In this sequel to Eden's Allure, Erin fi nds herself back on Eden against her will. Amongst the other kidnapped teenagers, there is a new powerful resident with his own agenda. But this time the planet is fi ghting back, and the residents are fi ghting for their lives. The residents are on a mission to get back to Earth but come across life-threatening encounters that stand in their way. Meanwhile, a mutant dog fi nds its way to Earth, where chaos ensues, leaving serious damage that no one expected.
About as rugged, fierce-looking a gang of men as a lad could set eyes on, as they struggled up the steep cliff road leading to the castle, which frowned at the summit, where the flashing waters of the Gleame swept round three sides of its foot, half hidden by the beeches and birches, which overhung the limpid stream. The late spring was at its brightest and best, but there had been no rain; and as the men who had waded the river lower down, climbed the steep cliff road, they kicked up the white limestone dust, and caked their wet high boots, which, in several instances, had opened holes in which toes could be seen, looking like curious reptiles deep in gnarled and crumpled shells.
Eden's name became inextricably linked to Suez, and Rothwell provides an important reassessment of Eden's role in this pivotal crisis. He gives overdue attention to the wider Middle East situation, and explains Eden's failure to manage the Anglo-American relationship in the crisis in terms of his life-long lack of warmth for the United States, which verged at times on anti-Americanism. Eden remains a central figure in twentieth century international politics, and all those interested in international history as well students of international relations, will find Rothwell's new political biography compelling reading.
In a violently divided Northern Ireland, two families confront fear, survival, and their fragile hope for something more . . . Belfast, 1972. On the Crumlin Road, the sectarian Troubles have forced Tom Martin to take drastic measures to protect his family. Across the divide, William McManus pursues his own bloody code, murdering for a cause. When both men underestimate the power of love and the belief in right and wrong it threatens to shake the lives of both families with greater impact than any bomb blast. This compelling, challenging, historical novel tells a timeless story of conflict between and within families, driven by religion, loyalty, and love. Praise for the novels of Deirdre Quiery “Sinister, mysterious, redemptive.” —Rose McGinty, author of Electric Souk “A beautifully conjured story of the depths of the human heart.” —Richard Rohr, New York Times–bestselling author of Breathing Under Water
From Graham Brown, co-author of the New York Times bestselling thriller Devil’s Gate with Clive Cussler, comes The Eden Prophecy . . . The wisdom of faith. The power of science. The evil of man. In the U.N. building in New York City, a U.S. Ambassador contracts an unknown virus after opening a threatening letter. In a slum near Paris, a rogue geneticist is found dead, tortured and defiled. His last message, a desperate plea for help, was sent to an old friend and fellow outcast, the ex-CIA agent and former mercenary named Hawker. His final legacy appears to be the fingerprints he left all over the letter to the Ambassador. Consumed by thoughts of revenge but fighting to see the truth, Hawker teams up with NRI operative Danielle Laidlaw on a quest to find the killers and track down the secrets his dead friend may have lost or sold. From the streets of Paris to an underground auction in the catacombs of Beirut to the merciless deserts of Iran, Hawker and Danielle find themselves hunting a murderous cult leader whose scientific arsenal could lead humanity to a new Eden—or unleash hell on the Earth itself.
Inhabiting the universe of the Silver Sea are the Destiners: able-bodied, eagle-like beings that are swift of sword and wing. One day Raeh, having a predilection for danger, flies into the forbidden zone where a magnetic force overtakes him and pulls him into a portal. He is spit from the portal’s end into a magical jungle, where he glimpses the Image Maker. Raeh returns to the Silver Sea with an unquenchable yearning for power. Persuasive and ambitious, he wins the allegiance of many of the Chayil, the Image Maker’s angelic host, and incites a rebellion. A torrid upheaval ensues, befouling the heavens with angelic blood while Raeh increases in power. Valerian and Aurea, the first born of the Image Maker on a new planet, dwell contently in the Garden of Delights, but their hearts will soon be tested. So begins a journey in which all the Image Maker’s created beings will discover the immense power of choice and its inevitable consequences.
The story of the Joad family’s journey from their ravaged farm in dustbowl Oklahoma to the storied paradise of California helped inform a nation about the brutality, poverty, and vicious competition among fellow immigrants desperate for work. But Steinbeck is only one successor to a rich and esteemed literary tradition in California. Drawing on history and cultural theory, The End of Eden traces the rise of the California social novel, its embrace of the agrarian dream, and its ambivalence about technology and the development it enables. It relies on various cultural conceptions of space, among them, the American Public Land Survey (the source of the “grid” allotments shaping homestead claims), Mexican-era diseños, and Native American traditions that defined a fluid relationship between human beings and the land. This animation of four California social novels of the late eighteenth and early nineteenth centuries demonstrates how conflicts over space and place signify cultural conflict. It is deeply informed by the author’s understanding of historical land issues. The works include Joaquin Miller’s Unwritten History: Life Amongst the Modocs, Helen Hunt Jackson’s Ramona, Frank Norris’ The Octopus, and Mary Austin’s The Ford. Miller’s Unwritten History: Life Amongst the Modocs and Jackson’s Ramona examine the tragic but inevitable consequences for native people of making space—inhabited already by Native American and Hispanic populations—safe for Americans who pursue the agrarian dream without regard to its effects upon those who claim prior tenure on the land. Norris’ The Octopus and Austin’s The Ford examine the murkier story of trying to preserve or to reclaim the agrarian dream when confronted by the unchecked materialist interests of American capitalism. A wide-reaching interdisciplinary approach to various cultural conceptions of space, The End of Eden provides a crucial understanding of the conflicts depicted in social novels that lament the ways in which land is allocated and developed, the ways in which American agrarianism—and its promise of local, sustainable land use—is undermined, and how it applies to contemporary California. In an era where California confronts, yet again, the complicated patterns of land use: fracking, water use and water rights, coastal regulation and management, and agribusiness, this groundbreaking work provides an ever-relevant context.
Not long after the colonists landed on the uninhabited planet every human made artifact - ship communicators, tools--disappeared! Even their clothes! Here is an enthralling science alien planet puzzle from the man writer, critic and Nebula award winner Barry Maltzberg calls "One of the twelve most influential science fiction writers." When, Eden--the Earth colony eleven light years goes silent and fails to answer any communications from the mother planet, Earth's government goes into a panic. Has something tragic happened on a world already proven to have no intelligent, dangerous lifeforms? Or, are the colonists purposely disregarding the messages for some reason of their own? What could be the real explanation for the mysterious silence of a disciplined, scientific colony?
