Drama/Theatre/Performance

Drama/Theatre/Performance

Author: Simon Shepherd

Publisher: Routledge

Published: 2004-09-16

Total Pages: 387

ISBN-13: 1134565283

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What is implied when we refer to the study of performing arts as 'drama', 'theatre' or 'performance'? Each term identifies a different tradition of thought and offers different possibilities to the student or practitioner. This book examines the history and use of the terms and investigates the different philosophies, politics, languages and institutions with which they are associated. Simon Shepherd and Mick Wallis: analyze attitudes to drama, theatre and performance at different historical junctures trace a range of political interventions into the field(s) explore and contextualise the institutionalisation of drama and theatre as university subjects, then the emergence of 'performance' as practice, theory and academic disciplines guide readers through major approaches to drama, theatre and performance, from theatre history, through theories of ritual or play, to the idea of performance as paradigm for a postmodern age discuss crucial terms such as action, alienation, catharsis, character, empathy, interculturalism, mimesis, presence or representation in a substantial 'keywords' section. Continually linking their analysis to wider cultural concerns, the authors here offer the most wide-ranging and authoritative guide available to a vibrant, fast-moving field and vigorous debates about its nature, purpose and place in the academy.


Drama/Theatre/Performance

Drama/Theatre/Performance

Author: Simon Shepherd

Publisher: Routledge

Published: 2004-09-16

Total Pages: 271

ISBN-13: 1134565291

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This text explores the concept of these related terms and considers the complex relationship that exists between all three. This useful guidebook is an essential read for any student of literature, drama, theatre and performance studies.


Drama/theatre/performance

Drama/theatre/performance

Author: Simon Shepherd

Publisher: Theatre Arts Books

Published: 2004

Total Pages: 262

ISBN-13: 0415234948

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This volume explores the widely debated terms and the complex relationship that exists between drama, theatre and performance. The authors present a cultural genealogy of key concepts, offering a guide to the literary tradition of drama, the stage tradition of theatre, and more.


Theatre Games

Theatre Games

Author: Clive Barker

Publisher: A&C Black

Published: 2010-05-01

Total Pages: 257

ISBN-13: 1408125196

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A practical guide to using theatre games for actor training which includes a DVD with original footage of the author putting the techniques into action.


Improvisation in Drama, Theatre and Performance

Improvisation in Drama, Theatre and Performance

Author: Anthony Frost

Publisher: Bloomsbury Publishing

Published: 2015-10-26

Total Pages: 485

ISBN-13: 1350316245

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Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and performance studies as well as drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation.


Theatre, Performance and Technology

Theatre, Performance and Technology

Author: Christopher Baugh

Publisher: Bloomsbury Publishing

Published: 2014-01-07

Total Pages: 264

ISBN-13: 1350316156

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Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice. Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.


Theatre of the Unimpressed

Theatre of the Unimpressed

Author: Jordan Tannahill

Publisher: Coach House Books

Published: 2015-05-11

Total Pages: 161

ISBN-13: 177056411X

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How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)


Research Methods in Theatre and Performance

Research Methods in Theatre and Performance

Author: Baz Kershaw

Publisher: Edinburgh University Press

Published: 2011-04-18

Total Pages: 256

ISBN-13: 0748688102

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How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide


Critical Theory and Performance

Critical Theory and Performance

Author: Janelle G. Reinelt

Publisher: University of Michigan Press

Published: 2007

Total Pages: 612

ISBN-13: 9780472068869

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Updated and enlarged, this groundbreaking collection surveys the major critical currents and approaches in drama, theater, and performance


Studying Plays

Studying Plays

Author: Mick Wallis

Publisher: Bloomsbury Publishing

Published: 2018-01-25

Total Pages: 249

ISBN-13: 1350007331

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Now in its 4th edition, this is an accessible and comprehensive introduction to the critical study of drama. Using familiar examples of classic and contemporary works such as Shakespeare's King Lear, Ibsen's A Doll's House and Timberlake Wertenbaker's Our Country's Good, the book explores the essential elements of play texts, from character, dialogue and plot to theatrical space. With more in depth guidance on how to study plays in and as performance, both live and in recordings available online, the 4th edition of Studying Plays now includes: · new examples throughout the book drawn from a range of 21st-century plays by established and emergent writers for diverse theatres and companies · new explorations of how plays structure and engage audience response · a complete new section on the analysis of theatre of witness and testimony; monodrama; and postdramatic texts.