This edited collection analyses the phenomenon of coin use for religious and ritual purposes in different cultures and across different periods of time. It proposes an engagement with the theory and interpretation of the ‘material turn’ with numismatic evidence, and an evidence-based series of discussions to offer a fuller, richer and fresh account of coin use in ritual contexts. No extensive publication has previously foregrounded coins in such a model, despite the fact that coins constitute an integrated part of the material culture of most societies today and of many in the past. Here, interdisciplinary discussions are organised around three themes: coin deposit and ritual practice, the coin as economic object and divine mediator, and the value and meaning of coin offering. Although focusing on the medieval period in Western Europe, the book includes instructive cases from the Roman period until today. The collection brings together well-established and emerging scholars from archaeology, art history, ethnology, history and numismatics, and great weight is given to material evidence which can complement and contradict the scarce written sources.
The Thirty Pieces of Silver: Coin Relics in Medieval and Modern Europe discusses many interconnected topics relating to the most perfidious monetary transaction in history: the betrayal of Jesus by Judas for thirty pieces of silver. According to medieval legend, these coins had existed since the time of Abraham’s father and had been used in many transactions recorded in the Bible. This book documents fifty specimens of coins which were venerated as holy relics in medieval and modern churches and monasteries of Europe, from Valencia to Uppsala. Most of these relics are ancient Greek silver coins in origin mounted in precious reliquaries or used for the distribution of their wax imprints believed to have healing powers. Drawing from a wide range of historical sources, from hagiography to numismatics, this book will appeal to students and academics researching Late Antique, Medieval, and Early Modern History, Theology, as well as all those interested in the function of relics throughout Christendom. The Thirty Pieces of Silver is a study that invites meditation on the highly symbolic and powerful role of money through coins which were the price, value, and measure of Christ and which, despite being the most abject objects, managed to become relics.
This book focuses on the formative period of Church reform in the Middle Ages in Northern Europe, when the Church paved the way for the development of money economy on its own doorstep. Church archaeology provides evidence for patterns of monetary use related to liturgy, church architecture and devotional culture through the centuries. This volume encompasses Alpine European evidence, with emphasis on Gotland, Denmark, Norway, Sweden, Finland and Switzerland, which opens up a new field of research on religion and money for an international audience. Based on 100,000 single finds of coins from the 11th to 18th centuries from 650 Scandinavian churches, the volume offers an in-depth discussion of the concepts of ritual, liturgy and devotional uses of money, monetary space and spiritual economy within the framework of Christendom, the medieval church and church architecture. Written by international scholars, Coins in Churches will be a valuable resource for readers interested in the history of religion, money, the economy, and church architecture in Northern Europe in the Middle Ages.
Reading Medieval Sources is an exciting new series which leads scholars and students into some of the most challenging and rewarding sources from the European Middle Ages, and introduces the most important approaches to understanding them. Written by an international team of twelve leading scholars, this volume Money and Coinage in the Middle Ages presents a set of fresh and insightful perspectives that demonstrate the rich potential of this source material to all scholars of medieval history and culture. It includes coverage of major developments in monetary history, set into their economic and political context, as well as innovative and interdisciplinary perspectives that address money and coinage in relation to archaeology, anthropology and medieval literature. Contributors are Nanouschka Myrberg Burström, Elizabeth Edwards, Gaspar Feliu, Anna Gannon, Richard Kelleher, Bill Maurer, Nick Mayhew, Rory Naismith, Philipp Robinson Rössner, Alessia Rovelli, Lucia Travaini, and Andrew Woods.
This collection addresses how models from ancient Greece and Rome have permeated Irish political discourse in the century since 1916. The 1916 Easter Rising, when Irish nationalists rose up against British imperial forces, became almost instantly mythologized in Irish political memory as a turning point in the nation's history that paved the way for Irish independence. Its centenary has provided a natural point for reflection on Irish politics, and this volume highlights an unexplored element in Irish political discourse, namely its frequent reliance on, reference to, and tensions with classical Greek and Roman models. Topics covered include the reception and rejection of classical culture in Ireland; the politics of Irish language engagement with Greek and Roman models; the intersection of Irish literature with scholarship in Classics and Celtic Studies; the use of classical referents to articulate political inequalities across gender, sexual, and class hierarchies; meditations on the Northern Irish conflict through classical literature; and the political implications of neoclassical material culture in Irish society. As the only country colonized by Britain with a pre-existing indigenous heritage of expertise in classical languages and literature, postcolonial Ireland represents a unique case in the field of classical reception. This book opens a window on a rich and varied dialogue between significant figures in Irish cultural history and the Greek and Roman sources that have inspired them, a dialogue that is firmly rooted in Ireland's historical past and continues to be ever-evolving.
Coinage--it is one of the most successful and consistent technologies ever invented. Nothing else we still use in everyday life has a history quite like it. Look around at all the things that would bewilder a Greek, Roman, or Renaissance ancestor; then, dig into your purse or pocket for that one artifact that they would immediately recognize as part of their world. Historian Frank L. Holt takes us on a lively journey through the history of numismatics, the study of coins--one of the oldest and most important contributions to the arts and humanities. For 2600 years, poets, economists, philosophers, historians, and theologians have pondered the mysteries of money. Who invented coins, and why? Does coinage function beyond our control as if it had a mind of its own? How has it changed world history and culture? What does numismatics reveal about our past that could never be discovered from any other source? How has numismatics advanced using modern science? Does it still suffer from racist ideas about physiognomy and phrenology? What does its future hold? The approach taken in this richly illustrated book is as multi-faceted as coined money itself. Coins are integral to our economic, social, political, religious, and cultural history. When Money Talks: A History of Coins and Numismatics explores each aspect of coinage, and takes a special interest in how coins have appeared in literature and pop culture, ranging in its analysis from Greek drama and the New Testament to T.V. sitcoms and meme theory.
Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day. However, it could be argued that ritual deposition is a more widespread feature now than in the past, with folk assemblages – from roadside memorials and love-lock bridges, to wishing fountains and coin-trees – emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.
Southend, one of five medieval settlements in Burton Dassett parish, Warwickshire, was the site of a market promoted by the manorial lord Bartholomew de Sudeley, with a charter being obtained in 1267. The settlement prospered, becoming known as Chipping Dassett, and approached urban status, but then declined throughout the 15th century. It was subjected to depopulation in 1497. The site survived as earthworks in pasture until construction of the M40 motorway necessitated the archaeological programme described here. The only building to survive was the 13th-century chapel of St James, reduced, along with an adjacent post-medieval priest’s house, to a cow-shed. Open area excavations at Southend investigated parts of ten medieval properties. There was some prehistoric and Romano-British activity, with evidence for woodland regeneration and subsequent clearance in the post-Roman period, despite the Feldon area being one often considered to have little in the way of tree-cover since the Roman period. The main period of occupation lasted from the mid-13th century to the late 15th century, reflecting the rise and decline of Chipping Dassett. Over 20 complete plans of houses and outbuildings were recorded, exhibiting a range of building techniques. The remains were well preserved, the surviving stratigraphy protected by demolition rubble. In most houses successive building phases were revealed and many internal features survived. A door jamb inscribed with the name of a tenant family ‘Gormand’ suggests a degree of functional literacy. One of the properties was recognised as a smithy during the excavation and a pioneering sampling and analysis of the ironworking evidence was carried out. The site was also sampled extensively for charred plant remains and, unusually for Warwickshire with its slightly acid soils, a large assemblage of animal bone was collected. Work on these provides direct evidence of medieval agricultural practice, to be compared with the local historical evidence. The large quantities of finds recovered, probably the largest assemblage from a medieval rural settlement in the West Midlands, enable the reconstruction of the material culture of a late medieval Warwickshire Feldon village. Although the excavated area lay away from the original settlement nucleus, the investigation revealed the mechanics of 13th-century market development with two separate stages of planned development apparent. After the mid-14th century the tenements show a complex pattern of decline leading up to the depopulation of 1497. The different properties followed varying development paths and the excavations chart a process of general community decline against a background of increasing individual prosperity. The evidence of material culture and settlement morphology, taken together, are relevant to the discussion about differentiation and similarities between urban and rural settlement. The medieval pottery has been crucial to the development of the Warwickshire type series. Identification of the pottery sources provides evidence for trade connections between the settlement and the wider market network, with the quantities of material from the Chilvers Coton kilns suggesting that manorial connections with North Warwickshire, where the Sudeley family also held land, were significant. The summary narrative and thematic discussions (focused upon material culture, spatial organisation, buildings and economy) in this volume are supplemented by detailed stratigraphic description and specialist reports available online through the Archaeology Data Service.
A Cultural History of Objects in Antiquity covers the period 500 BCE to 500 CE, examining ancient objects from machines and buildings to furniture and fashion. Many of our current attitudes to the world of things are shaped by ideas forged in classical antiquity. We now understand that we do not merely do things to objects, they do things to us. Reinterpreting objects in Greece and Rome casts new light on our understanding of ourselves and turns the ancient world upside down. The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds. Robin Osborne is Professor of Ancient History at the University of Cambridge, UK. Volume 1 in the Cultural History of Objects set. General Editors: Dan Hicks and William Whyte
This book traces the history of ritual landscapes in the British Isles, and the transition from religious practice to recreation, by focusing on a highly understudied exemplar: the coin-tree. These are trees imbued with magical properties into which coins have been ritually embedded. This is a contemporary custom which can be traced back in the literature to the 1700s, when it was practiced for folk-medical and dedicatory purposes. Today, the custom is widespread, with over 200 coin-trees distributed across the British Isles, but is more akin to the casual deposition of coins in a wishing-well: coins are deposited in the tree in exchange for wishes, good luck, or future fortune. Ceri Houlbrook contributes to the debate on the historic relationships between religion, ritual, and popular magic in British contexts from 1700 to the present.
