Disturbed by stories of drownings in the river behind his home in Eau Claire, Wisconsin, writer B. J. Hollars combed the archives of local newspapers only to discover vast discrepancies in articles about the deaths. In homage to Michael Lesy’s cult classic, Wisconsin Death Trip, Hollars pairs reports from late nineteenth- and early twentieth-century journalists with fictional versions, creating a hybrid text complete with facts, lies, and a wide range of blurring in between. Charles Van Schaick’s macabre, staged photographs from the era appear alongside the dispatches, further complicating the messiness of history and the limits of truth.
Contemporary discussions on nonfiction are often riddled with questions about the boundaries between truth and memory, honesty and artifice, facts and lies. Just how much truth is in nonfiction? How much is a lie? Blurring the Boundaries sets out to answer such questions while simultaneously exploring the limits of the form. This collection features twenty genre-bending essays from today's most renowned teachers and writers--including original work from Michael Martone, Marcia Aldrich, Dinty W. Moore, Lia Purpura, and Robin Hemley, among others. These essays experiment with structure, style, and subject matter, and each is accompanied by the writer's personal reflection on the work itself, illuminating his or her struggles along the way. As these innovative writers stretch the limits of genre, they take us with them, offering readers a front-row seat to an ever-evolving form. Readers also receive a practical approach to craft thanks to the unique writing exercises provided by the writers themselves. Part groundbreaking nonfiction collection, part writing reference, Blurring the Boundaries serves as the ideal book for literary lovers and practitioners of the craft.
Opening the Doors is a wide-ranging account of the University of Alabama’s 1956 and 1963 desegregation attempts, as well as the little-known story of Tuscaloosa, Alabama’s, own civil rights movement. Whereas E. Culpepper Clark’s The Schoolhouse Door remains the standard history of the University of Alabama’s desegregation, in Opening the Doors B. J. Hollars focuses on Tuscaloosa’s purposeful divide between “town” and “gown,” providing a new contextual framework for this landmark period in civil rights history. The image of George Wallace’s stand in the schoolhouse door has long burned in American consciousness; however, just as interesting are the circumstances that led him there in the first place, a process that proved successful due to the concerted efforts of dedicated student leaders, a progressive university president, a steadfast administration, and secret negotiations between the U.S. Justice Department, the White House, and Alabama’s stubborn governor. In the months directly following Governor Wallace’s infamous stand, Tuscaloosa became home to a leader of a very different kind: twenty-eight-year-old African American reverend T. Y. Rogers, an up-and-comer in the civil rights movement, as well as the protégé of Martin Luther King Jr. After taking a post at Tuscaloosa’s First African Baptist Church, Rogers began laying the groundwork for the city’s own civil rights movement. In the summer of 1964, the struggle for equality in Tuscaloosa resulted in the integration of the city’s public facilities, a march on the county courthouse, a bloody battle between police and protesters, confrontations with the Grand Wizard of the Ku Klux Klan, a bus boycott, and the near-accidental-lynching of movie star Jack Palance. Relying heavily on new firsthand accounts and personal interviews, newspapers, previously classified documents, and archival research, Hollars’s in-depth reporting reveals the courage and conviction of a town, its university, and the people who call it home.
Essays and musings considering the elusive and evocative idea of perfection that traverse topics that are at once ordinary and elemental: the house she and her husband once thought was "perfect," being a mother and being a daughter, alcoholism, middle age.
Compelling stories have the power to generate infinite wonder: It's nearly impossible to imagine how the author began, and yet we sense there's much more beyond the final word. It's this mystery–a combination of inspiration and craft, smoke and mirrors–that makes writing feel momentous. But it can also feel overwhelming, causing us to become small, scared, not quite ready for the "big" rides, such as finishing that story, that novel, and finding the courage to share it with the world. In You Must Be This Tall to Ride, you'll find 20 works of fiction and nonfiction by acclaimed contemporary authors, each offering fresh perspective on ''coming of age'' (a story to which we can all relate), as well as exclusive personal essays and practical exercises.In their own words, these writers grant you a guided tour of craft with unparalleled access to the process behind their creation, including how to: • grow a story from the seed of an image or sentence • allow experiments with language to lead you to plot • turn even the most unlikely characters into heroes • transform raw anecdotes from your own life into compelling fiction and essay Join 20 writers as we grow up and down, taking a rollercoaster ride in stories. You'll not only begin to understand what makes the wheels of a story turn, you'll also gain the tools and strategies to transform lost characters and runaway plots into the greatest show on earth. So go ahead, step right up. Listen for the calliope music, and take your place in line. Your ride has just begun.CONTRIBUTORS: • Steve Almond • Aimee Bender • Kate Bernheimer • Ryan Boudinot • Judy Budnitz • Dan Chaon • Brock Clarke • Michael Czyzniejewski • Stuart Dybek • Michael Martone • Antonya Nelson • Peter Orner • Jack Pendarvis • Benjamin Percy • Andrew Porter • Chad Simpson • George Singleton • Brady Udall • Laura van den Berg • Ryan Van Meter
The Truman Capote Prize-winning author “provides an offbeat look at the fragility of human life and our resilience when faced with death” (Kirkus). On April 27, 2011, just days after learning of their pregnancy, B. J. Hollars, his wife, and their future son endured the onslaught of an EF-4 tornado. There, while huddled in a bathtub in their Alabama home, mortality flashed before their eyes. With the last of his computer battery, Hollars began recounting the experience, and would continue to do so in the following years, writing his way out of one disaster only to find himself caught up in another. In this collection of personal essays, Hollars faces tornadoes, drownings, and nuclear catastrophes. These experiences force him to acknowledge the inexplicable while he attempts to overcome his greatest fear—the impossibility of protecting his newborn son from the world’s cruelties. Through his and others’ stories, Hollars creates a constellation of grief, tapping into the rarely acknowledged intersection between fatherhood and fear, sacrifice and safety, and the humbling effect of losing control of our lives.
Literary Nonfiction. We're constantly looking for clues of what comes next, in tarot cards and tea leaves, in augury and biography, too. But can we ever find our futures by such means? In three thematically linked essays, B.J. Hollars explores what harbingers might have been present in the lives of scientist J. Robert Oppenheimer before he invented the atomic bomb and civil rights activist Medgar Evers before he was murdered. He also considers his own overlooked portents in a static-filled universe. Taken together, these stories converge toward the humbling truth that life's only certainty is uncertainty, and our harbingers--no matter how strong--only offer insight in the aftermath.
After years of futon passion, Hemingway discussions, and three-mile runs, Jill Talbot’s relationship with a man carved in her doubts so deep she wrote to ignore them. And even though he was as unwilling to commit to a place or a job as Talbot was to marrying him, he insisted that she keep the baby when a pregnancy surprised them during their fourth year together. As it turned out, Kenny wasn't able to commit to a child either, so when the court ordered visitation and support for their four-month-old daughter, he vanished. His disappearing act was the catalyst for Talbot’s own, as she moved her daughter through nine states in as many years—running from the memory of their failed relationship and the hope of an impossible reunion, all the while raising a daughter on her own. Then, one day while packing boxes, she found a photograph that changed everything. In this memoir-in-essays, Talbot attempts to set the record straight, even as she argues that our shared histories are merely competing stories we choose to tell ourselves. A bold look at the challenges of love and the struggles of a single mother in America today, The Way We Weren't tells a complex, unforgettable story of loss and leaving, and of how Talbot learned that writing can't bring anything back, but that because of it, nothing is ever really lost.
2022 Silver Midwest Book Award Winner At the sound of the bell on the last day of kindergarten, B.J. Hollars and his six-year-old son, Henry, hop in the car to strike out on a 2,500-mile road trip retracing the Oregon Trail. Their mission: to rediscover America, and Americans, along the way. Throughout their two-week adventure, they endure the usual setbacks (car trouble, inclement weather, and father-son fatigue), but their most compelling drama involves people, privilege, and their attempt to find common ground in an all-too-fractured country. Writing in the footsteps of John Steinbeck's Travels with Charley, Hollars picks up the trail with his son more than half a century later. Together they sidle up to a stool at every truck stop, camp by every creek, and roam the West. They encounter not only the beauty and heartbreak of America, but also the beauty and heartbreak of a father and son eager to make the most of their time together. From Chimney Rock to Independence Rock to the rocky coast of Oregon, they learn and relearn the devastating truth of America's exploitative past, as well as their role within it. Go West, Young Man recounts the author's effort to teach his son the difficult realities of our nation's founding while also reaffirming his faith in America today.
