Photo-editing and Presentation
Photo-editing and Presentation

Author: Douglas Holleley

Publisher: RIT Cary Graphic Arts Press

Published: 2009

Total Pages: 152

ISBN-13:

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This book introduces photographers, print-makers, and other graphic artists to the creative possibilities of image editing and presentation. The focus is on how meaning can be created and shaped if the emphasis is placed on the totality of the visual experience rather than by looking at each single image in isolation. In the first instance, there is a discussion of a variety of ways images can be grouped together. This act has implications for how the work should subsequently be presented. To this end there is a discussion of various presentation techniques, and how each different forum can further amplify the desired effect. Finally there is a hands-on look at a variety of presentation techniques such as artist book publishing, exhibition design and portfolio construction that will help the reader to present his or her work in a professional manner. By employing the principles outlined in this book readers can expect that the content of their work will be more coherent and accessible, not only to an audience, but also more importantly to themselves. Douglas Holleley PhD is the author of the critically acclaimed Digital Book Design and Publishing, a widely used text on the subject of self-publishing. His books and artworks are in many public collections in Australia, Canada, Europe and the United States, including the National Gallery of Art, Washington, DC. PHOTO DEVELOPING is a series of books addressing conceptual and practical issues related to current photographic practice. This is Volume 1.

Editing the Image
Editing the Image

Author: Mark Cheetham

Publisher: University of Toronto Press

Published: 2008-11-29

Total Pages: 273

ISBN-13: 1442691573

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The editing process is a vital part of virtually every form of media. Primarily associated with texts and written language, editing is equally essential, if less examined, in regard to visual media. Editing the Image looks at the editing of visual media as both a series of technical exercises and as an allegory. It touches on concerns that are crucial to the history of art and visual culture, as well as those media and institutions that produce and disseminate the visual arts in our society. Featuring contributors from a wide range of disciplines, Editing the Image considers editing in the context of academic journals, art-historical texts, illustrated books, museum displays, and exhibitions. It is an inclusive analysis of visual forms commonly associated with the process of editing - photography, film, and video - as well as some that are not intrinsically linked to editing - painting, sculpture, and architecture. In addition to wide-ranging academic considerations, this collection includes discussions of moving picture media and studio art by practitioners, giving the study a practical focus. For anyone who has considered the implications of the editorial process, this work will be of significant interest.

Image and Video Color Editing
Image and Video Color Editing

Author: Shiguang Liu

Publisher: Springer Nature

Published: 2023-03-20

Total Pages: 84

ISBN-13: 3031260309

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This book covers image and video color editing research advances over the last two decades. Bringing readers up to speed on digital image and video editing techniques and research, the book delves into an area that has attracted much attention from researchers due to the rapid development of computer graphics and the widespread prevalence of digital cameras and mobile phones in daily life. Readers will get a comprehensive overview of the theory and application of color transfer, emotional color transfer, colorization, decolorization, and style transfer in altering still and moving digital images. Despite the existence of professional image editing software that can complete complex image editing work, the skills required to achieve satisfactory editing results can be prohibitive, and even professional image editors need to spend a lot of time developing and maintaining aptitude in a niche tool. Instead, the book explores image and video editing techniques that are simple and effective alternatives to such editing software that professional and amateur image editors can utilize. The book focuses on color as one of the most important features of an image or video. Image and video color editing aims to dramatically alter source images suitable for a wide range of applications.

Essential Affinity Photo
Essential Affinity Photo

Author: Robin Whalley

Publisher: Robin Whalley

Published:

Total Pages: 195

ISBN-13:

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Quickly learn Affinity Photo image editing Affinity Photo is the hot photo editing package from Serif. It can compete head on with the latest version of Photoshop. It’s also affordable, incredibly powerful and exceptionally flexible. But all this power and flexibility brings its own challenges. Just like Photoshop, Affinity Photo can be confusing and tricky to learn. Even with a background in Photoshop image editing it’s likely you will miss a lot of its features. And unlike Photoshop you won’t have an endless choice of books to learn from. Which is where “Essential Affinity Photo” comes to the rescue. In this comprehensive yet easy to follow book, Landscape Photographer Robin Whalley explains the core features of Affinity Photo Desktop. Written in his unique, easy to understand style, Robin explains logically the essential techniques you need to know to learn Affinity Photo. Follow this book and its examples and you will soon be editing images as though you have been using the software for years. The book is arranged into a series of lessons that focus in on the essential image editing skills. Each lesson builds on the previous one, minimising repetition and saving you valuable time. You will learn about: - Different Affinity Photo Personas, what these do and how to navigate them. - The Develop Persona, using it to convert a Raw photo file into a high-quality image. - How layers form the backbone of the Photo Persona and how to use them to improve your editing. - Different Adjustment layers, filters and live filters you can apply, to fine tune and improve your photography. - How to convert your images to black and white as well as important techniques such as Dodging and Burning. - Creating and using layer masks to precisely target your adjustments to specific areas of an image. - Harnessing the power of the Export Persona. - And lots more. Throughout the book there are examples and exercises for you to follow. The author provides the images for these on his website, allowing you to follow along on your own computer. You won’t need to wade through hundreds of pages to find answers. This is a comprehensive and concise guide to help you learn Affinity Photo. It doesn’t matter if you are a complete novice or have some experience of Affinity Photo, this book could help improve your Affinity Photo editing.

Dialogue Editing for Motion Pictures
Dialogue Editing for Motion Pictures

Author: John Purcell

Publisher: Taylor & Francis

Published: 2013-07-24

Total Pages: 448

ISBN-13: 1135040605

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Produce professional level dialogue tracks with industry-proven techniques and insights from an Emmy Award winning sound editor. Gain innovative solutions to common dialogue editing challenges such as room tone balancing, noise removal, perspective control, finding and using alternative takes, and even time management and postproduction politics. In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box" Fresh approaches to working with digital video and to moving projects from one workstation to another An insider’s analysis of what happens on the set, and how that affects the dialogue editor Discussions about the interweaving histories of film sound technology and film storytelling Eye-opening tips, tricks, and insights from film professionals around the globe A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don’t allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell’s all-inclusive guide to this essential yet invisible art.

Gimp 2.6 for Photographers
Gimp 2.6 for Photographers

Author: Klaus Goelker

Publisher: O'Reilly Media, Inc.

Published: 2011

Total Pages: 0

ISBN-13: 9781933952499

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This beginner's guide to GIMP 2.6 covers such topics as basics of image editing and simple adjustments, as well as advanced techniques using layers and masks, stitching panoramic images, and preparing high-quality black-and-white images.

Professional Image Editing Made Easy with Affinity Photo
Professional Image Editing Made Easy with Affinity Photo

Author: Jeremy Hazel

Publisher: Packt Publishing Ltd

Published: 2023-05-31

Total Pages: 464

ISBN-13: 1800568460

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Utilize Jeremy Hazel s vast Affinity Photo expertise to confidently solve problems in your photo edits by understanding the workflow structure and arming yourself with the most effective photo editing techniques in Affinity Photo Key Features Learn to use masking, selection, brushes, blend mode, and color tools in the photo editing workflow Unveil advanced personas used in the editing pipeline like tone mapping, liquification, and more Create your own brushes and build your artistic pallet in Affinity Photo Book DescriptionIn this book, you’ll explore the Affinity Photo program through practice-based learning as you make popular photo edits, learning the tools and techniques in conjunction with the workflow concept. Instead of comprehensive description of the tools, you’ll learn through practical application and understand why they work, not just how they work. This is neither a technical manual nor a workbook but a project-based hybrid approach that provides a deeper understanding of how to use each tool to achieve your goal. Starting with the fundamentals of navigating the interface, understanding layers, and making your first edit, this Affinity Photo book gradually increases the complexity of projects. You’ll go from single-layer edits, composites, and RAW development to putting together a complex composition using the tools that you've learned along the way. Additionally, you’ll learn the best practices used by expert photo editors for a flawless finish. By the end of this book, you’ll have a good body of work, be able to evaluate the edits you want to make, and achieve desired results with Affinity Photo.What you will learn Develop a repeatable methodology for use in your photo editing style Understand the most frequently utilized techniques by professional editors Compete a body of work for use and reference in future projects Develop your own libraries of assets, macros and tone mapping presets for your style Recreate popular editing styles utilized in print and film Recondition older family photos Understand and deconstruct other editing styles to expand your knowledge Who this book is forIf you are a beginner to any form of photo editing or are a Photoshop user switching from Adobe, this book is for you. This book is also for small business owners who want to do brand-specific editing on stock photos but have limited experience in photo editing. Beginner-level editors, photographers, and people looking to get into product photography and advertising will be able to make the most out of this book.

The Subversive Copy Editor
The Subversive Copy Editor

Author: Carol Fisher Saller

Publisher: University of Chicago Press

Published: 2009-08-01

Total Pages: 151

ISBN-13: 0226734102

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Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.

Digital Scholarly Editing
Digital Scholarly Editing

Author: Matthew James Driscoll

Publisher: Open Book Publishers

Published: 2016-08-15

Total Pages: 245

ISBN-13: 1783742410

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This volume presents the state of the art in digital scholarly editing. Drawing together the work of established and emerging researchers, it gives pause at a crucial moment in the history of technology in order to offer a sustained reflection on the practices involved in producing, editing and reading digital scholarly editions—and the theories that underpin them. The unrelenting progress of computer technology has changed the nature of textual scholarship at the most fundamental level: the way editors and scholars work, the tools they use to do such work and the research questions they attempt to answer have all been affected. Each of the essays in Digital Scholarly Editing approaches these changes with a different methodological consideration in mind. Together, they make a compelling case for re-evaluating the foundation of the discipline—one that tests its assertions against manuscripts and printed works from across literary history, and the globe. The sheer breadth of Digital Scholarly Editing, along with its successful integration of theory and practice, help redefine a rapidly-changing field, as its firm grounding and future-looking ambit ensure the work will be an indispensable starting point for further scholarship. This collection is essential reading for editors, scholars, students and readers who are invested in the future of textual scholarship and the digital humanities.

Photoshop Masking & Compositing
Photoshop Masking & Compositing

Author: Katrin Eismann

Publisher: New Riders

Published: 2012-08-24

Total Pages: 1437

ISBN-13: 0132117290

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Designers, photographers, and artists use Photoshop to create fantastic and realistic images for illustrations, fine art, and editorial content. Whether they're landscape or portrait photographers, illustrators or fine artists, masking and compositing are essential skills to master for combining images to the extent that it is impossible to tell where one image stops and the other one begins. In this completely revised edition of her best-selling guide to masking and compositing, Photoshop artist and educator Katrin Eismann--along with compositing experts Sean Duggan and James Porto--takes readers through numerous step-by-step examples, highlighting the tools and techniques used for masking and combining images. Featuring work by leading artists and photographers, this book focuses on the techniques used to create compelling compositions, including making fast and accurate selections, mastering Photoshop's masking tools, and implementing the concept and photography from start to finish. The book addresses working with Photoshop's selection tools; selecting and maintaining fine details and edges; and working with difficult image elements, such as cloth, hair, or translucent objects. All-new photographic examples, updated instruction to cover the latest version of Adobe Photoshop, and an expanded section on shooting photographs for composite work make this a must-have guide for anyone interested in photographing and creating professional composite images. Visit www.peachpit.com/pmc2e to download dozens of the images featured in this book and practice the illustrated techniques with the same files used in the book. Also, download a full, free chapter on how to use the Pen Tool, one of the best selection tools in Photoshop.