in the 17th century and inspired aristocratic patronage in the development of European porcelain. Its popularity at home and abroad continued and the k
This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study – defined by its design hybridity – offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.
The Chinese porcelain objects collected by Alvaro Conde constitute one of the finest private collections worldwide. This publication includes texts by leading experts in this area: an introduction by Christie's Becky Mcquarie, a main essay by porcelain specialist William Sargent and an essay about the business relationship between China and New Spain by Maria Bonta de La Pezuela.