Pinerolo, Italy. April 1945. At a fascist conference, a writer disappears and is found dead at the bottom of a cliff. Thirty years later, a young man—a political activist or maybe a terrorist—interviews the survivors to try to uncover the truth about what happened and its consequences. Who was this writer? What did he believe in? Why, shortly before his death, did he save a man who could have killed him? Where is his lost work? And what does any of this have to do with a teenager in contemporary Milan involved in a violent confrontation with the police? Bold and incisive, Don’t Shed Your Tears for Anyone Who Lives on These Streets is a gripping examination of art-as-politics and politics-as-crime.
From the acclaimed Argentine writer, one of Granta's Best Young Spanish-Language Novelists: a bold, ambitious new novel about how art became politics and politics became crime during the cataclysm of the Second World War. Pinerolo, Italy; April 1945. At a conference in support of Fascism, a writer disappears and is found dead at the bottom of a cliff. Thirty years later, a young man--a political activist or a terrorist, depending on your perspective--interviews survivors from the conference, to try to uncover the truth about what happened and its consequences. Who was the writer? What did he believe in? Why, shortly before his death, did he save a man who could have killed him? Where is his lost work? And what does any of this have to do with a teenager in contemporary Milan involved in a violent confrontation with the police? Don't Shed Your Tears for Anyone Who Lives on These Streets is a razor-sharp, completely original exploration of our most timeless concerns--guilt, betrayal, the legacy of earlier generations--and probes the question of what literature is: how it explains our times and irrevocably changes our lives.
Granta 155: Best of Young Spanish-Language Novelists 2 showcases the work of twenty-five of the most exciting young writers in the Spanish speaking world, chosen by judges Chloe Aridjis, Horacio Castellanos Moya, Rodrigo Fresn, Aurelio Major, Gaby Wood and guest editor Valerie Miles. Granta 155 is published simultaneously with Granta en Espaol 23: Los Mejores Narradores Jvenes en Espaol 2, in Spain and in the US. Andrea Abreu (Spain) trans. Julia Sanches Jos Adiak Montoya (Nicaragua) trans. Samantha Schnee David Aliaga (Spain) trans. Daniel Hahn Carlos Manuel lvarez (Cuba) trans. Frank Wynne Jos Ardila (Colombia) trans. Lindsay Griffiths and Adrin Izquierdo Gonzalo Baz (Uruguay) trans. Christina MacSweeney Miluska Benavides (Peru) trans. Katherine Silver Martn Felipe Castagnet (Argentina) trans. Frances Riddle Andrea Chapela (Mexico) trans. Kelsi Vanada Camila Fabbri (Argentina) trans. Jennifer Croft Paulina Flores (Mexico) trans. Megan McDowell Carlos Fonseca (Costa Rica/Puerto Rico) trans. Megan McDowell Mateo Garca Elizondo (Mexico) trans. Robin Myers Aura Garca-Junco (Mexico) trans. Lizzie Davis Munir Hachemi (Spain) trans. Nick Caistor Dainerys Machado Vento (Cuba) trans. Will Vanderhyden Estanislao Medina Huesca (Equatorial Guinea) trans. Mara Faye Lethem Cristina Morales (Spain) trans. Kevin Gerry Dunn Alejandro Morelln (Spain) trans. Esther Allen Michel Nieva (Argentina) trans. Natasha Wimmer Mnica Ojeda (Ecuador) trans. Sarah Booker Eudris Planche Savn (Cuba) trans. Margaret Jull Costa Irene Reyes-Noguerol (Spain) trans. Lucy Greaves Aniela Rodrguez (Mexico) trans. Sophie Hughes Diego Ziga (Chile) trans. Megan McDowell
The American debut of one of Granta’s Best Young Spanish-Language Novelists, My Fathers’ Ghost Is Climbing in the Rain is a daring and deeply affecting story of one Argentine family’s buried secrets. When a young writer returns home to visit his dying father, he finds himself drawn into an obsessive search for a local man gone missing. As the truth—not only about his father but an entire generation—comes to light, the narrator is forced to confront the ghosts of Argentina’s dark political past, as well as long-hidden memories about his own family’s history. Powerful and audacious, this semi-autobiographical novel is a thoroughly original story of corruption and responsibility, of history and remembrance, from one of South America’s most important new writers.
“Shiver-inducingly delicious.”—The New York Times Book Review “[Suma’s] narratives are subtle, quicksilver creatures, her language is elegant, and her characters keep more secrets than they reveal. If this book was a dessert, it wouldn't be a chocolate chip cookie or a vanilla birthday cake — it would be an earl grey lavender macaroon, or maybe balsamic fig ice cream.” – NPR.com “This beautiful story is full of magical-realism and luscious, lyrical writing.” – BuzzFeed “Terrific . . . A gothic love letter to secret places of New York City and the runaway girls who find them.”—Kelly Link, author of Pulitzer Prize finalist Get in Trouble “Nova Ren Suma surpasses herself with this gorgeously-told, mesmerizing, tense and twisted story.”— Laura Ruby, National Book Award Finalist and Printz-Winning author of Bone Gap "Nova Ren Suma is a force to be reckoned with. Nobody writes like her."—Courtney Summers, author of Sadie "A Room Away From the Wolves is a page-turning thrill. Prepare to be left shivery and spooked and a little bit heartbroken.”—Emily X.R. Pan, New York Times bestselling author of The Astonishing Color of After "A Room Away from the Wolves is a beautifully tangled chain, a modern gothic haunting by one of our masters."—Elana K. Arnold, author of National Book Award finalist What Girls Are Made Of Bina has never forgotten the time she and her mother ran away from home. Her mother promised they would hitchhike to the city to escape Bina’s cruel father and start over. But before they could even leave town, Bina had a new stepfather and two new stepsisters, and a humming sense of betrayal pulling apart the bond with her mother—a bond Bina thought was unbreakable. Eight years later, after too many lies and with trouble on her heels, Bina finds herself on the side of the road again, the city of her dreams calling for her. She has an old suitcase, a fresh black eye, and a room waiting for her at Catherine House, a young women’s residence in Greenwich Village with a tragic history, a vow of confidentiality, and dark, magical secrets. There, Bina is drawn to her enigmatic downstairs neighbor Monet, a girl who is equal parts intriguing and dangerous. As Bina’s lease begins to run out, and nightmare and memory get tangled, she will be forced to face the terrible truth of why she’s come to Catherine House and what it will cost for her to leave . . . In A Room Away from the Wolves, critically acclaimed and New York Times bestselling author Nova Ren Suma weaves a spellbinding ghost story about who deserves a second chance, how we lie to those around us and ourselves, and what lengths girls will go to in order to save each other.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
This Volumes’ of Sri Sathya Sai Speaks are compiled and offered at Bhagawan Sri Sathya Sai Baba’s Lotus Feet on His 97th Birthday as a reminder to all Spiritual Aspirants of Baba’s Love & Message Compilation of Discourses from 1953 to 2010 (1614 Discourses) Sri Sathya Sai Speaks Volume 01 | Year(s) : 1953 to 1960 Sri Sathya Sai Speaks Volume 02 | Year(s) : 1961 to 1962 Sri Sathya Sai Speaks Volume 03 | Year(s) : 1963 Sri Sathya Sai Speaks Volume 04 | Year(s) : 1964 Sri Sathya Sai Speaks Volume 05 | Year(s) : 1965 Sri Sathya Sai Speaks Volume 06 | Year(s) : 1966 Sri Sathya Sai Speaks Volume 07 | Year(s) : 1967 Sri Sathya Sai Speaks Volume 08 | Year(s) : 1968 Sri Sathya Sai Speaks Volume 09 | Year(s) : 1969 Sri Sathya Sai Speaks Volume 10 | Year(s) : 1970 Sri Sathya Sai Speaks Volume 11 | Year(s) : 1971 to 1972 Sri Sathya Sai Speaks Volume 12 | Year(s) : 1973 to 1974 Sri Sathya Sai Speaks Volume 13 | Year(s) : 1975 to 1977 Sri Sathya Sai Speaks Volume 14 | Year(s) : 1978 to 1980 Sri Sathya Sai Speaks Volume 15 | Year(s) : 1981 to 1982 Sri Sathya Sai Speaks Volume 16 | Year(s) : 1983 Sri Sathya Sai Speaks Volume 17 | Year(s) : 1984 Sri Sathya Sai Speaks Volume 18 | Year(s) : 1985 Sri Sathya Sai Speaks Volume 19 | Year(s) : 1986 Sri Sathya Sai Speaks Volume 20 | Year(s) : 1987 Sri Sathya Sai Speaks Volume 21 | Year(s) : 1988 Sri Sathya Sai Speaks Volume 22 | Year(s) : 1989 Sri Sathya Sai Speaks Volume 23 | Year(s) : 1990 Sri Sathya Sai Speaks Volume 24 | Year(s) : 1991 Sri Sathya Sai Speaks Volume 25 | Year(s) : 1992 Sri Sathya Sai Speaks Volume 26 | Year(s) : 1993 Sri Sathya Sai Speaks Volume 27 | Year(s) : 1994 Sri Sathya Sai Speaks Volume 28 | Year(s) : 1995 Sri Sathya Sai Speaks Volume 29 | Year(s) : 1996 Sri Sathya Sai Speaks Volume 30 | Year(s) : 1997 Sri Sathya Sai Speaks Volume 31 | Year(s) : 1998 Sri Sathya Sai Speaks Volume 32 | Part 1 | Year(s) : 1999 Sri Sathya Sai Speaks Volume 32 | Part 2 | Year(s) : 1999 Sri Sathya Sai Speaks Volume 33 | Year(s) : 2000 Sri Sathya Sai Speaks Volume 34 | Year(s) : 2001 Sri Sathya Sai Speaks Volume 35 | Year(s) : 2002 Sri Sathya Sai Speaks Volume 36 | Year(s) : 2003 Sri Sathya Sai Speaks Volume 37 | Year(s) : 2004 Sri Sathya Sai Speaks Volume 38 | Year(s) : 2005 Sri Sathya Sai Speaks Volume 39 | Year(s) : 2006 Sri Sathya Sai Speaks Volume 40 | Year(s) : 2007 Sri Sathya Sai Speaks Volume 41 | Year(s) : 2008 Sri Sathya Sai Speaks Volume 42 | Year(s) : 2009 Sri Sathya Sai Speaks Volume 43 | Year(s) : 2010
CALL ME RARAOU, if you please, I was born in Rampartville, the capital city, even if it's only a provincial capital. Guess I was around fifteen when we left the place, me and my ma and half a loaf of dry bread between us, a couple of months after they pilloried her it was, they were still celebrating that so-called Liberation of theirs. Not even a team of wild horses could ever drag me back there. Ma neither, Buried her right here, I did, in Athens, the only luxury she ever asked for, her last will and testament. 'My child, I'm dying, but grant me my last wish, bury me here. I never want to go back there. (She may have been born in the place but she never said the word "Rampartville".) I don't care how you do it, just get me a lifetime grave. I never made you do anything else. Don't you ever let them take me back, not even my bones.' The Daughter, Matesis's famous novel set in Greece during the war, looks at how far a woman will go to protect her family at a time of great upheaval, and the consequences suffered as a result. The story is told through the eyes of Raraou, now a renowned actress, who recalls a childhood when her mother was forced to sleep with the occupying forces so as to feed her children. Afterwords, reviled by the villagers, she attempts to rebuild her shattered life. But this is more than a portrait of one family: it also delineates a country at war not only with a common enemy - Nazism - but also of Greece's turbulent post-war period.
Britain, 1930s. Tony Cox, out-of-work, finds himself swept up in a wave of right-wing activism - mass rallies, charismatic leadership and public violence. Rising through the ranks of the British Union of Fascists, he is interned at the outbreak of the Second World War. Upon his release, Tony reinvents himself, burying his history from everyone, including the one person who truly loves him: his grandson. But when a violent secret from the past emerges, Tony’s world is brought crashing down around him. Britain, 1990s. David Coxon-Dyet looks up to Tony. He knows nothing about his secret past, but as his personal life collapses and David is faced with redundancy and economic insecurity, the terrible truth about his grandfather is revealed. Betrayed by the actions of others, both grandfather and grandson take extreme measures to wrest back control. For these men in the street the consequences are profound.
