Drawn Out is a hilarious, heartbreaking, heart-warming account of Tom Scott's tragicomic childhood, his manic student-newspaper days, his turbulent years stumbling through the corridors of power, his fallings out with prime ministers, his collaborations with comic legends John Clarke, A.K. Grant and Murray Ball, his travels to the ends of the earth with his close friend Ed Hillary, and more... 'A first-class memoir of a highly memorable life. Here is an important (often hilarious) writer and immensely gifted cartoonist, insightfully chronicling quite momentous changes in our political and social landscape.' Jim Mora, New Zealand Books
This collection spans BRANDON GRAHAM's (KING CITY, PROPHET, MULTIPLE WARHEADS) twenty-year career, and includes select cover work, illustrations, drawings from his work in animation, and assorted art, along with pages from his sketchbook, showcasing influences from all over the globe that combine into something uniquely personal.
This acclaimed picture book from two award-winning creators about connecting across generational and language differences shows that sometimes you don't need words to find common ground. When a young boy visits his grandfather, their lack of a common language leads to confusion, frustration, and silence. But as they sit down to draw together, something magical happens -- with a shared love of art and storytelling, the two form a bond that goes beyond words. With spare text by Minh Lê and luminous illustrations by Caldecott Medalist Dan Santat, this stirring story about reaching across barriers will be cherished for years to come. "A beautifully told and illustrated story about a grandson and grandfather struggling to communicate across divides of language, age and culture." --- Viet Thanh Nguyen, Pulitzer Prize winner Don't miss LIFT, also by Minh Lê and Dan Santat!
"Ruthie has a problem at school. It is the Snurtch. The Snurtch is a scribbly, grabby, rude monster who follows Ruthie around and gets her into all sorts of trouble. It seems Ruthie will never be rid of the Snurtch. But eventually, she realizes she's not the only one--George has one, too"--
In Long Drawn Out Trip: My Life, Gerald Scarfe tells his life story for the first time. With captivating, often thrilling stories, he takes us from his childhood and early days at Punch and Private Eye, through his long and occasionally tumultuous career as the Sunday Times cartoonist, to his film-making at the BBC and much-loved designs for Pink Floyd's The Wall and Disney's Hercules. Along the way he has drawn Churchill from life, gone on tour with The Beatles and thoroughly upset Mrs Mary Whitehouse. It is a very personal, wickedly funny and caustically insightful account of an artist's life at the forefront of contemporary culture and society.
Learn to observe the world more deeply—with curiosity, empathy, and joy—as you sketch the stories unfolding all around you. In Drawn on the Way, Sarah Nisbett shares her techniques for creating captivating line drawings that capture the moments and moods that you encounter on the train, in a café, outdoors, anywhere: a young woman lost in thought, a pair of hands clasped on a lap, a peppy beagle, a pair of jeans-clad crossed legs. Sarah invites you to see the people, animals, places, and objects you draw with compassionate curiosity—as more than a stranger or inanimate object, but as someone or something with a story worth knowing or imagining. Even if you are inexperienced at drawing or don’t consider yourself an artist, you can learn how to create sketches from start to finish employing techniques such as contour drawing, using line work to add texture, and adding spot color—and discover how each sketch tells a story. You’ll begin to focus on important details that reveal something about the subject you’re drawing: the graceful drape of a hand over a purse, the shy way someone tucks their feet underneath them. As you unplug, set aside perfectionism, and explore the world through drawing, you’ll learn: How to translate what you see into a compelling drawing How to silence your inner critic and find joy in drawing what captures your interest Techniques for drawing figures and creating quick portraits How to find the emotion in objects by asking questions How to draw scenes and backgrounds without becoming overwhelmed How to quickly and expressively render the natural world, including plants and animals How key details can take a sketch from plain to captivating Ways to find the extraordinary in the everyday How to transform mistakes into likeable elements Tips for becoming a visual storyteller Life lessons learned from years of live drawing We spend most of our lives on the way, rushing and running from place to place, task to task. When we have a spare minute, we usually reach for our phones and shut everything else out. The techniques, projects, and ideas in Drawn on the Way are designed to help you be more mindful about drawing, to capture the people, places, and things you encounter each day. By doing that, you’ll connect with humanity in a deeper, more meaningful way—and discover a lot about yourself.
When a dancing master arrived in Boston in 1685 and offered lessons and classes for both sexes during times normally reserved for church meetings, the Puritan ministers went to court to suppress the practice. Increase Mather (1639-1723) took the leading part, writing and publishing this tract, which compiles arguments and precedents for the prohibition of "Gynecandrical Dancing, [i.e.] Mixt or Promiscuous Dancing, viz. of Men and Women ... together." These justifications were certainly shared with the court, which found the dancing master guilty, fined him £100, and allowed him to skip town. Mather's tract on dancing is an overwhelming compendium of sources and authorities: from the Bible, classical authors, Christian Church Fathers, medieval philosophers, and Reformed theologians both Continental and English. None of them, it appears, approved of mixed dancing-because it leads to adultery and worse. The vilest sins and the direst disasters lie only a short step from the dance floor. The Arrow is remarkable for two things (at least): for how much allusion and citation are packed into its brief 30 pages, and for how quickly it escalates the issue into life-or-death scenarios, all vividly painted to emphasize the mortal danger of men and women dancing together.
