Soldiers' Bonus
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Publisher:
Published: 1924
Total Pages:
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Author: International Commission on Zoological Nomenclature
Publisher:
Published: 1924
Total Pages: 48
ISBN-13:
DOWNLOAD EBOOKAuthor: Denise Jeanne Youngblood
Publisher: Univ of Wisconsin Press
Published: 1999
Total Pages: 244
ISBN-13: 9780299162344
DOWNLOAD EBOOKYoungblood provides a cultural perspective of an era traditionally viewed through a revolutionary lens, exploring how films and the film industry illuminate and reflect the popular attitudes of a turbulent time.
Author: David S. Shields
Publisher: University of Chicago Press
Published: 2013-06-18
Total Pages: 416
ISBN-13: 022601343X
DOWNLOAD EBOOKThe success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.
Author: Robert D. Tamilia
Publisher: École des hautes études commerciales, Chaire de commerce Omer DeSerres
Published: 2002
Total Pages: 128
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Abel
Publisher: Univ of California Press
Published: 1998-06
Total Pages: 596
ISBN-13: 0520079361
DOWNLOAD EBOOKA history of French film
Author: Jens Ulff-Møller
Publisher: University Rochester Press
Published: 2001
Total Pages: 244
ISBN-13: 9781580460866
DOWNLOAD EBOOKIt is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European market with hundreds of films at very low prices."--BOOK JACKET.
Author: Charles Rearick
Publisher: Yale University Press
Published: 1997-01-01
Total Pages: 350
ISBN-13: 9780300064339
DOWNLOAD EBOOKDescribes developments in French popular culture between 1914 and 1945, and argues that the harsh times led to the emergence of images glorifying the common Frenchman in songs, film, and popular literature
Author: Harvey Levenstein
Publisher: University of Chicago Press
Published: 2000-05
Total Pages: 442
ISBN-13: 9780226473772
DOWNLOAD EBOOKPrefacePt. 1: In Search of Taste and Distinction, 1786-18481: Jefferson versus Adams 2: Getting There Was Not Half the Fun 3: A Man's World 4: Eat, Drink, but Be Wary 5: "The Athens of Modern Europe" 6: Pleasures of the Flesh Pt. 2: Paris and Tourism Transformed, 1848-18707: Paris Transformed 8: Keeping Away from the Joneses 9: The Feminization of American Tourism Pt. 3: Class, Gender, and the Rise of Leisure Tourism, 1870-191410: "The Golden Age of Travel" 11: Prisoners of Leisure: Upper-Class Tourism 12: How "The Other Half" Toured 13: Class, Gender, and the Rise of Antitourism 14: Machismo, Morality, and Millionaires Pt. 4: The Invasion of the Lower Orders, 1917-193015: Doughboys and Dollars 16: "How're You Gonna Keep 'Em Down on the Farm?" 17: A Farewell to "Culture Vultures" 18: Unhappy Hosts, Unwelcome Visitors 19: Epilogue Notes Index Copyright © Libri GmbH. All rights reserved.
Author: Dudley Andrew
Publisher: Princeton University Press
Published: 2021-11-09
Total Pages: 426
ISBN-13: 0691239444
DOWNLOAD EBOOKJust before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts.