A New History of Early English Drama

A New History of Early English Drama

Author: John D. Cox

Publisher: Columbia University Press

Published: 1997

Total Pages: 590

ISBN-13: 9780231102438

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Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.


Early English Drama

Early English Drama

Author: John C. Coldewey

Publisher: Routledge

Published: 2016-07-22

Total Pages: 390

ISBN-13: 1135778825

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First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.


Early Modern English Drama

Early Modern English Drama

Author: Garrett A. Sullivan

Publisher:

Published: 2006

Total Pages: 360

ISBN-13:

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Each of these essays addresses not only a play, but a specific cultural or literary topic. They cover vital perspectives in cultural studies such as race, class, gender, sexuality and colonialism; as well as topics in history like humanism, science, law, and reformation theology; and in dramatic genre.


Medieval English Drama

Medieval English Drama

Author: Katie Normington

Publisher: John Wiley & Sons

Published: 2013-04-30

Total Pages: 189

ISBN-13: 074565486X

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Medieval English Drama provides a fresh introduction to the dramatic and festive practices of England in the late Middle Ages. The book places particular emphasis on the importance of the performance contexts of these events, bringing to life a period before permanent theatre buildings when performances took place in a wide variety of locations and had to fight to attract and maintain the attention of an audience. Showing the interplay between dramatic and everyday life, the book covers performances in convents, churches, parishes, street processions and parades, and in particular distinguishes between modes of outdoor and indoor performance. Katie Normington aids the reader to a fuller understanding of these early English dramatic practices by explaining the significance of the place of performance, the particularities of spectatorship for each event and how the conventions of the form of drama were manipulated to address its reception. Audiences considered range from cloistered members, congregations and parish members to urban citizens, nobles and royalty. Undergraduate students of literature of this period will find this an approachable and illuminating guide.


New Directions in Early Modern English Drama

New Directions in Early Modern English Drama

Author: Aidan Norrie

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-07-06

Total Pages: 253

ISBN-13: 1501514024

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This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.


English Drama Before Shakespeare

English Drama Before Shakespeare

Author: Peter Happe

Publisher: Routledge

Published: 2018-10-08

Total Pages: 190

ISBN-13: 131787112X

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English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.


On the Queerness of Early English Drama

On the Queerness of Early English Drama

Author: Tison Pugh

Publisher: University of Toronto Press

Published: 2021

Total Pages: 252

ISBN-13: 1487508743

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This book probes occluded depictions of queerness in early English drama, ranging from medieval morality plays to Reformation interludes and beyond.


Early British Drama in Manuscript

Early British Drama in Manuscript

Author: Tamara Atkin

Publisher: Brepols Publishers

Published: 2019

Total Pages: 0

ISBN-13: 9782503575469

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This collection of essays examines medieval and early modern drama in the context of a rich and varied manuscript culture. Focusing on the production, performance, and reception of dramatic documents made in Britain between 1400 and 1700, the essays in this book shed new light on the role of dramatic manuscripts in a range of different social and literary spheres. From extant manuscripts of England's mystery cycles to miscellanies kept by seventeenth-century readers, the documents discussed in this volume reflect a culture of producing and using drama in ways that have been overlooked by the recent critical focus on drama and print by theatre historians and literary critics. By showing the various continuities, exchanges, lendings, and borrowings between medieval and early modern scribal practices, as well as between manuscript and print practices, this volume interrogates accepted critical narratives about the way that drama has been historicized.


Early English Performance: Medieval Plays and Robin Hood Games

Early English Performance: Medieval Plays and Robin Hood Games

Author: John Marshall

Publisher: Routledge

Published: 2019-10-08

Total Pages: 383

ISBN-13: 0429765010

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Covering a period of nearly 40 years’ work by the author this collection of essays in the Shifting Paradigms in Early English Drama Studies series brings the perspective of a Drama academic and practitioner of early English plays to the understanding of how medieval plays and Robin Hood games of the fifteenth and sixteenth centuries were performed. It explores why, where, when, and how the plays happened, who took part, and who were the audiences. The insights are informed by a combination of research and the public presentation of surviving texts. The research included in the volume unites the early English experiences of religious and secular performance. This recognition challenges the dominant critical distinction of the past between the two and the consequent privileging of biblical and moral plays over secular entertainments. What further binds, rather than separates, the two is that the destination of funds raised by the different activities maintained the civic and parochial needs of the institutions upon which the people depended. This collection redefines the inclusive nature and common interests of the purposes that lay behind generically different undertakings. They shared an extraordinary investment of human and financial resources in the anticipation of a profit that was pious and practical. (CS1081).