Report

Report

Author: United States. Congress Senate

Publisher:

Published:

Total Pages: 2522

ISBN-13:

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Report

Report

Author: United States. Congress. House

Publisher:

Published:

Total Pages: 2140

ISBN-13:

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Journal of the House of Representatives of the United States

Journal of the House of Representatives of the United States

Author: United States. Congress. House

Publisher:

Published: 1966

Total Pages: 1986

ISBN-13:

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Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."


Assumption and Other Stories

Assumption and Other Stories

Author: Daniel A. Olivas

Publisher: Bilingual Review Press (AZ)

Published: 2003

Total Pages: 176

ISBN-13:

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Fiction. Daniel A. Olivas is a rising voice in Chicano fiction whose talents are showcased in this collection of eighteen remarkable short stories set in Southern California. He populates the urban landscapes of his stories with characters that mirror the complex and multifaceted nature of class, gender, and ethnicity in modern Latino communities. Shifting effortlessly between pathos and wry comedy, Olivas is able through his character-driven stories to explore how a married couple deals with miscarriage, how a young lawyer explains her lesbian sexuality to her traditional parents, and how the staff and students of a Catholic school experience the suicide of a popular young priest amidst swirling rumors of his sexual improprieties. Olivas writes in a variety of styles, and the colorful characters and unusual situations addressed in ASSUMPTION AND OTHER STORIES reflect a community that defies easy categorizations and stereotypes.


Music Processing

Music Processing

Author: Goffredo Haus

Publisher:

Published: 1993

Total Pages: 422

ISBN-13:

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This is a collection of essays on the state of the art in computer applications in music throughout Europe and North America. Written by leaders in the field, the book includes discussion of music processing, music analysis/synthesis models, and formal tools for music knowledge representation and for programming and controlling music computing systems. The final chapters examine the work of some of the most advanced computer music centres in the world. The book will be of interest to students and professionals working within the field of music processing, and will enrich their understanding of this crucially important subject. Goffredo Haus is Senior Researcher, Dipartmento di Scienze dell'Informazione, and scientific director of the LIM at the University of Milan. He has lectured on computer music and electronic music at the University of Milan and composes music by computer methods.


Musical Haptics

Musical Haptics

Author: Stefano Papetti

Publisher: Springer

Published: 2018-05-02

Total Pages: 290

ISBN-13: 3319583166

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This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.