Our foremost theorist of myth, fairytale, and folktale explores the magical realm of the imagination where carpets fly and genies grant prophetic wishes. Stranger Magic examines the profound impact of the Arabian Nights on the West, the progressive exoticization of magic, and the growing acceptance of myth and magic in contemporary experience.
What does it mean to belong? When we belong, how do we recognise it as belonging? What role does belonging play in the formation of self-identity? Through a provocative discussion of contemporary Australian life writing, Strangers at Home examines what it means to belong and what belonging means for self-identity. First and foremost, belonging is a kind of relationship, and the connection between self and place has a long philosophical tradition. Experienced across time and place, belonging may be configured through a range of contexts, from belonging to country, belonging to a suburb, a house, even a room within a house or an object. Places and spaces are fundamental to self-identity because our interpretation of our relationships with places and spaces gives rise to meaning, and it is through meaning that a sense of belonging emerges. Understood as a relationship, belonging obviously connects individuals. Whether they are parents, siblings or have no biological history, self-identity is inscribed through our interrelatedness and mapped through a narrative construction. Belonging is always rooted in some conception of place, family, language - that is, some shared, communal space, for belonging must almost always entail others with whom to share it - but it is always also a negotiation between an act of sharing and how one sees oneself within that shared space, a self narrated into a world. To speak of belonging necessarily entails a sense of estrangement, a recognition of the complexity, even the ambivalence, that is at the heart of the relationship between individuals and what they find in the world. Belonging, like identity, requires some nexus between self and something other; belonging requires, quite literally, something to belong to, a "home" in which we seek not to be a "stranger." Together, belonging and estrangement map the connections through which self-identity is lived. Life writing necessarily inscribes ourselves into relationships and places and, as our relationship with the past evolves over the years, and as the ever-changing present offers new possibilities for the future, so those relationships are not just written but rewritten, reconfigured, re-imagined, and renegotiated with the time since lived and the forecast of future time. Bringing together theorising on autobiography as well as place, Jack Bowers examines a range of contemporary Australian autobiographies to consider the intersections between personal and social identities. From Drusilla Modjeska's Poppy and Second Half First, to Rebecca Huntley's An Italian Girl, Steve Bisley's Stillways and many more, Strangers at Home invites readers to reconsider what it is to feel "at home." The foreword is by Jeff Malpas, Distinguished Professor at the University of Tasmania. Strangers at Home is part of the Cambria Australian Literature Series, headed by Dr. Susan Lever.
Who of us cannot remember the pain and humiliation of being rejected by our classmates? However thick-skinned or immune to such assaults we may become as adults, the memory of those early exclusions is as palpable to each of us today as it is common to human experience. We remember the uncertainty of separating from our home and entering school as strangers and, more than the relief of making friends, we recall the cruel moments of our own isolation as well as those children we knew were destined to remain strangers. In this book Vivian Paley employs a unique strategy to probe the moral dimensions of the classroom. She departs from her previous work by extending her analysis to children through the fifth grade, all the while weaving remarkable fairy tale into her narrative description. Paley introduces a new rule—“You can’t say you can’t play”—to her kindergarten classroom and solicits the opinions of older children regarding the fairness of such a rule. We hear from those who are rejected as well as those who do the rejecting. One child, objecting to the rule, says, “It will be fairer, but how are we going to have any fun?” Another child defends the principle of classroom bosses as a more benign way of excluding the unwanted. In a brilliant twist, Paley mixes fantasy and reality, and introduces a new voice into the debate: Magpie, a magical bird, who brings lonely people to a place where a full share of the sun is rightfully theirs. Myth and morality begin to proclaim the same message and the schoolhouse will be the crucible in which the new order is tried. A struggle ensues and even the Magpie stories cannot avoid the scrutiny of this merciless pack of social philosophers who will not be easily caught in a morality tale. You Can’t Say You Can’t Play speaks to some of our most deeply held beliefs. Is exclusivity part of human nature? Can we legislate fairness and still nurture creativity and individuality? Can children be freed from the habit of rejection? These are some of the questions. The answers are to be found in the words of Paley’s schoolchildren and in the wisdom of their teacher who respectfully listens to them.
In May 1835 in a Sydney courtroom, a slight, balding man named John Dow stood charged with forgery. The prisoner shocked the room by claiming he was Edward, Viscount Lascelles, eldest son of the powerful Earl of Harewood. The Crown alleged he was a confidence trickster and serial impostor. Was this really the heir to one of Britain's most spectacular fortunes? Part Regency mystery, part imperial history, A Swindler's Progress is an engrossing tale of adventure and deceit across two worlds—British aristocrats and Australian felons—bound together in an emerging age of opportunity and individualism, where personal worth was battling power based on birth alone. The first historian to unravel the mystery of John Dow and Edward Lascelles, Kirsten McKenzie illuminates the darker side of this age of liberty, when freedom could mean the freedom to lie both in the far-flung outposts of empire and within the established bastions of British power. The struggles of the Lascelles family for social and political power, and the tragedy of their disgraced heir, demonstrate that British elites were as fragile as their colonial counterparts. In ways both personal and profound, McKenzie recreates a world in which Britain and the empire were intertwined in the transformation of status and politics in the nineteenth century.
Novels by Proust, Woolf, and Nabokov have been read as expressions of a desire to transcend time. Hägglund gives them another reading entirely: fear of time and death is generated by investment in temporal life. Engaging with Freud and Lacan, he opens a new way of reading the dramas of desire as they are staged in both philosophy and literature.
Gillian Bouras is an Australian married to a Greek. From the ambiguous position of a foreign wife, she writes of life in a Greek village. Her fellow villagers fondly regard her, the migrant in their midst, as something of a curiosity. They, in turn, are the source of both her admiration and her perplexity.
"...excellent coverage...essential to worldwide bibliographic coverage."--AMERICAN REFERENCE BOOKS ANNUAL. This comprehensive reference provides current finding & ordering information on more than 75,000 in-print books published in or about Australia, or written by Australian authors, organized by title, author, & keyword. You'll also find brief profiles of more than 7,000 publishers & distributors whose titles are represented, as well as information on trade associations, local agents of overseas publishers, literary awards, & more. From D.W. Thorpe.
Australian lives are intricately enmeshed with the world, bound by ties of allegiance and affinity, intellect and imagination. In Transnational Ties: Australian Lives in the World, an eclectic mix of scholars - historians, literary critics, and museologists - trace the flow of people that helped shape Australia's distinctive character and the flow of ideas that connected Australians to a global community of thought. It shows how biography, and the study of life stories, can contribute greatly to our understanding of such patterns of connection and explores how transnationalism can test biography's limits as an intellectual, professional and commercial practice.