Contains a diverse compilation of major speeches, congressional testimony, policy statements, fact sheets, and other foreign policy information from the State Dept.
The first volume of the former Israeli prime minister’s journals from the nation’s early years. My Struggle for Peace is a remarkable political document offering insights into the complex workings of the young Israeli political system, set against the backdrop of the disintegration of the country’s fragile armistice with the Arab states. Replete with Moshe Sharett’s candid comments on Israel’s first-generation leaders and world statesmen of the day, the diary also tells the dramatic human story of a political career cut short—the removal of an unusually sensitive, dedicated, and talented public servant. My Struggle for Peace is, above all, an intimate record of the decline of Sharett’s moderate approach and the rise of more “activist-militant” trends in Israeli society, culminating in the Suez/Sinai war of 1956. The diary challenges the popular narrative that Israel’s confrontation with its neighbors was unavoidable by offering daily evidence of Sharett’s statesmanship, moderation, diplomacy, and concern for Israel’s place in international affairs. This is the first volume in the 3-volume English abridgement of Sharett’s Yoman Ishi [Personal diary] (Ma’ariv, 1978) maintains the integrity, flavor, and impact of the 8-volume Hebrew original and includes additional documentary material that was not accessible at the time. The volumes are also available to purchase as a set or individually. “The editors . . . vastly improved on the Hebrew version by adding Sharett’s speeches, reports, cabinet minutes, and other sources to the text’. . . . These additions makes this work so important and welcome by all who aspire to understand the foreign and defense policies of Israel in its first decade.” —Israel Studies Review
"Do not think of the Pennsylvania Railroad as a business enterprise," Forbes magazine informed its readers in May 1936. "Think of it as a nation." At the end of the nineteenth century, the Pennsylvania Railroad was the largest privately owned business corporation in the world. In 1914, the PRR employed more than two hundred thousand people—more than double the number of soldiers in the United States Army. As the self-proclaimed "Standard Railroad of the World," this colossal corporate body underwrote American industrial expansion and shaped the economic, political, and social environment of the United States. In turn, the PRR was fundamentally shaped by the American landscape, adapting to geography as well as shifts in competitive economics and public policy. Albert J. Churella's masterful account, certain to become the authoritative history of the Pennsylvania Railroad, illuminates broad themes in American history, from the development of managerial practices and labor relations to the relationship between business and government to advances in technology and transportation. Churella situates exhaustive archival research on the Pennsylvania Railroad within the social, economic, and technological changes of nineteenth- and twentieth-century America, chronicling the epic history of the PRR intertwined with that of a developing nation. This first volume opens with the development of the Main Line of Public Works, devised by Pennsylvanians in the 1820s to compete with the Erie Canal. Though a public rather than a private enterprise, the Main Line foreshadowed the establishment of the Pennsylvania Railroad in 1846. Over the next decades, as the nation weathered the Civil War, industrial expansion, and labor unrest, the PRR expanded despite competition with rival railroads and disputes with such figures as Andrew Carnegie and John D. Rockefeller. The dawn of the twentieth century brought a measure of stability to the railroad industry, enabling the creation of such architectural monuments as Pennsylvania Station in New York City. The volume closes at the threshold of American involvement in World War I, as the strategies that PRR executives had perfected in previous decades proved less effective at guiding the company through increasingly tumultuous economic and political waters.
Winner of the Pulitzer Prize and the National Book Award! A thrilling, page-turning piece of writing that describes the forces conspiring to tear apart the United States—with the disintegrating political processes and rising tempers finally erupting at Bull Run. " . . . a major work by a major writer, a superb recreation of the twelve crucial months that opened the Civil War." —The New York Times
An original argument about the causes and consequences of political violence and the range of strategies employed. States, nationalist movements, and ethnic groups in conflict with one another often face a choice between violent and nonviolent strategies. Although major wars between sovereign states have become rare, contemporary world politics has been rife with internal conflict, ethnic cleansing, and violence against civilians. This book asks how, why, and when states and non-state actors use violence against one another, and examines the effectiveness of various forms of political violence. In the process of addressing these issues, the essays make two conceptual moves that illustrate the need to reconsider the way violence by states and non-state actors has typically been studied and understood. The first is to think of violence not as dichotomous, as either present or absent, but to consider the wide range of nonviolent and violent options available and ask why actors come to embrace particular strategies. The second is to explore the dynamic nature of violent conflicts, developing explanations that can account for the eruption of violence at particular moments in time. The arguments focus on how changes in the balance of power between and among states and non-state actors generate uncertainty and threat, thereby creating an environment conducive to violence. This innovative way of understanding violence deemphasizes the role of ethnic cleavages and nationalism in modern conflict. Contributors Kristin M. Bakke, Emily Beaulieu, H. Zeynep Bulutgil, Erica Chenoweth, Kathryn McNabb Cochran, Kathleen Gallagher Cunningham, Alexander B. Downes, Erin K. Jenne, Adria Lawrence, Harris Mylonas, Wendy Pearlman, Maria J. Stephan
What does it mean to think of Western Art music - and the Austro-German contribution to that repertory - as a tradition? How are men and masculinities implicated in the shaping of that tradition? And how is the writing of the history (or histories) of that tradition shaped by men and masculinities? This book seeks to answer these and other questions by drawing both on a wide range of German-language writings on music, sound and listening from the so-called long nineteenth century (circa 1800-1918), and a range of critical-theoretical texts from the post-war continental philosophical and psychoanalytic traditions, including Lacan, Žižek, Serres, Derrida and Kittler. The book is focussed in particular on bringing the object of historical writing itself into scrutiny by engaging in what Žižek has called a 'historicity' or a way of writing about the past that not merely acknowledges the ahistorical kernel of historical writing, but brings that kernel into the light of day, takes account of it and puts it into play. The book is thus committed to a kind of historical writing that is open-ended - though not ideologically naïve - and that does not fix or stabilize the nature of the relationship between so-called 'primary' and 'secondary' texts. The book consists of an introduction, which places the study of classical music and the Austro-German tradition within broader debates about the value of that tradition, and four extensive case studies: an analysis of the cultural-historical category of listening around 1800; a close reading of A. B. Marx's Beethoven monograph of 1859; a consideration of Heinrich Schenker's attitudes to the mob and the vernacular more broadly and an examination, through Franz Kafka, of the figure of Mahler's body.
This book analyzes the creation of languages across the Slavophone areas of the world and their deployment for political projects and identity building, mainly after 1989. It offers perspectives from a number of disciplines such as sociolinguistics, socio-political history and language policy. Languages are artefacts of culture, meaning they are created by people. They are often used for identity building and maintenance, but in Central and Eastern Europe they became the basis of nation building and national statehood maintenance. The recent split of the Serbo-Croatian language in the wake of the break-up of Yugoslavia amply illustrates the highly politicized role of languages in this region, which is also home to most of the world’s Slavic-speakers. This volume presents and analyzes the creation of languages across the Slavophone areas of the world and their deployment for political projects and identity building, mainly after 1989. The overview concludes with a reflection on the recent rise of Slavophone speech communities in Western Europe and Israel. The book brings together renowned international scholars who offer a variety of perspectives from a number of disciplines and sub-fields such as sociolinguistics, socio-political history and language policy, making this book of great interest to historians, sociologists, political scientists and anthropologists interested in Central and Eastern Europe and Slavic Studies.