Donizetti's Lucia Di Lammermoor

Donizetti's Lucia Di Lammermoor

Author: Burton D. Fisher

Publisher: Opera Journeys Publishing

Published: 2005

Total Pages: 88

ISBN-13: 0977145549

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A comprehensive guide to Donizetti's LUCIA DI LAMMERMOOR, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with Italian/English side-by side, and over 25 music highlight examples.


Donizetti and His Operas

Donizetti and His Operas

Author: William Ashbrook

Publisher: Cambridge University Press

Published: 1982

Total Pages: 766

ISBN-13: 9780521276634

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The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programs.


Lucia Di Lammermoor

Lucia Di Lammermoor

Author: Gaetano Donizetti

Publisher: Legare Street Press

Published: 2022-10-27

Total Pages: 0

ISBN-13: 9781017821680

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Technology and the Diva

Technology and the Diva

Author: Karen Henson

Publisher: Cambridge University Press

Published: 2016-09-12

Total Pages: 245

ISBN-13: 0521198062

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Focuses on the operatic soprano as the diva and her relationships with technology from the 1820s to the digital age.


Donizetti's Lucia di Lammermoor

Donizetti's Lucia di Lammermoor

Author: Michael Steen

Publisher: Icon Books Ltd

Published: 2012-05-25

Total Pages: 41

ISBN-13: 1848314655

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Sir Walter Scott’s story of a Scottish girl forced by her family into an arranged marriage still resonates today, two centuries after it was published. Donizetti’s opera, which premièred in Naples in 1835, is famous particularly for the Mad Scene when Lucia, after leaving for her nuptials, reappears having murdered the man she has just married, the unfortunate Arturo. She truly loves Edgardo, sworn enemy of her family, who turned up moments too late to stop the wedding.The story unfolds in diverse and sensational locations – a fountain haunted by a murdered woman, a ruined tower called The Wolf’s Crag, and a graveyard where Edgardo – a part played by both Domingo and Pavarotti – hears of Lucia’s death and stabs himself. Immortalised by such stars as Joan Sutherland, the role of Lucia herself provides an immense challenge for even the best of sopranos. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, ‘Short Guides to Great Operas’ are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other ‘Short Guides to Great Operas’ that you may enjoy include L’Elisir d’Amore, La Bohème and La Traviata.


The Walter Scott Operas

The Walter Scott Operas

Author: Jerome Mitchell

Publisher:

Published: 1977

Total Pages: 440

ISBN-13:

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The Walter Scott Operas is a study of the approximately 50 operas that are based on the works of Sir Walter Scott, who, except for Shakespeare, inspired more operas than any other writer. Professor Mitchell's scholarly method is literary-historical (rather than "critical") and unabashedly antiquarian. He shows what happened to a Scott novel when it was turned into an opera and how that opera compared and contrasted with others based on the same novel -- all this leading to a fresh slant on Scott's characters and the structure of his novels. The Scott operas are all products of the nineteenth century, and indeed span the century from Rossini's La Donna del Lago (1819) to several done in the 1890s. The operas vary in style from typical early nineteenth-century romantic opera and opera comique to the Wagner-influenced works of the latter part of the century. Each discussion of an opera begins with a brief account of its performance history, but the major part of the discussion is concerned with what "happened" to the novel (poem, novella, or historical work) when it was transformed into an opera. What did the librettist do to the original story -- how did he reshape it -- to make it something the operatic composer could felicitously handle? The concluding chapter brings together for final discussion the elements in Scott's works that are conducive to good opera -- the pictorial element; the theme of "opposing fanaticism," often brought vividly to life in one or more major scenes of drama; the well-drawn characters, from both high and low life; the theatrical direct discourse, including soliloquies. In addition, the concluding chapter tries to determine what influence the Scott operas have had on others now in the standard repertoire. Many parallels can be observed because of the use of certain operatic conventions that are part of the common stock of virtually all librettists and composers. Other parallels, however, are directly traceable to the Scott operas. - Jacket flap.


A Season of Opera

A Season of Opera

Author: M. Owen Lee

Publisher: University of Toronto Press

Published: 1998-01-01

Total Pages: 258

ISBN-13: 9780802083876

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Father Lee is internationally known for his commentaries on opera. This book gathers his best commentaries and articles on 23 works for the musical stage, from the pioneering Orpheus of Monteverdi to the forward-looking Ariadne of Richard Strauss.


The Cambridge Companion to Monteverdi

The Cambridge Companion to Monteverdi

Author: John Whenham

Publisher: Cambridge University Press

Published: 2007-12-13

Total Pages: 480

ISBN-13: 1139828223

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Claudio Monteverdi is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book, first published in 2007, provides an authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life, and the contexts in which he worked. Chapters offering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles.


Arts of Incompletion

Arts of Incompletion

Author:

Publisher: BRILL

Published: 2021-07-19

Total Pages: 304

ISBN-13: 9004467122

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Incompletion is an essential condition of cultural history, and particularly the idea of the fragment became a central element of Romantic art which continued being of high relevance to the various strands of modernist and contemporary aesthetics.