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Author: Vaclav Vytlacil
Publisher: Read Books Ltd
Published: 2011-03-23
Total Pages: 76
ISBN-13: 1446545164
DOWNLOAD EBOOKMany of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Vaclav 1892-1984 Vytlacil
Publisher: Hassell Street Press
Published: 2021-09-10
Total Pages: 86
ISBN-13: 9781015260801
DOWNLOAD EBOOKThis work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Daniel V. Thompson
Publisher: Courier Corporation
Published: 2012-06-22
Total Pages: 175
ISBN-13: 0486141640
DOWNLOAD EBOOKTempera painting, the method in which colors are mixed with some binding material other than oil (primarily egg yolk), is the earliest type of painting known to man. The wall paintings of ancient Egypt and Babylon are tempera, as are many of the paintings of Giotto, Lippi, Botticelli, Raphael, Titian, Tintoretto, and many other masters. But in spite of the time-proven excellence of this technique — which boasts many clear advantages over oil paint — it does not receive the degree of attention from modern painters that it deserves. Part of the explanation for this neglect, surely, is the absence of sufficient information about the materials and procedures involved in tempera painting. The present volume, in fact, is virtually the only complete, authoritative, step-by-step treatment of the subject in the English language, D.V. Thompson wrote this book after an exhaustive study, over many years, of countless medieval and Renaissance manuscripts in the British Museum and elsewhere, and is unquestionably the world's leading authority on tempera materials and processes. Beginning with an introductory chapter on the uses and limitations of tempera, the author covers such topics as the choice of material for the panel; propensities of various woods; preparing the panel for gilding; making the gesso mixture; methods of applying the gesso; planning the design of a tempera painting; use of tinted papers; application of metals to the panel; tools for gliding; handling and laying gold; combination gold and silver leafing; pigments and brushes; choice of palette; mixing the tempera; tempering and handling the colors; techniques of the actual painting; mordant gilding; permanence of tempera painting; varnishing; and artificial emulsion painting. The drawings and diagrams, illustrating the various materials and techniques, infinitely increase the clarity of the discussions. As a careful exposition of all aspects of authentic tempera painting, including many of the possible modern uses for this ancient method, this book actually stands alone. No one who is interested in tempera painting as a serious pursuit can afford to be without it.
Author: Robert Vickrey
Publisher:
Published: 1973
Total Pages: 168
ISBN-13:
DOWNLOAD EBOOKAuthor: Koo Schadler
Publisher:
Published: 2011-01-01
Total Pages: 133
ISBN-13: 9780615446066
DOWNLOAD EBOOKA comprehensive guide to painting in egg tempera. Topics include the history of egg tempera; how to make traditional, true gesso panels starting from scratch; essential supplies for a tempera studio; different methods of applying tempera paint; how to finish a tempera painting, including oil glazing on top; and much more. There is also a comprehensive material suppliers list, recommended reading list, and a pigment appendix. "One of the most concise and useful books on egg tempera...should be on the bookshelf of every serious artist" (Studio Products Inc.)
Author: James Elkins
Publisher: Psychology Press
Published: 1999
Total Pages: 284
ISBN-13: 9780415921138
DOWNLOAD EBOOKHere, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.
Author: Arie Wallert
Publisher: Getty Publications
Published: 1995-08-24
Total Pages: 241
ISBN-13: 0892363223
DOWNLOAD EBOOKBridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author: Valerie Dorge
Publisher: Getty Publications
Published: 1998-08-27
Total Pages: 549
ISBN-13: 0892365013
DOWNLOAD EBOOKThe function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
Author: David A. Scott
Publisher: Getty Publications
Published: 2002
Total Pages: 536
ISBN-13: 9780892366385
DOWNLOAD EBOOKThis is a review of 190 years of literature on copper and its alloys. It integrates information on pigments, corrosion and minerals, and discusses environmental conditions, conservation methods, ancient and historical technologies.
Author: George Kordis
Publisher:
Published: 2021
Total Pages:
ISBN-13: 9781936773718
DOWNLOAD EBOOKThis book records the many years of experience of George Kordis' use of egg tempera, which after many tests and research he combines with a specific type of sub-painting. It shows that this technique, which is a personal technological proposal, can be combined with the traditional Byzantine style, established for centuries in the Hellenic lands as the appropriate way for the rendering of Orthodox images.In the first chapters of the first part, the Byzantine painting system's visual autonomy is examined, with reference to the western naturalistic painting system and other contemporary artistic proposals. The foundation of the findings is attempted with an analysis of selected works of Byzantine and post-Byzantine painting. A detailed description of the egg tempera technique is given by sub-painting and evaluation based on its functionality in the Byzantine painting system.In the second part, the technique of egg tempera with sub-painting is presented on a laboratory level. More specifically, methods of preparation of the host (wood) are presented, gilding techniques, and mainly how landscapes, clothes, objects, faces, and compositions are painted with the technique of egg tempera with sub-painting. Also included are appendices from fresco paintings and icons painted with the method presented in the book.
