With screaming demons in Wealdon copses and dragons lurking in bottomless ponds, the folk tales of Sussex truly represent the diversity of the area. Meet knuckers and willocks, mawkins and marsh monsters, the Piltdown Man, Lord Moon of Amberley Swamp and the princess of the Mixon Hole. There is also something terrible crawling to Crawley from Gatwick, which develops a degraded appetite in a bin ... From ghosts and madmen to witches and wise women, Michael O’Leary reveals many of the hidden horrors of Sussex – horrors that can be found in the most beautiful places, or that lurk beneath the seemingly mundane. Amid these dark tales are stories of humour and silliness, of love, lust and passion.
This enchanting collection of stories gathers together folk tales from across England in one special volume. Drawn from The History Press’ popular Folk Tales series, herein lies a treasure trove of tales from a wealth of talented storytellers performing in the country today, including prominent figures Taffy Thomas MBE, Hugh Lupton and Helen East. From hidden chapels and murderous vicars to travelling fiddlers and magical shape-shifters, this book celebrates the distinct character of England’s different customs, beliefs and dialects, and is a treat for all who enjoy a good yarn.
“Like the druidic life force Jack taps, this hearty adventure, as personal as it is epic, will cradle readers in the ‘hollow of its hand’ (Booklist, starred review). Jack has caused an earthquake. He was trying to save his sister Lucy from being thrown down a well, but sometimes the magic doesn’t quite work out. Not only does Jack demolish a monastery, but Lucy is carried off by the Lady of the Lake, and Jack has to follow her through the Hollow Road, which lies underground. Aided by Pega, a slave, and the berserker Thorgil, Jack encounters hobgoblins, kelpies, yarthkins, and elves—not the enchanted sprites one would expect, but fallen angels who steal human children for pets. In the eighth century, the world is caught between belief in the Old Gods and Christianity, and what Jack and his companions do will decide the fate of both religions. From National Book Award winner Nancy Farmer, this second book in the Sea of Trolls trilogy brilliantly enlarges the world of the first story. Look for the conclusion in The Islands of the Blessed.
Beyond its housing estates and identikit high streets there is another Britain. This is the Britain of mist-drenched forests and unpredictable sea-frets: of wraith-like fog banks, druidic mistletoe and peculiar creatures that lurk, half-unseen, in the undergrowth, tantalising and teasing just at the periphery of human vision. How have the remarkably persistent folkloric traditions of the British Isles formed and been formed by the identities and psyches of those who inhabit them? In her sparkling new history, Carolyne Larrington explores the diverse ways in which a myriad of imaginary and fantastical beings has moulded the cultural history of the nation. Fairies, elves and goblins here tread purposefully, sometimes malignly, over an eerie, preternatural landscape that also conceals brownies, selkies, trows, knockers, boggarts, land-wights, Jack o'Lanterns, Barguests, the sinister Nuckleavee, or water-horse, and even Black Shuck: terrifying hell-hound of the Norfolk coast with eyes of burning coal. Focusing on liminal points where the boundaries between this world and that of the supernatural grow thin those marginal tide-banks, saltmarshes, floodplains, moors and rock-pools wherein mystery lies the author shows how mythologies of Mermen, Green men and Wild-men have helped and continue to help human beings deal with such ubiquitous concerns as love and lust, loss and death and continuity and change. Evoking the Wild Hunt, the ghostly bells of Lyonesse and the dread fenlands haunted by Grendel, and ranging the while from Shetland to Jersey and from Ireland to East Anglia, this is a book that will captivate all those who long for the wild places: the mountains and chasms where Gog, Magog and their fellow giants lie in wait."
New heroes arise to battle the ever changing landscape. Lady Carmen Armenta and Lord Andres Jaimes with her brothers Jerry and Isreal unwillingly embark on an adventure to save time itself. As the first round of the tournament comes to an end, time begins to correct itself with the revelation of the Final One Hundredgood versus evil! Shawneita realizes that she has an important task to save whats left of her family. What will happen when time and existence collide?
Instead of cleaning the playroom, Max and Emily visit their friends in Dragon Land and learn that shortcuts are not always the best way to get things done.
"I have entitled this book For Love of the Imagination. Long ago, I fell in love with the imagination. It was love at first sight. I have had a lifelong love affair with the imagination. I would love for others, through this book, to fall in love, as I once did, with the imagination." Michael Vannoy Adams, from the Preface. For Love of the Imagination is a book about the imagination – about what and how images mean. Jungian psychoanalysis is an imaginal psychology – or what Michael Vannoy Adams calls "imaginology," the study of the imagination. What is so distinctive – and so valuable – about Jungian psychoanalysis is that it emphasizes images. For Love of the Imagination is also a book about interdisciplinary applications of Jungian psychoanalysis. What enables these applications is that all disciplines include images of which they are more or less unconscious. Jungian psychoanalysis is in an enviable position to render these images conscious, to specify what and how they mean. On the contemporary scene, as a result of the digital revolution, there is no trendier word than "applications" – except, perhaps, the abbreviation "apps." In psychoanalysis, there is a "Freudian app" and a "Jungian app." The "Jungian app" is a technology of the imagination. This book applies Jungian psychoanalysis to images in a variety of disciplines. For Love of the Imagination also includes the 2011 Moscow lectures on Jungian psychoanalysis. It will be essential reading for psychoanalysts, psychotherapists, students, and those with an interest in Jung.
For the first time ever, DRAGONOLOGY fiction! Introducing the Dragonology Chronicles — full-length novels with enough fire-breathing adventure to satisfy true Dragonology fans who just can't get enough! Adventure! Villains! And dragons, dragons, dragons! From the creators of the best-selling Dragonology series, this first volume of the Dragonology Chronicles finds Daniel Cook and his sister, Beatrice, studying with eccentric dragonologist Dr. Ernest Drake. Soon they’re caught up in a race to find the stolen Dragon’s Eye — a jewel that has the power to reflect the true Dragon Master — before it is stolen by the evil Ignatius Crook. Working with Dr. Drake (and many friendly dragons), can these young siblings foil Ignatius and recover the Dragon’s Eye?
Every May Day, bundles of branches tied with colourful ribbons appear on Hastings’ shopfronts and streetlamps. Drumming swells as crowds of green-clad bogies, festival-goers in shorts and t-shirts, and Morris dancers fill Hastings’ winding streets. And then comes the main event: Jack in the Green’s wizened face appears on a towering cone of leaves topped with a crown at the centre of the festivities. The Jack in the Green festival marks the passage of spring to summer. But from where does this bizarre tradition originate? The roots are too tangled to know for sure, and the first recording of the festival was in 1770. However, some believe celebrations of the ‘Green Man’ hail from the pagan Anglo-Saxons who established England’s historic county of Sussex, and the myth transformed with each subsequent generation. But Jack in the Green is only one of Sussex’s many mysteries. Fearsome beasts, terrifying giants, cackling witches, and plucky fairies are just a few of the creatures populating the folklore of this strange and savage land. Ending with the modern celebration of the Jack in the Green festival, this collection of stories traces the roots of Sussex’s centuries of tall tales, mythology, and folklore.
