Just prior to WWII, a publicly-humiliated Air Force test pilot, court-martialed for a stunt that endangered President Roosevelt, takes the only job he can get: flying an experimental plane from the South to North poles. When his plane is attacked and crashes in the Artic, he finds himself in an undiscovered land with an ancient people.
This latest addition to Philip J Riley's Alternate History of Classic Filmonsters series is a collaborative effort with fellow film historian David Conover that delves into one of the most famous unproduced motion pictures of all time, Merian C. Cooper's legendary WAR EAGLES! Planned as a full Technicolor production at MGM in the late 1930s, WAR EAGLES would have eclipsed Cooper and long-time SFX partner Willis O'Brien's KING KONG as the greatest fantasy epic of the period had it not fallen victim to pre-war studio politics and the rise of Hitler's Third Reich on the eve of World War II. Long considered a lost film effort, Conover's research has actually uncovered a richly detailed pre-production history, complete with never-before -published artwork, storyboards, test footage frames and more, direct from studio archives and the estates of technicians and artists who actually worked on the film. Also included is the full, never-published final draft of WAR EAGLES by Cyril Hume (screenwriter of MGM's Tarzan series and the sci-fi masterpiece FORBIDDEN PLANET) along with Merian C. Cooper's original treatment and production designer Howard Campbell's notes and budgets for the ill-fated production. For decades, stop-motion fans and film researchers considered an early, coverless draft attributed to Willis O'Brien-- but actually written by Harold Lamb and James Ashmore Creelman-- to be the only existing script for WAR EAGLES, but Conover's discovery of the original typescripts at the USC film library in 2003 turned up 7 more drafts and multiple revisions that eventually led to the final Hume draft. Pre-production artist Duncan Gleason began detailed storyboarding and illustration based on this draft and it is very likely that it would have become the actual shooting script. Detailed models and sets were built and Technicolor test footage featuring stop-motion animation by Willis O'Brien and his crew (including Kong/Mighty Joe Young creators Marcel Delgado and George Lofgren) was shot, and the exciting tale of a lost race of Viking warriors astride giant prehistoric eagles doing battle with Nazis over the skies of modern day Manhattan almost reached the screen until the reality of impending war halted production in 1940... David Conover is a film writer and historian who began his quest to uncover the history of WAR EAGLES as a 13-year-old reader of Famous Monsters of Filmland magazine. He was a columnist and reviewer for the Louisville Eccentric Observer for 9 years and his work was syndicated widely during that period as well. He is also the Vice President and Programming Director for WonderFest, an international modeling, toy, film and FX expo that takes place annually in Louisville, Ky, where he lives with his wife, daughter, and a tiny piece of the stegosaurus model from the original KING KONG. If you ask him, he'll show it to you, along with the final page of Cyril Hume's WAR EAGLES script. He's not crazy, just enthusiastic..
During WWII, Jed’s English father serves as a fighter pilot overseas, while Jed and his mother move back to her Tsimshian community on Canada's west coast. When the military sets up a naval base in town, Jed is hired to help out, honored it seems, for both his father's bravery and his own native skills as a hunter. Presented with a military jacket, Jed finds an allegiance to his country and a pride in his mixed heritage that he's never felt before. But one day Jed's world is shattered. His best friend Tadashi, along with the other members of the nearby Japanese village, are declared enemy aliens and told to prepare to leave their homes. Now Jed must ask himself where his allegiance really belongs...to his country's rigid code, or to the truth that is buried in his Tsimshian soul. War of the Eagles is the first of two books in a series. Book two is Caged Eagles.
“The best book by far on the Pacific War” (The New York Times Book Review), this classic one-volume history of World War II in the Pacific draws on declassified intelligence files; British, American, and Japanese archival material; and military memoirs to provide a stunning and complete history of the conflict. This “superbly readable, insightful, gripping” (Washington Post Book World) contribution to WWII history combines impeccable research with electrifying detail and offers provocative interpretations of this brutal forty-four-month struggle. Author and historian Ronald H. Spector reassesses US and Japanese strategy and shows that the dual advance across the Pacific by MacArthur and Nimitz was more a pragmatic solution to bureaucratic, doctrinal, and public relations problems facing the Army and Navy than a strategic calculation. He also argues that Japan made its fatal error not in the Midway campaign but in abandoning its offensive strategy after that defeat and allowing itself to be drawn into a war of attrition. Spector skillfully takes us from top-secret strategy meetings in Washington, London, and Tokyo to distant beaches and remote Asian jungles with battle-weary GIs. He reveals that the US had secret plans to wage unrestricted submarine warfare against Japan months before Pearl Harbor and shows that MacArthur and his commanders ignored important intercepts of Japanese messages that would have saved thousands of lives in Papua and Leyte. Throughout, Spector contends that American decisions in the Pacific War were shaped more often by the struggles between the British and the Americans, and between the Army and the Navy, than by strategic considerations. Spector vividly recreates the major battles, little-known campaigns, and unfamiliar events leading up to the deadliest air raid ever, adding a new dimension to our understanding of the American war in the Pacific and the people and forces that determined its outcome.
“One of Ten Best History Books of 2021.” —Smithsonian Magazine For fans of The Boys in the Boat and The Storm on Our Shores, this impeccably researched, deeply moving, never-before-told “tale that ultimately stands as a testament to the resilience of the human spirit” (Garrett M. Graff, New York Times bestselling author) about a World War II incarceration camp in Wyoming and its extraordinary high school football team. In the spring of 1942, the United States government forced 120,000 Japanese Americans from their homes in California, Oregon, Washington, and Arizona and sent them to incarceration camps across the West. Nearly 14,000 of them landed on the outskirts of Cody, Wyoming, at the base of Heart Mountain. Behind barbed wire fences, they faced racism, cruelty, and frozen winters. Trying to recreate comforts from home, they established Buddhist temples and sumo wrestling pits. Kabuki performances drew hundreds of spectators—yet there was little hope. That is, until the fall of 1943, when the camp’s high school football team, the Eagles, started its first season and finished it undefeated, crushing the competition from nearby, predominantly white high schools. Amid all this excitement, American politics continued to disrupt their lives as the federal government drafted men from the camps for the front lines—including some of the Eagles. As the team’s second season kicked off, the young men faced a choice to either join the Army or resist the draft. Teammates were divided, and some were jailed for their decisions. The Eagles of Heart Mountain honors the resilience of extraordinary heroes and the power of sports in a “timely and utterly absorbing account of a country losing its moral way, and a group of its young citizens who never did” (Evan Ratliff, author of The Mastermind).
This latest addition to Philip J Riley's Alternate History of Classic Filmonsters series is a collaborative effort with fellow film historian David Conover that delves into one of the most famous unproduced motion pictures of all time, Merian C. Cooper's legendary WAR EAGLES! Planned as a full Technicolor production at MGM in the late 1930s, WAR EAGLES would have eclipsed Cooper and long-time SFX partner Willis O'Brien's KING KONG as the greatest fantasy epic of the period had it not fallen victim to pre-war studio politics and the rise of Hitler's Third Reich on the eve of World War II. Long considered a lost film effort, Conover's research has actually uncovered a richly detailed pre-production history, complete with never-before -published artwork, storyboards, test footage frames and more, direct from studio archives and the estates of technicians and artists who actually worked on the film. Also included is the full, never-published final draft of WAR EAGLES by Cyril Hume (screenwriter of MGM's Tarzan series and the sci-fi masterpiece FORBIDDEN PLANET) along with Merian C. Cooper's original treatment and production designer Howard Campbell's notes and budgets for the ill-fated production. For decades, stop-motion fans and film researchers considered an early, coverless draft attributed to Willis O'Brien-- but actually written by Harold Lamb and James Ashmore Creelman-- to be the only existing script for WAR EAGLES, but Conover's discovery of the original typescripts at the USC film library in 2003 turned up 7 more drafts and multiple revisions that eventually led to the final Hume draft. Pre-production artist Duncan Gleason began detailed storyboarding and illustration based on this draft and it is very likely that it would have become the actual shooting script. Detailed models and sets were built and Technicolor test footage featuring stop-motion animation by Willis O'Brien and his crew (including Kong/Mighty Joe Young creators Marcel Delgado and George Lofgren) was shot, and the exciting tale of a lost race of Viking warriors astride giant prehistoric eagles doing battle with Nazis over the skies of modern day Manhattan almost reached the screen until the reality of impending war halted production in 1940... David Conover is a film writer and historian who began his quest to uncover the history of WAR EAGLES as a 13-year-old reader of Famous Monsters of Filmland magazine. He was a columnist and reviewer for the Louisville Eccentric Observer for 9 years and his work was syndicated widely during that period as well. He is also the Vice President and Programming Director for WonderFest, an international modeling, toy, film and FX expo that takes place annually in Louisville, Ky, where he lives with his wife, daughter, and a tiny piece of the stegosaurus model from the original KING KONG. If you ask him, he'll show it to you, along with the final page of Cyril Hume's WAR EAGLES script. He's not crazy, just enthusiastic..
A war that started under questionable pretexts. A president who is convinced of his country’s might and right. A military and political stalemate with United States troops occupying a foreign land against a stubborn and deadly insurgency. The time is the 1840s. The enemy is Mexico. And the war is one of the least known and most important in both Mexican and United States history—a war that really began much earlier and whose consequences still echo today. Acclaimed historian David A. Clary presents this epic struggle for a continent for the first time from both sides, using original Mexican and North American sources. To Mexico, the yanqui illegals pouring into her territories of Texas and California threatened Mexican sovereignty and security. To North Americans, they manifested their destiny to rule the continent. Two nations, each raising an eagle as her standard, blustered and blundered into a war because no one on either side was brave enough to resist the march into it. In Eagles and Empire, Clary draws vivid portraits of the period’s most fascinating characters, from the cold-eyed, stubborn United States president James K. Polk to Mexico’s flamboyant and corrupt general-president-dictator Antonio López de Santa Anna; from the legendary and ruthless explorer John Charles Frémont and his guide Kit Carson to the “Angel of Monterey” and the “Boy Heroes” of Chapultepec; from future presidents such as Benito Juárez and Zachary Taylor to soldiers who became famous in both the Mexican and North American civil wars that soon followed. Here also are the Irish Soldiers of Mexico and the Yankee sailors of two squadrons, hero-bandits and fighting Indians of both nations, guerrilleros and Texas Rangers, and some amazing women soldiers. From the fall of the Alamo and harrowing marches of thousands of miles in the wilderness to the bloody, dramatic conquest of Mexico City and the insurgency that continued to resist, this is a riveting narrative history that weaves together events on the front lines—where Indian raids, guerrilla attacks, and atrocities were matched by stunning acts of heroism and sacrifice—with battles on two home fronts—political backstabbing, civil uprisings, and battle lines between Union and Confederacy and Mexican Federalists and Centralists already being drawn. The definitive account of a defining war, Eagles and Empire is page-turning history—a book not to be missed.
The explosion of a Chinese freighter in Charleston Harbor is the first sign that someone is capping Chinese interests abroad. Now under the control of the Pentagon, Op-Center is unsure of its own future-but must root out the cause of the attacks before the entire world is affected.
ONLY THE GODS CAN SAVE THE ROMANS NOW AD 9, Germania. East of the river Rhine, tribes hostile to Rome prepare a deadly ambush. Their leader is the charismatic chieftain and trusted ally of Rome, Arminius, whose dream is to drive out the brutal invaders of his land. Pitted against him are veteran centurion Lucius Tullus and the Roman provincial governor, Varus. Together with three local legions, they leave their summer camp to begin the march back to the Roman forts on the Rhine. They have no idea that in the forests and bog of the Teutoburg, mud, slaughter and bloody death await ... ‘This is historical fiction at its best' Sunday Express 'Held me spellbound to its spectacular bloody end' Manda Scott 'Gripping, brutal, brilliant' Giles Kristian