Directing Plays, Directing People

Directing Plays, Directing People

Author: Mary B. Robinson

Publisher: Smith & Kraus Incorporated

Published: 2012

Total Pages: 0

ISBN-13: 9781575257846

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"Directing Plays, Directing People is a vivid, engagiing [sic], personal journey through the process of making theater, written from a director's perspective"--Page 4 of cover.


Directing a Play

Directing a Play

Author: Michael McCaffery

Publisher: Schirmer Trade Books

Published: 1989

Total Pages: 136

ISBN-13:

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This highly successful series has been revised and reprinted in new, exciting covers. The five titles work together to create all you need to know about how to present a production. Each expertly written book contains many creative ideas as well as essential information. Copyright © Libri GmbH. All rights reserved.


Directing in Musical Theatre

Directing in Musical Theatre

Author: Joe Deer

Publisher: Routledge

Published: 2014-01-10

Total Pages: 217

ISBN-13: 1136246703

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This comprehensive guide, from the author of Acting in Musical Theatre, will equip aspiring directors with all of the skills that they will need in order to guide a production from beginning to end. From the very first conception and collaborations with crew and cast, through rehearsals and technical production all the way to the final performance, Joe Deer covers the full range. Deer’s accessible and compellingly practical approach uses proven, repeatable methods for addressing all aspects of a production. The focus at every stage is on working with others, using insights from experienced, successful directors to tackle common problems and devise solutions. Each section uses the same structure, to stimulate creative thinking: Timetables: detailed instructions on what to do and when, to provide a flexible organization template Prompts and Investigations: addressing conceptual questions about style, characterization and design Skills Workshops: Exercises and ‘how-to’ guides to essential skills Essential Forms and Formats: Including staging notation, script annotation and rehearsal checklists Case Studies: Well-known productions show how to apply each chapter’s ideas Directing in Musical Theatre not only provides all of the essential skills, but explains when and how to put them to use; how to think like a director.


Fight Directing for the Theatre

Fight Directing for the Theatre

Author: J. Allen Suddeth

Publisher: Heinemann Drama

Published: 1996

Total Pages: 368

ISBN-13: 9780435086749

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Authored by professional fight director J. Allen Suddeth, all the aspects of brawn, brawl, and broadswords are covered.


Mis-directing the Play

Mis-directing the Play

Author: Terry McCabe

Publisher: Ivan R. Dee

Published: 2008-12-16

Total Pages: 134

ISBN-13: 146169941X

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Terry McCabe, himself an accomplished stage director and teacher of theatre arts, here attacks what he calls the growing decadence that plagues contemporary stage directing. He argues for a radical reorganization of the director’s view of his role. It has become an article of faith in the theatre, Mr. McCabe observes, that a play is about what the director chooses to have it be about. But what right does a director have to treat a play as a found object, to be reshaped to express the director’s concerns? None whatsoever, Mr. McCabe replies. He examines anecdotally a range of work by different directors by way of offering a substantial critique of today’s leading theory of stage directing, and he offers an alternate approach. He challenges the notion that a play is the director’s vehicle for self-expression, arguing that the idea of the director as centerpiece of the theatre tends to distort plays and oppress actors. He explores what it means to direct a play when directing is properly understood as a process of self-effacement. Mis-directing the Play examines the role of the director as collaborator with actors, designers, dramaturges, and playwrights. Throughout, the book’s focus is on shedding the counterproductive myth of the director as creative auteur and urging in its place a return to first principles: the idea of the director as the interpretive artist in charge of putting the playwright’s play onstage.


Directing Plays

Directing Plays

Author: Don Taylor

Publisher: Routledge

Published: 2017-09-29

Total Pages: 212

ISBN-13: 1136789952

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First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.


Play Directing in the School

Play Directing in the School

Author: David Grote

Publisher: Meriwether Publishing

Published: 1997

Total Pages: 250

ISBN-13:

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Directing plays in schools requires knowledge and talents far different than directing for community or professional theatre. In ten comprehensive chapters the author explains the 'real world' of producing effective theatricals in the school environment. He details the pitfalls and the problems while providing ideas for consistently successful shows.


Notes on Directing

Notes on Directing

Author: Frank Hauser

Publisher: Bloomsbury Publishing USA

Published: 2008-09-15

Total Pages: 161

ISBN-13: 080271708X

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An accessible edition of a classic guide to film and theater directing offers insight into the craft's unique challenges from managing personalities and anticipating problems to working with a script and the key elements of staging, in a primer that also features life lessons gleaned by the co-authors throughout their careers. Reprint. 30,000 first printing.


Mainly on Directing

Mainly on Directing

Author: Arthur Laurents

Publisher: Knopf

Published: 2009

Total Pages: 193

ISBN-13: 0307270882

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From playwright, screenwriter, and director Laurents comes a mesmerizing book about theater, art and the artist, the insider and the outsider--and the making of two of the greatest musicals of the American stage: "Gypsy" and "West Side Story."


A Sense of Direction

A Sense of Direction

Author: William Ball

Publisher: New York : Drama Book Publishers

Published: 1984

Total Pages: 208

ISBN-13:

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"William Ball, founder and general director of the acclaimed American Conservatory Theatre, engages his audience in a wide-ranging discussion of the director's process - from first reading through opening night. Mr. Ball offers a candid, personal account of his method of working - including the choice of a play's essential elements, preproduction homework, casting, and rehearsal techniques"--Cover.