Scott Anderson is terminally ill, and is not expected to live much longer. As an ex-RAF officer from World War Two, operating in Bomber Command, he has come to realise that once he is dead, there will be no one to pass on what he knows about his life; what he did with it, and the lives of his ancestors.He wants his adult children to know about his history so they, in turn, can pass it onto their children. It’s important, he thinks, to know where you come from, your roots and your heritage.He begins to dictate his story to his son Hugh. It’s an extensive and highly surprising account of Anderson’s wartime experiences and his early life. He also reveals the whereabouts of a large, locked wooden chest, which is only to be opened once he has died. Inside, he says, they will find part of their inheritance.In fact, what Anderson’s children find in the box will ensure that their lives will never be the same again. There was, it seems, a darker reason for his deathbed revelation, and the box contains a shocking legacy that will impact deeply on all their lives and, in doing so, will take them around the world.
When Matt Reid sets out to find the truth about his biological father, he doesn't expect to find family entanglements, or the strange and unpredictable Australian woman, whom he can't seem to erase from his mind.
Perfect for fans of Shari Lapena and Hannah Mary McKinnon, a mystery writer’s sudden disappearance leads a budding filmmaker down a dark road to treachery, murder, and long-buried sins. Aspiring filmmaker June Masterson has high hopes for her first documentary, the true story of the disappearance of famed mystery author Greer Larkin. June learned about the vanishing at age fourteen, locked down on her family’s isolated commune. Now, the deeper she digs into the project, the darker the story gets. Everyone has a theory. Greer’s mother, Blanche, and her best friend, Rachel, believe that Greer’s fiancé, Jonathan, is the culprit. Greer’s agent is convinced that Greer committed suicide after a debilitating bout of writer’s block. And Jonathan claims it was either Greer’s controlling mother or Rachel, whose attachment to Greer went way beyond friendship. In desperation, Rachel gives June a suitcase full of Greer’s most personal writings in hopes of finding proof against Jonathan. Then Rachel turns up dead. As June pores over Greer’s writings, she makes a devastating discovery that could finally reveal the truth about the author’s fate. But now, June finds herself in the sights of a killer who’ll stop at nothing to keep their darkest secret.
Dying well is an art . . . the rest is just murder Inspector John Carlyle is waiting for his father to die of a terminal illness. Meanwhile, others are dropping like flies. An elderly professor is found dead in his Bloomsbury flat. The verdict is that of heart attack. But who then stuffed the deceased academic in a closet? And who emptied the man's bank account? Across town, Sergeant Alison Roche is back from maternity leave. Struggling to juggle The Job and a new baby, she needs Carlyle's help after a controversial financier is controversially murdered at a charity dinner. Similarities with a previous, unsolved killing, which left a black mark against Carlyle's record, only raise the stakes higher. With problems at work and problems at home, Carlyle just wants to keep his head down but there's little chance of that. Can he do his job, nail a couple of murder cases - and be there for his father at the end?
It has taken seventy years for the accounts of ordinary German soldiers during the Second World War to be made widely available to an English-speaking audience. This is hardly surprising given that interest in these important documents has only recently surfaced in Germany, where a long process of coming to terms with the past, or Vergangenheitsbewältigung, has taken place.Unlike other historical depictions of the fall of the Third Reich, Dying Days of the Third Reich presents the authentic voices of those German soldiers who fought on the front line. Throughout we are witness to the kind of bravery, ingenuity and, ultimately, fear that we are so familiar with from the many Allied accounts of this time. Their sense of confusion and terror is palpable as Nazi Germany finally collapses in May 1945, with soldiers fleeing to the American victors instead of the Russians in the hope of obtaining better treatments as a prisoner of war.This collection of first-hand accounts includes the stories of German soldiers fighting the Red Army on the Eastern Front; of Horst Messer, who served on the last East Prussian panzer tank but was captured and spent four years in Russian captivity at Riga; Hans Obermeier, who recounts his capture on the Czech front and escape from Siberia; and a moving account of an anonymous Wehrmacht soldier in Slovakia given orders to execute Russian prisoners.
"6 May 1997. The dying days of the twentieth century. On the Mare Sirenum, British astronauts are walking on the surface of Mars for the first time in over twenty years. The National Space Museum in London is the venue for a spectacular event where the great and the good celebrate a unique British achievement. In Adisham, Kent, the most dangerous man in Britain has escaped from custody while being transported by helicopter. In Whitefall, a new Home Secretary is convinced that there is a plot brewing to overthrow the government. In west London, MI5 agents shut down a publishing company that got too close to the top secret organization known as UNIT. And, on a state visit to Washington, the Prime Minister prepares to make a crucial speech, totally unaware that dark forces are working against him. As the eighth Doctor and Professor Bernice Summerfield discover, all these events are connected. However, soon all will be overshadowed. This time, the Doctor is already too late." -- Page 4 of cover.
Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.
From acclaimed classical historian, author of Ghost on the Throne (“Gripping . . . the narrative verve of a born writer and the erudition of a scholar” —Daniel Mendelsohn) and editor of The Landmark Arrian:The Campaign of Alexander (“Thrilling” —The New York Times Book Review), a high-stakes drama full of murder, madness, tyranny, perversion, with the sweep of history on the grand scale. At the center, the tumultuous life of Seneca, ancient Rome’s preeminent writer and philosopher, beginning with banishment in his fifties and subsequent appointment as tutor to twelve-year-old Nero, future emperor of Rome. Controlling them both, Nero’s mother, Julia Agrippina the Younger, Roman empress, great-granddaughter of the Emperor Augustus, sister of the Emperor Caligula, niece and fourth wife of Emperor Claudius. James Romm seamlessly weaves together the life and written words, the moral struggles, political intrigue, and bloody vengeance that enmeshed Seneca the Younger in the twisted imperial family and the perverse, paranoid regime of Emperor Nero, despot and madman. Romm writes that Seneca watched over Nero as teacher, moral guide, and surrogate father, and, at seventeen, when Nero abruptly ascended to become emperor of Rome, Seneca, a man never avid for political power became, with Nero, the ruler of the Roman Empire. We see how Seneca was able to control his young student, how, under Seneca’s influence, Nero ruled with intelligence and moderation, banned capital punishment, reduced taxes, gave slaves the right to file complaints against their owners, pardoned prisoners arrested for sedition. But with time, as Nero grew vain and disillusioned, Seneca was unable to hold sway over the emperor, and between Nero’s mother, Agrippina—thought to have poisoned her second husband, and her third, who was her uncle (Claudius), and rumored to have entered into an incestuous relationship with her son—and Nero’s father, described by Suetonius as a murderer and cheat charged with treason, adultery, and incest, how long could the young Nero have been contained? Dying Every Day is a portrait of Seneca’s moral struggle in the midst of madness and excess. In his treatises, Seneca preached a rigorous ethical creed, exalting heroes who defied danger to do what was right or embrace a noble death. As Nero’s adviser, Seneca was presented with a more complex set of choices, as the only man capable of summoning the better aspect of Nero’s nature, yet, remaining at Nero’s side and colluding in the evil regime he created. Dying Every Day is the first book to tell the compelling and nightmarish story of the philosopher-poet who was almost a king, tied to a tyrant—as Seneca, the paragon of reason, watched his student spiral into madness and whose descent saw five family murders, the Fire of Rome, and a savage purge that destroyed the supreme minds of the Senate’s golden age.
A priceless manuscript. A missing scholar. A trail of riddles. Bombay, 1950 For over a century, one of the world's great treasures, a six-hundred-year-old copy of Dante's The Divine Comedy, has been safely housed at Bombay's Asiatic Society. But when it vanishes, together with the man charged with its care, British scholar and war hero, John Healy, the case lands on Inspector Persis Wadia's desk. Uncovering a series of complex riddles written in verse, Persis - together with English forensic scientist Archie Blackfinch - is soon on the trail. But then they discover the first body. As the death toll mounts it becomes evident that someone else is also pursuing this priceless artefact and will stop at nothing to possess it . . . Harking back to an era of darkness, this second thriller in the Malabar House series pits Persis, once again, against her peers, a changing India, and an evil of limitless intent. Gripping, immersive, and full of Vaseem Khan's trademark wit, this is historical fiction at its finest.
She was the hero. Now she is the enemy. Jesse Sullivan has defeated her father and saved the world from his dark machinations. But as the beloved face of The Unified Church, his death has made him a martyr and now his murderer is public enemy number one. But it isn't the countless government agencies and freelance assassins who want Jesse's head that she should fear. It is the powerful entity who's come to reclaim the world she has stolen from him. Dying Day is the seventh and final book in the Dying for a Living series. You do not have to read the books in order to enjoy them, but it is highly recommended.
