This text is one of the first introductory guides to the field of literary ecological criticism. It is the ideal handbook for all students new to the disciplines of literature and environment studies, ecology and green studies.
Contributed papers presented at two ecocriticism conferences organized by Indian Association for Studies in Contemporary Literature in English ... [et al.].
In Postcolonial Ecocriticism, Graham Huggan and Helen Tiffin examine relationships between humans, animals and the environment in postcolonial texts. Divided into two sections that consider the postcolonial first from an environmental and then a zoocritical perspective, the book looks at: narratives of development in postcolonial writing entitlement and belonging in the pastoral genre colonialist 'asset stripping' and the Christian mission the politics of eating and representations of cannibalism animality and spirituality sentimentality and anthropomorphism the place of the human and the animal in a 'posthuman' world. Making use of the work of authors as diverse as J.M. Coetzee, Joseph Conrad, Daniel Defoe, Jamaica Kincaid and V.S. Naipaul, the authors argue that human liberation will never be fully achieved without challenging how human societies have constructed themselves in hierarchical relation to other human and nonhuman communities, and without imagining new ways in which these ecologically connected groupings can be creatively transformed.
For centuries it was believed that all matter was composed of four elements: earth, air, water, and fire in promiscuous combination, bound by love and pulled apart by strife. Elemental theory offered a mode of understanding materiality that did not center the cosmos around the human. Outgrown as a science, the elements are now what we build our houses against. Their renunciation has fostered only estrangement from the material world. The essays collected in Elemental Ecocriticism show how elemental materiality precipitates new engagements with the ecological. Here the classical elements reveal the vitality of supposedly inert substances (mud, water, earth, air), chemical processes (fire), and natural phenomena, as well as the promise in the abandoned and the unreal (ether, phlogiston, spontaneous generation). Decentering the human, this volume provides important correctives to the idea of the material world as mere resource. Three response essays meditate on the connections of this collaborative project to the framing of modern-day ecological concerns. A renewed intimacy with the elemental holds the potential of a more dynamic environmental ethics and the possibility of a reinvigorated materialism.
Romantic Ecocriticism: Origins and Legacies is unique due to its rare assemblage of essays, which has not appeared within an edited collection before. Romantic Ecocriticism is distinct because the essays in the collection develop transnational and transhistorical approaches to the proto-ecological early environmental aspects in British and American Romanticism. First, the edition’s transnational approach is evident through transatlantic connections such as, but are not limited to, comparisons among the following writers: William Wordsworth, William Howitt, and Henry D. Thoreau; John Clare and Aldo Leopold; Charles Darwin and Ralph W. Emerson. Second, the transhistorical approach of RomanticEcocriticism is evident in connections among the following writers: William Wordsworth and Emily Bronte; Thomas Malthus and George Gordon Byron; James Hutton and Percy Shelley; Erasmus Darwin and Charlotte Smith; Gilbert White and Dorothy Wordsworth among others. Thus, Romantic Ecocriticism offers a dynamic collection of essays dedicated to links between scientists and literary figures interested in natural history.
As the planet faces ever-worsening disruptions to global ecosystems—carbon and chemical emissions, depletions of the ozone layer, the loss of biodiversity, rising sea levels, air toxification, and worsening floods and droughts—scholars across academia must examine the cultural effects of this increasingly postnatural world. That task proves especially vital for southern studies, given how often the U.S. South serves as a site for large-scale damming initiatives like the TVA, disasters on the scale of Hurricane Katrina and the Deepwater Horizon spill, and the extraction of coal, oil, and natural gas. Ecocriticism and the Future of Southern Studies is the first book-length collection of scholarship that applies interdisciplinary environmental humanities research to cultural analyses of the U.S. South. Sixteen essays examine novels, nature writing, films, television, and music that address a broad range of ecological topics related to the region, including climate change, manmade and natural environments, the petroleum industry, food cultures, waterways, natural and human-induced disasters, waste management, and the Anthropocene. Edited by Zackary Vernon, this volume demonstrates how the greening of southern studies, in tandem with the southernization of environmental studies, can catalyze alternative ways of understanding the connections between regional and global cultures and landscapes. By addressing ecological issues central to life throughout the South, Ecocriticism and the Future of Southern Studies considers the confluence between region and environment, while also illustrating the growing need to see environmental issues as matters of social justice.
This book is the first collection of its kind, an anthology of classic and cutting-edge writings in the rapidly emerging field of literary ecology. Exploring the relationship between literature and the physical environment, literary ecology is the study of the ways that writing - from novels and folktales to U.S. government reports and corporate advertisements - both reflects and influences our interactions with the natural world.
After uncovering the oppressive dichotomies of male/female and nature/culture that underlie contemporary environmental problems, Feminist Ecocriticism focuses specifically on emancipatory strategies employed by ecofeminist literary critics as antidotes, asking what our lives might be like as those strategies become increasingly successful in overcoming oppression. Thus, ecofeminism is not limited to the critique of literature, but also helps identify and articulate liberatory ideals that can be actualized in the real world, in the process transforming everyday life. Providing an alternative to rugged individualism, for example, ecofeminist literature promotes a more fulfilling sense of interrelationship with both community and the land. In the process of exploring literature from ecofeminist perspectives, the book reveals strategies of emancipation that have already begun to give rise to more hopeful ecological narratives.