This book is a PhD work by Dr. Avinash Gupta submitted as a dissertation for the degree of Doctor of Philosophy in year 1999 on Dr Mathura Lal Sharma, who is was a historian from Kota, Rajasthan, India. The dissertation was directed by Dr. Brij Kishore Sharma, who was an Associate Professor and Head of History Department at Kota Open University. The original work in Hindi is a beautiful depiction of Kota and Rajasthan's history and encouraged readers to explore the many books of Dr. Mathura Lal Sharma. Dr. Avinash Gupta's work immerses the reader in the Mughal and Pre-Independence eras of India as he narrates the events described in the original work by Dr. Mathuralal Sharma. All translation efforts were made to maintain the original meaning of Dr. Avinash Gupta's work.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 31 MARCH, 1968 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 80 VOLUME NUMBER: Vol. XXXIII, No.14 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 12-80 ARTICLE: 1. Irony 2. On Giving Up Smoking 3. Metals And Ceramics As Sources Of Atomic Heat 4. Michael Madhusudan 5. Marriage Customs AUTHOR: 1. Prof. G. Sankaranarayana Iyer 2. K. S. V. Raman 3. Dr. Brahma Prakash, 4. Dr. S.P. Sen Gupta 5. Mrs. Lakshmi Sundaram KEYWORDS : 1.An effective method, another kind, Shakespeare's verbal irony, Gulliver’s Travels’, 2.Edmund Burke Indisputable facts, only two situations 3.Major attraction, the problems, ‘cyrus’ and ‘zerlina’, boiling water reactors, impressive economies 4.New note in literature, miltonic in grandeur, ablest dramatist 5.Tears and smiles Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
India and China are two of the most important civilizations of the ancient world. Looking at the relations between these empires before the 6th century A.D., Xinru Liu conclusively establishes the transmission of Buddhism from India to China, and describes the various items of commercial trade.
The Wrestler's Body tells the story of a way of life organized in terms of physical self-development. While Indian wrestlers are competitive athletes, they are also moral reformers whose conception of self and society is fundamentally somatic. Using the insights of anthropology, Joseph Alter writes an ethnography of the wrestler's physique that elucidates the somatic structure of the wrestler's identity and ideology. Young men in North India may choose to join an akhara, or gymnasium, where they subject themselves to a complex program of physical and moral fitness. Alter's first-hand description of each detail of the wrestler's regimen offers a unique perspective on South Asian culture and society. Wrestlers feel that moral reform of Indian national character is essential and advocate their way of life as an ideology of national health. Everyone is called on to become a wrestler and build collective strength through self-discipline.
Modern India is the world's largest democracy, a sprawling, polyglot nation containing one-sixth of all humankind. The existence of such a complex and distinctive democratic regime qualifies as one of the world's bona fide political miracles. Furthermore, India's leading political thinkers have often served as its most influential political actorsÑthink of Gandhi, whose collected works run to more than ninety volumes, or Ambedkar, or Nehru, who recorded their most eloquent theoretical reflections at the same time as they strove to set the delicate machinery of Indian democracy on a coherent and just path. Out of the speeches and writings of these thinker-activists, Ramachandra Guha has built the first major anthology of Indian social and political thought. Makers of Modern India collects the work of nineteen of India's foremost generators of political sentiment, from those whose names command instant global recognition to pioneering subaltern and feminist thinkers whose works have until now remained obscure and inaccessible. Ranging across manifold languages and cultures, and addressing every crucial theme of modern Indian historyÑrace, religion, language, caste, gender, colonialism, nationalism, economic development, violence, and nonviolenceÑMakers of Modern India provides an invaluable roadmap to Indian political debate. An extensive introduction, biographical sketches of each figure, and guides to further reading make this work a rich resource for anyone interested in India and the ways its leading political minds have grappled with the problems that have increasingly come to define the modern world.
