In this inspirational masterpiece about the role of the human being in the universe, finance trader and author W. D. Gann uses the Bible to explore the secret to successful living. Through direct teachings from the Bible, the reader may learn how to understand, obey and apply the universal laws revealed in the Bible in order to bring about his own latent talents and powers, and in turn be firmly set on the road towards health, happiness and prosperity.
Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus, Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of women in film, enabling us to see individual films in new ways, and to ask new questions of other films. Using Sadie Thompson (1928), Blackmail (1929), Rain (1932), The Spiral Staircase, Sorry,Wrong Number, Notorious, Sunset Boulevard (1950) and To Kill a Mockingbird (1962), Lawrence illustrates how women's voices are positioned within narratives that require their submission to patriarchal roles and how their attempts to speak provoke increasingly severe repression. She also shows how women's natural ability to speak is interrupted, made difficult, or conditioned to a suffocating degree by sound technology itself. Telephones, phonographs, voice-overs, and dubbing are foregrounded, called upon to silence women and to restore the primacy of the image. Unlike the usage of "voice" by feminist and literary critics to discuss broad issues of authorship and point of view, in film studies the physical voice itself is a primary focus. Echo and Narcissus shows how assumptions about the "deficiencies" of women's voices and speech are embedded in sound's history, technology, uses, and marketing. Moreover, the construction of the woman's voice is inserted into the ideologically loaded cinematic and narrative conventions governing the representation of women in Hollywood film.
★ “Historical fiction at its finest.” –The Horn Book “There has never been a better time to read about healing, of both the body and the heart.” –The New York Times Book Review Echo Mountain is an acclaimed best book of 2020! An NPR Best Book of the Year • A Horn Book Fanfare Selection • A Kirkus Best Book of the Year • A Publishers Weekly Best Book of the Year • A School Library Journal Best Book of the Year • A Chicago Public Library Best Book of the Year After losing almost everything in the Great Depression, Ellie’s family is forced to leave their home in town and start over in the untamed wilderness of nearby Echo Mountain. Ellie has found a welcome freedom, and a love of the natural world, in her new life on the mountain. But there is little joy after a terrible accident leaves her father in a coma. An accident unfairly blamed on Ellie. Ellie is a girl who takes matters into her own hands, and determined to help her father she will make her way to the top of the mountain in search of the healing secrets of a woman known only as “the hag.” But the hag, and the mountain, still have many untold stories left to reveal. Historical fiction at its finest, Echo Mountain is celebration of finding your own path and becoming your truest self. Lauren Wolk, the Newbery Honor– and Scott O'Dell Award–winning author of Wolf Hollow and Beyond the Bright Sea, weaves a stunning tale of resilience, persistence, and friendship across three generations of families. “Soothing and exquisitely written.” –People “This is a book that will soothe readers like a healing balm.” –The Wall Street Journal “Brilliant.” –Lynda Mullaly Hunt, bestselling author of Fish in a Tree
“Cunningly crafted. . . . France’s unquiet histories are brought to life by a master storyteller.” —Financial Times (UK) A story of resistance, complicity, and an unlikely, transformative friendship, set in Paris, from internationally bestselling novelist Sebastian Faulks. American historian Hannah intends to immerse herself in World War II research in Paris, wary of paying much attention to the city where a youthful misadventure once left her dejected. But a chance encounter with Tariq, a Moroccan teenager whose visions of the City of Lights as a world of opportunity and rebirth starkly contrast with her own, disrupts her plan. Hannah agrees to take Tariq in as a lodger, forming an unexpected connection with the young man. Yet as Tariq begins to assimilate into the country he risked his life to enter, he realizes that its dark past and current ills are far more complicated than he’d anticipated. And Hannah, diving deeper into her work on women’s lives in Nazi-occupied Paris, uncovers a shocking piece of history that threatens to dismantle her core beliefs. Soon they each must question which sacrifices are worth their happiness and what, if anything, the tumultuous past century can teach them about the future. From the sweltering streets of Tangier to deep beneath Paris via the Metro, from the affecting recorded accounts of women in German-occupied France and into the future through our hopes for these characters, Paris Echo offers a tough and poignant story of injustices and dreams.
. . . Focuses on the lesser-known comic works by celebrated icons of the industry, like H.G. Peter (the artist behind Wonder Woman), John Stanley (the writer and artist for Little Lulu), Harry Lucey (one of the artists behind Archie), Jesse Marsh (the artist for Tarzan), and Bill Everett (best know for his characters Sub Mariner and Dr. Strange).
First published in 1939 and reissued by Midnight House in 2002, Echo of a Curse is considered to be R.R. Ryan's masterpiece of supernatural horror. In this novel a strong influence of H.P. Lovecraft can be seen to meld with the usual violence and depravity that are the hallmarks of Ryan's work. Brutal and uncompromising from the very start, Echo of a Curse is unlike anything you've ever read before. This is the third R.R. Ryan novel we've published, joining The Subjugated Beast and Freak Museum. Another by the mysterious Ryan, Death of a Sadist, is coming soon.
More than 700 films from the classic period of film noir (1940 to 1959) are presented in this exhaustive reference book--such films as The Accused, Among the Living, The Asphalt Jungle, Baby Face Nelson, Bait, The Beat Generation, Crossfire, Dark Passage, I Walk Alone, The Las Vegas Story, The Naked City, Strangers on a Train, White Heat, and The Window. For each film, the following information is provided: the title, release date, main performers, screenwriter(s), director(s), type of noir, thematic content, a rating based on the five-star system, and a plot synopsis that does not reveal the ending.
In 1940, the German army fought and won an extraordinary battle with France in six weeks of lightning warfare. With the subtlety and compulsion of a novel, Horne’s narrative shifts from minor battlefield incidents to high military and political decisions, stepping far beyond the confines of military history to form a major contribution to our understanding of the crises of the Franco-German rivalry. To Lose a Battle is the third part of the trilogy beginning with The Fall of Paris and continuing with The Price of Glory (already available in Penguin).
