Re-Imagining DEFA

Re-Imagining DEFA

Author: Séan Allan

Publisher: Berghahn Books

Published: 2016-09-01

Total Pages: 378

ISBN-13: 178533106X

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By the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”


East German Film and the Holocaust

East German Film and the Holocaust

Author: Elizabeth Ward

Publisher: Berghahn Books

Published: 2021-04-01

Total Pages: 259

ISBN-13: 1789207487

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East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political.


DEFA

DEFA

Author: Seán Allan

Publisher: Berghahn Books

Published: 1999

Total Pages: 364

ISBN-13: 9781571819437

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Traces the development of the state-sponsored company (DEFA), which was primarily responsible for film production in East Germany from 1946 to 1992. Most of the 16 essays were presented at a conference in Reading, England, at an unspecified date. Looking at specific films and scriptwriters, they analyze the representation of fascism and anti-fascism in the 1940s and 1950s, conflicts between the state and film makers in the 1960s, and social-political criticism of the 1970s and early 1980s. Paper edition (unseen), $25. Annotation copyrighted by Book News, Inc., Portland, OR


Moving Images on the Margins

Moving Images on the Margins

Author: Seth Howes

Publisher: Camden House (NY)

Published: 2019

Total Pages: 282

ISBN-13: 1640140689

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Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years


Gender and Sexuality in East German Film

Gender and Sexuality in East German Film

Author: Kyle Frackman

Publisher: Boydell & Brewer

Published: 2018

Total Pages: 298

ISBN-13: 1571139923

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The first scholarly collection in English or German to fully address the treatment of gender and sexuality in the productions of DEFA across genres and in social, political, and cultural context.


Mothers, Comrades, and Outcasts in East German Women's Films

Mothers, Comrades, and Outcasts in East German Women's Films

Author: Jennifer L. Creech

Publisher: Indiana University Press

Published: 2016-08-08

Total Pages: 307

ISBN-13: 0253023173

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Mothers, Comrades, and Outcasts in East German Women's Film merges feminist film theory and cultural history in an investigation of "women's films" that span the last two decades of the former East Germany. Jennifer L. Creech explores the ways in which these films functioned as an alternative public sphere where official ideologies of socialist progress and utopian collectivism could be resisted. Emerging after the infamous cultural freeze of 1965, these women's films reveal a shift from overt political critique to a covert politics located in the intimate, problem-rich experiences of everyday life under socialism. Through an analysis of films that focus on what were perceived as "women's concerns"—marital problems, motherhood, emancipation, and residual patriarchy—Creech argues that the female protagonist served as a crystallization of socialist contradictions. By framing their politics in terms of women's concerns, these films used women's desire and agency to contest the more general problems of social alienation and collectivism, and to re-imagine the possibilities of self-fulfillment under socialism.


East German Cinema

East German Cinema

Author: S. Heiduschke

Publisher: Springer

Published: 2013-10-10

Total Pages: 288

ISBN-13: 1137322322

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East Germany's film monopoly, Deutsche Film-Aktiengesellschaft, produced a films ranging beyond simple propaganda to westerns, musicals, and children's films, among others. This book equips scholars with the historical background to understand East German cinema and guides the readers through the DEFA archive via examinations of twelve films.


German Cinema

German Cinema

Author: Marc Silberman

Publisher: Wayne State University Press

Published: 1995

Total Pages: 348

ISBN-13: 9780814325605

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A historical overview of German film from the silent era to the present, presenting close readings of 14 films from five major historical periods of German cinema. Each chapter analyzes a single film, discussing filmmakers' personal styles, genre, and modes of narration, and looks at the wider contexts of film production and reception including political issues and social change. Films include a Nazi propaganda musical, Ernst Lubitsch's Passion, and Wim Wenders' Paris, Texas. Includes film credits for each film, bandw photos, and extensive notes. Annotation copyright by Book News, Inc., Portland, OR


Screening Art

Screening Art

Author: Seán Allan

Publisher: Berghahn Books

Published: 2022-02-11

Total Pages: 0

ISBN-13: 180073204X

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With internationalist aspirations and wide-ranging historical perspectives, East German films about artists and their work became hotly contested spaces in which filmmakers could look beyond the GDR and debate the impact of contemporary cultural policy on the reception of their pre-war cultural heritage. Spanning newsreels, documentaries, and feature films, Screening Art is the first full-length investigation into a genre that has been largely overlooked in studies of DEFA, the state-owned Eastern German film studio. As it shows, “artist-films” played an essential role in the development of new paradigms of socialist art in postwar Europe.