ECCE SPIRITUS
ECCE SPIRITUS

Author: Edward F. ]. [Hayward

Publisher: Wentworth Press

Published: 2016-08-25

Total Pages: 262

ISBN-13: 9781361958636

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Ecce Spiritus
Ecce Spiritus

Author: Edward F. Hayward

Publisher: Forgotten Books

Published: 2018-02-18

Total Pages: 250

ISBN-13: 9780656843695

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Excerpt from Ecce Spiritus: A Statement of the Spiritual Principle of Jesus as the Law of Life TO one who watches the revolutions of religious thought, without any faith in human progress or abil ity to see beneath the shifting surface an underlying principle ever tending toward harmony and positive ness of result, there must be much of discourage ment. It has been the sad duty of modern times not to inaugurate, - for the tendency has long been latent, - but to carry out to full effect the battle against time-honored comforts and sacred associations, a duty from the sadness of which no one has been able wholly to escape. Those who would not fight must perforce witness the battle, and share, if only inciden tally, in its sorrow. Even to stand aloof in such age is to be disturbed and unsettled by the din of intellectual warfare, and choked and blinded with the smoke of controversy; while so-called liberalism, beyond its own inner struggle and loss, has suffered under the added necessity of bringing pain to others. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Ashburnham Pentateuch and Its Contexts
The Ashburnham Pentateuch and Its Contexts

Author: Jennifer Awes Freeman

Publisher: Boydell & Brewer

Published: 2022

Total Pages: 245

ISBN-13: 1783276843

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A fresh interpretation of an enigmatic illumination and its contexts.The Ashburnham Pentateuch is an early medieval manuscript of uncertain provenance, which has puzzled and intrigued scholars since the nineteenth century. Its first image, which depicts the Genesis creation narrative, is itself a site of mystery; originally, it presented the Trinity as three men in various vignettes, but in the early ninth century, by which time the manuscript had come to the monastery at Tours, most of the figures were obscured by paint, leaving behind a single creator. In this sense, the manuscript serves as a kind of hinge between the late antique and early medieval periods. Why was the Ashburnham Pentateuch's anthropomorphic image of the Trinity acceptable in the sixth century, but not in the ninth?This study examines the theological, political, and iconographic contexts of the production and later modification of the Ashburnham Pentateuch's creation image. The discussion focuses on materiality, the oft-contested relationship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.e image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.