African Americans and the Classics

African Americans and the Classics

Author: Margaret Malamud

Publisher: Bloomsbury Publishing

Published: 2016-10-16

Total Pages: 331

ISBN-13: 1786720280

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A new wave of research in black classicism has emerged in the 21st century that explores the role played by the classics in the larger cultural traditions of black America, Africa and the Caribbean. Addressing a gap in this scholarship, Margaret Malamud investigates why and how advocates for abolition and black civil rights (both black and white) deployed their knowledge of classical literature and history in their struggle for black liberty and equality in the United States. African Americans boldly staked their own claims to the classical world: they deployed texts, ideas and images of ancient Greece, Rome and Egypt in order to establish their authority in debates about slavery, race, politics and education. A central argument of this book is that knowledge and deployment of Classics was a powerful weapon and tool for resistance-as improbable as that might seem now-when wielded by black and white activists committed to the abolition of slavery and the end of the social and economic oppression of free blacks. The book significantly expands our understanding of both black history and classical reception in the United States.


African People in World History

African People in World History

Author: John Henrik Clarke

Publisher: Black Classic Press

Published: 1993

Total Pages: 104

ISBN-13: 9780933121775

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African history as world history: Africa and the Roman Empire -- Africa and the rise of Islam -- The mighty kingdoms of Ghana, Mali, and Songhay -- The Atlantic slave trade: Slavery and resistance in South America and the Caribbean -- Slavery and resistance in the United States -- African Americans in the twentieth century.


Black Voices

Black Voices

Author: Various

Publisher: Penguin

Published: 2001-04-01

Total Pages: 818

ISBN-13: 0451527828

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“If you don’t know my name, you don’t know your own.”—James Baldwin An anthology of African-American literature featuring contributions from some of the most prominent Black and African-American authors of our time, including James Baldwin, Arna Bontemps, Gwendolyn Brooks, W. E. B. Du Bois, Ralph Ellison, Langston Hughes, Leroi Jones, Margaret Walker, Richard Wright, Malcom X, and many more. Featuring fiction, poetry, autobiography, and literary criticism, Black Voices captures the diverse and powerful words of a literary explosion, the ramifications of which can be seen and heard in the works of today’s African-American artists. A comprehensive and impressive primer, this anthology presents some of the greatest and most enduring work born out of the African-American experience in the United States. Contributors Also Include: Sterling A. Brown Charles W. Chesnutt John Henrik Clarke Countee Cullen Frederick Douglass Paul Laurence Dunbar James Weldon Johnson Naomi Long Madgett Paule Marshall Clarence Major Claude McKay Ann Petry Dudley Randall J. Saunders Redding Jean Toomer Darwin T. Turner Lerone Bennett, Jr. Frank London Brown Arthur P. Davis Frank Marshall Davis Owen Dodson Mari Evans Rudolph Fisher Dan Georgakas Robert Hayden Frank Horne Blyden Jackson Lance Jeffers Fenton Johnson George E. Kent Alain Locke Diane Oliver Stanley Sanders Richard G. Stern Sterling Stuckey Melvin B. Tolson


The Earliest African American Literatures

The Earliest African American Literatures

Author: Zachary McLeod Hutchins

Publisher: UNC Press Books

Published: 2021-12-16

Total Pages: 213

ISBN-13: 1469665611

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With the publication of the 1619 Project by The New York Times in 2019, a growing number of Americans have become aware that Africans arrived in North America before the Pilgrims. Yet the stories of these Africans and their first descendants remain ephemeral and inaccessible for both the general public and educators. This groundbreaking collection of thirty-eight biographical and autobiographical texts chronicles the lives of literary black Africans in British colonial America from 1643 to 1760 and offers new strategies for identifying and interpreting the presence of black Africans in this early period. Brief introductions preceding each text provide historical context and genre-specific interpretive prompts to foreground their significance. Included here are transcriptions from manuscript sources and colonial newspapers as well as forgotten texts. The Earliest African American Literatures will change the way that students and scholars conceive of early American literature and the role of black Africans in the formation of that literature.


My Soul Has Grown Deep

My Soul Has Grown Deep

Author: John Edgar Wideman

Publisher: Running Press

Published: 2001-10-03

Total Pages: 1270

ISBN-13: 9780762410354

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Contains brief biographical sketches and well-known and obscure works by African American authors from the late 1700s to the early 1900s, including Phillis Wheatley, Olaudah Equiano, Ida B. Wells, and Paul Laurence Dunbar.


Love and Marriage in Early African America

Love and Marriage in Early African America

Author: Frances Smith Foster

Publisher: Northeastern University Press

Published: 2007-12-31

Total Pages: 368

ISBN-13: 9781555536763

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Love and Marriage in Early African America brings together a remarkable range of folk sayings, rhymes, songs, poems, letters, lectures, sermons, short stories, memoirs, and autobiographies. Spanning over 100 years, from the slave era to the New Negro Movement, this extraordinary collection contradicts or nuances established notions that slavery fractured families, devalued sexual morality, distorted gender roles, and set in motion forces that now produce dismal and dangerous domestic situations. A culmination of twenty years of diligent research by noted scholar Frances Smith Foster, this anthology features selections on love and courtship, marriage, marriage rituals, and family. A compelling introduction places the primary texts in their social and literary context. A bibliography offers suggestions for further reading. This volume includes materials by well known writers such as Frances E. W. Harper, Charles Chesnutt, and Alice Dunbar Nelson, but the majority of works are previously unknown or difficult-to-access materials. Many provide startling contrasts to representations in canonical literature. For example, “Patrick Brown’s First Love” is a radical alternative to Frederick Douglass’s “The Heroic Slave,” and Thomas Detter’s “The Octoroon” replaces the traditionally tragic mulatto trope with a female protagonist who shocks and awes. Love and Marriage in Early African America also changes our ideas about the relationship between religion and politics in early African America by featuring texts from the Afro-Protestant press; that is, the publishing organizations, writers, and reading groups under the direct auspices of, or publicly associated with, Afro-Protestant churches.


Early African-American Classics

Early African-American Classics

Author: Anthony Appiah

Publisher: Bantam Classics

Published: 2008-05-20

Total Pages: 706

ISBN-13: 0553905090

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This essential one-volume collection brings together some of the most influential and significant works by African-American writers of the nineteenth and twentieth centuries. Included herein are such classics as Frederick Douglass’s Narrative of the Life of Frederick Douglass, An American Slave (1845) and excerpts from W.E.B. DuBois’s The Souls of Black Folk (1903), Harriet A. Jacobs’s Incidents in the Life of a Slave Girl: Written by Herself (1861), Booker T. Washington’s Up from Slavery (1901), and James Weldon Johnson’s The Autobiography of an Ex-Coloured Man (1912). Whether read as records of African-American history, autobiography, or literature, these invaluable texts stand as timeless monuments to the courage, intellect, and dignity of those for whom writing itself was an act of rebellion—and whose voices and experiences would have otherwise been silenced forever. Edited and with an introduction by Anthony Appiah, who explains the distinctive American literary and cultural context of the time, this edition of Early African-American Classics remains the standard by which all similar collections will inevitably be compared.