Timpani and Percussion

Timpani and Percussion

Author: Jeremy Montagu

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 292

ISBN-13: 9780300093377

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A history of percussion instruments from the Old Stone Age to the present day. Jeremy Montagu, a performer, historian, and curator of musical instruments, discusses common and uncommon percussion instruments from all parts of the world, tracing their development and use through the ages and across cultures.


Science of Percussion Instruments

Science of Percussion Instruments

Author: Thomas D. Rossing

Publisher: World Scientific

Published: 2000

Total Pages: 232

ISBN-13: 9789810241582

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"What singles this book out is the sheer diversity of instruments covered this is a very welcome book. It is fair to say that the science of percussion instruments would not have advanced anywhere near so far without the tireless enthusiasm and passion of Rossing and his students."Nature, 2001"It forms a very nice survey work on an entire class of musical instruments I recommend it to anyone interested in acoustics and the physics of musical instruments."American Journal of Physics, Sept 2001


Priscilla Plays Percussion

Priscilla Plays Percussion

Author: Zach Himelhoch

Publisher:

Published: 2021-08-13

Total Pages: 20

ISBN-13: 9781737539315

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"Priscilla Plays Percussion" is the story of a young monkey whose life is changed the day her dad brings home a drum and she discovers her passion for percussion. Follow Priscilla as she explores different types of drums and percussion instruments.


Teaching Percussion

Teaching Percussion

Author: Gary Cook

Publisher: Schirmer

Published: 1997

Total Pages: 542

ISBN-13:

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Designed as a core text for college level courses in percussion methods and pedagogy, Teaching Percussion is a comprehensive, up-to-date introduction to teaching methodology and performance techniques. Now updated, Teaching Percussion helps students and performers develop musical understanding and performance skills on some fifty percussion instruments. The Second Edition includes coverage of new developments in world music instruments and performance. In addition, Norman Weinberg, cofounder of the PAS World Percussion Network, has contributed a discussion of electronic percussion and new technology. The outstanding exercises, musical examples, photographs, illustrations, practical advice, and bibliographies - popular features in the first edition - have been retained and enhanced. Teaching Percussion, Second Edition, is an invaluable resource for students, faculty, and performers alike.


Encyclopedia of Percussion

Encyclopedia of Percussion

Author: John H. Beck

Publisher: Routledge

Published: 2013-11-26

Total Pages: 467

ISBN-13: 1317747682

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The Encyclopedia of Percussion is an extensive guide to percussion instruments, organized for research as well as general knowledge. Focusing on idiophones and membranophones, it covers in detail both Western and non-Western percussive instruments. These include not only instruments whose usual sound is produced percussively (like snare drums and triangles), but those whose usual sound is produced concussively (like castanets and claves) or by friction (like the cuíca and the lion’s roar). The expertise of contributors have been used to produce a wide-ranging list of percussion topics. The volume includes: (1) an alphabetical listing of percussion instruments and terms from around the world; (2) an extensive section of illustrations of percussion instruments; (3) thirty-five articles covering topics from Basel drumming to the xylophone; (4) a list of percussion symbols; (5) a table of percussion instruments and terms in English, French, German, and Italian; and (6) an updated section of published writings on methods for percussion.


When The Drummers Were Women: A Spiritual History of Rhythm

When The Drummers Were Women: A Spiritual History of Rhythm

Author: Layne Redmond

Publisher: Echo Point Books & Media, LLC

Published: 2021-08-05

Total Pages: 582

ISBN-13:

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For millennia, the sacred drummers of pre-Christian Mediterranean and western Asia were women. In this inspiring book, Layne Redmond, herself a renowned drummer, tells their history. Artistic representations reveal that female frame drummers carried the spiritual traditions of many of the earliest recorded civilizations. During those ancient times, the drummer-priestesses held the keys to experience of the divine through rhythm. They were at the center of the goddess worship of matriarchal societies until the ascendance of patriarchal cultures and the loss of drumming as a spiritual technology. With wisdom and passion, Redmond chronicles our species’ deep connection to the drum, our rich heritage of inseparable spirituality and music, and the modern-day women reclaiming it. This book encourages readers—both women and men—to reestablish rhythmic links with themselves, nature, and other people through the power of drumming. Redmond illustrates her message with an extensive collection of images gathered during ten years of research and travel. Woven throughout the book are strands of ancient ritual and mythology, personal stories, and scientific evidence of the benefits of drumming. It is at once a history, a memoir, and a resounding call for spiritual and social renewal.


A Performer's Guide to Renaissance Music

A Performer's Guide to Renaissance Music

Author: Jeffery Kite-Powell

Publisher: Indiana University Press

Published: 2007-08-02

Total Pages: 498

ISBN-13: 0253013771

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Revised and expanded since it first appeared in 1991, the guide features two new chapters on ornamentation and rehearsal techniques, as well as updated reference materials, internet resources, and other new material made available only in the last decade. The guide is comprised of focused chapters on performance practice issues such as vocal and choral music; various types of ensembles; profiles of specific instruments; instrumentation; performance practice issues; theory; dance; regional profiles of Renaissance music; and guidelines for directors. The format addresses the widest possible audience for early music, including amateur and professional performers, musicologists, theorists, and educators.