Animals have played a vital role in shaping our towns and cities from the earliest settlements. This new series offers a fascinating insight into the oft-forgotten histories of the animals that helped to drive the economy and enrich our culture.
Local historian and broadcaster Ken Pye has collected a further fifty true tales that celebrate the weird and wonderful side of Merseyside’s history. From the subterranean munitions factory at New Brighton and the bird-man of Speke, to wild tigers at Tranmere and a mysterious leprechaun, you are sure to uncover some truly amazing and extraordinary stories here. Richly illustrated, this fantastic collection will delight everyone interested in finding out more about Merseyside’s strange and curious heritage.
Stretching for around thirty miles to the coast, the Mersey Estuary is perhaps best known for Liverpool’s spectacular waterfront and the Mersey Ferry. But there are many other hidden gems along its shores. The Mersey Estuary: A Travel Guide provides suggestions for places to visit along the estuary.
This fantastic collection of true tales celebrates the strange and curious secrets of Merseyside’s history. The fifty stories inside – from the lion in the wheelbarrow on the tightrope to the twelve young women ‘smothered by the incurable malady they caught of some sailors’, the true tale of the ‘man in the iron coffin’ and the strange and mysterious disappearance of the Everest mountaineers from Birkenhead – uncover some truly amazing and extraordinary facets of the area’s history and heritage.Richly illustrated and compiled by Liverpool’s own historian Ken Pye, this book will delight residents and visitors alike.
It has taken Liverpool almost half a century to come to terms with the musical, cultural and now economic legacy of the Beatles and popular music. At times the group was negatively associated with sex and drugs images surrounding rock music: deemed unacceptable by the city fathers, and unworthy of their support. Liverpudlian musicians believe that the musical legacy of the Beatles can be a burden, especially when the British music industry continues to brand the latest (white) male group to emerge from Liverpool as ’the next Beatles’. Furthermore, Liverpudlians of perhaps differing ethnicities find images of ’four white boys with guitars and drums’ not only problematic in a ’musical roots’ sense, but for them culturally devoid of meaning and musically generic. The musical and cultural legacy of the Beatles remains complex. In a post-industrial setting in which both popular and traditional heritage tourism have emerged as providers of regular employment on Merseyside, major players in what might be described as a Beatles music tourism industry have constructed new interpretations of the past and placed these in such an order as to re-confirm, re-create and re-work the city as a symbolic place that both authentically and contextually represents the Beatles.