These stories by new and emerging writers from the continent of Africa all tackle the theme of 'Disruption' in ingenious ways and represent a range of genres, from Innocent Ilo's imaginative exploration of a post-apocalyptic African village, to Victor Forna's stylistic take on the destruction of humanity. Masiyaleti Mbewe's brutal tale of Apartheid and climate change through the eyes of a time-traveling cyborg sits alongside Genna Gardini's diverting allegory of companionship and an escaped exotic pet. The 2021 anthology features stories from across the continent, from Libya to Sierra Leone to Zambia to South Africa, and also includes a translated story, 'Armando's Virtuous Crime' by Najwa Bin Shatwan, translated from Arabic into English by Sawad Hussain.
A dazzling collection from across the African continent and diaspora here SHORT STORY DAY AFRICA has assembled the best nineteen stories from their 2013 competition. Food is at the centre of stories from authors emerging and established, blending the secular, the supernatural, the old and the new in a spectacular celebration of short fiction. Civil wars, evictions, vacations, feasts and romances the stories we bring to our tables that bring us together and tear us apart.
This book considers the key critical interventions on short story writing in South Africa written in English since the year 2000. The short story genre, whilst often marginalised in national literary canons, has been central to the trajectory of literary history in South Africa. In recent years, the short story has undergone a significant renaissance, with new collections and young writers making a significant impact on the contemporary literary scene, and subgenres such as speculative fiction, erotic fiction, flash fiction and queer fiction expanding rapidly in popularity. This book examines the role of the short story genre in reflecting or championing new developments in South African writing and the ways in which traditional boundaries and definitions of the short story in South Africa have been reimagined in the present. Drawing together a range of critical interventions, including scholarly articles, interviews and personal reflective pieces, the volume traces some of the aesthetic and thematic continuities and discontinuities in the genre and sheds new light on questions of literary form. Finally, the book considers the place of the short story in twenty-first century writing and interrogates the ways in which the short story form may contribute to, or recast ideas of, the post-apartheid or post-transitional. The perfect guide to contemporary short story writing in South Africa, this book will be essential reading for researchers of African literature.
From one of contemporary literature’s bestselling, critically acclaimed, and beloved authors: a “luminous” novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice—“heartrendingly transcendant” (The New York Times, Janet Maslin). Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself. Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).
From acclaimed author Dinaw Mengestu, a recipient of the National Book Foundation’s 5 Under 35 award, The New Yorker’s 20 Under 40 award, and a 2012 MacArthur Foundation genius grant, comes an unforgettable love story about a searing affair between an American woman and an African man in 1970s America and an unflinching novel about the fragmentation of lives that straddle countries and histories. All Our Names is the story of two young men who come of age during an African revolution, drawn from the safe confines of the university campus into the intensifying clamor of the streets outside. But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart—one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom. Elegiac, blazing with insights about the physical and emotional geographies that circumscribe our lives, All Our Names is a marvel of vision and tonal command. Writing within the grand tradition of Naipul, Greene, and Achebe, Mengestu gives us a political novel that is also a transfixing portrait of love and grace, of self-determination and the names we are given and the names we earn. This eBook edition includes a Reading Group Guide.
Drawing on many years of African experience, John Reader has written a book of startling grandeur and scope that recreates the great panorama of African history, from the primeval cataclysms that formed the continent to the political upheavals facing much of the continent today. Reader tells the extraordinary story of humankind's adaptation to the ferocious obstacles of forest, river and desert, and to the threat of debilitating parasites, bacteria and viruses unmatched elsewhere in the world. He also shows how the world's richest assortment of animals and plants has helped - or hindered - human progress in Africa.
From the harrowing situation of migrants trying to cross the Mediterranean in rubber dinghies to the crisis on the US-Mexico border, mass migration is one of the most urgent issues facing our societies today. At the same time, viable solutions seem ever more remote, with the increasing polarization of public attitudes and political positions. In this book, Stephen Smith focuses on ‘young Africa’ – 40 per cent of its population are under fifteen – anda dramatic demographic shift. Today, 510 million people live inside EU borders, and 1.25 billion people in Africa. In 2050, 450 million Europeans will face 2.5 billion Africans – five times their number. The demographics are implacable. The scramble for Europe will become as inexorable as the ‘scramble for Africa’ was at the end of the nineteenth century, when 275 million people lived north and only 100 million lived south of the Mediterranean. Then it was all about raw materials and national pride, now it is about young Africans seeking a better life on the Old Continent, the island of prosperity within their reach. If Africa’s migratory patterns follow the historic precedents set by other less developed parts of the world, in thirty years a quarter of Europe’s population will beAfro-Europeans. Addressingthe question of how Europe cancope with an influx of this magnitude, Smith argues for a path between the two extremes of today’s debate. He advocatesmigratory policies of ‘good neighbourhood’ equidistant from guilt-ridden self-denial and nativist egoism. This sobering analysis of the migration challenges we now face will be essential reading for anyone concerned with the great social and political questions of our time.
In Queer Africa 2: New Stories, the 26 stories by writers from Kenya, Nigeria, Rwanda, Sierra Leone, Somalia, South Africa, Uganda and the USA present exciting and varied narratives on life. There are stories on desire, disruption and dreams; others on longing, lust and love. The stories are representative of the range of human emotions and experiences that abound in the lives of Africans and those of the diaspora, who identify variously along the long and fluid line of the sexuality, gender and sexual orientation spectrum in the African continent. Centred in these stories and in their attendant relationships is humanity. The writers showcase their artistry in storytelling in thought-provoking and delightful ways.
“A call to arms in the class struggle for racial equity”—the hugely influential work of political theory and history, now powerfully introduced by Angela Davis (Los Angeles Review of Books). This legendary classic on European colonialism in Africa stands alongside C.L.R. James’ Black Jacobins, Eric Williams’ Capitalism & Slavery, and W.E.B. Dubois’ Black Reconstruction. In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale. In 1980, shortly after founding of the Working People's Alliance in Guyana, the 38-year-old Rodney would be assassinated. In his magnum opus, How Europe Underdeveloped Africa, Rodney incisively argues that grasping "the great divergence" between the west and the rest can only be explained as the exploitation of the latter by the former. This meticulously researched analysis of the abiding repercussions of European colonialism on the continent of Africa has not only informed decades of scholarship and activism, it remains an indispensable study for grasping global inequality today.
The prestigious annual story anthology includes prize-winning stories by Jamil Jan Kochai, David Ryan, Kirstin Valdez Quade, Lisa Taddeo, Ling Ma, Catherine Lacey, and Cristina Rivera Garza. “[A] standout collection . . . . Dazzling performances from some of today’s most exciting writers. . . . This is one of the best fiction anthologies in years.” —Publishers Weekly starred review Continuing a century-long tradition of cutting-edge literary excellence, this year's edition contains twenty prizewinning stories chosen from the thousands published in magazines over the previous year. Guest editor Lauren Groff has brought her own refreshing perspective to the prize, selecting stories by an engaging mix of celebrated names and emerging voices and including several stories in translation. The winning stories are accompanied by an introduction by Groff, observations from the winning writers on what inspired them, and an extensive resource list of magazines that publish short fiction. AN ANCHOR BOOKS ORIGINAL. THE WINNING STORIES: “Office Hours,” by Ling Ma “Man Mountain,” by Catherine Lacey “Me, Rory and Aurora,” by Jonas Eika, translated from the Danish by Sherilyn Nicolette Hellberg “The Complete,” by Gabriel Smith “The Haunting of Hajji Hotak," by Jamil Jan Kochai “Wisconsin,” by Lisa Taddeo “Ira & the Whale,” by Rachel B. Glaser “The Commander’s Teeth,” by Naomi Shuyama-Gómez “The Mad People of Paris,” Rodrigo Blanco Calderón, translated from the Spanish by Thomas Bunstead “Snake & Submarine,” by Shelby Kinney-Lang “The Mother,” by Jacob M’hango “The Hollow,” by ’Pemi Aguda “Dream Man,” by Cristina Rivera Garza, translated from the Spanish by Francisca González-Arias “The Locksmith,” by Grey Wolfe LaJoie “After Hours at the Acacia Park Pool,” by Kirstin Valdez Quade “Happy Is a Doing Word,” by Arinze Ifeakandu “Elision,” by David Ryan “Xífù,” by K-Ming Chang “Temporary Housing,” by Kathleen Alcott “The Blackhills,” by Eamon McGuinness
