The Young Velázquez

The Young Velázquez

Author: John Marciari

Publisher: Yale University Press

Published: 2014-01-01

Total Pages: 89

ISBN-13: 0300207867

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"Published in conjunction with the exhibition El joven Velazquez: 'La educacion de la virgen' de Yale restaurada, organized by the mayor of the city of Seville and the Yale University Art Gallery."


The Sacred Made Real

The Sacred Made Real

Author: Xavier Bray

Publisher: National Gallery London

Published: 2009

Total Pages: 216

ISBN-13:

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"This text reappraises an art form crucial to the development of Spanish art. In 16th and 17th-century Spain, sculptors worked in a unique relationship with painters, combining their skills to depict, with astonishing realism, the great religious themes"--OCLC


Slave Portraiture in the Atlantic World

Slave Portraiture in the Atlantic World

Author: Agnes Lugo-Ortiz

Publisher: Cambridge University Press

Published: 2013-09-30

Total Pages: 489

ISBN-13: 1107354781

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Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.


Converso Non-Conformism in Early Modern Spain

Converso Non-Conformism in Early Modern Spain

Author: Kevin Ingram

Publisher: Springer

Published: 2018-12-06

Total Pages: 382

ISBN-13: 3319932365

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This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid’s converso courtiers is subtly attacked by Spain’s greatest painter, Diego Velázquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.


Painting in Spain

Painting in Spain

Author: Jonathan Brown

Publisher: Yale University Press

Published: 1998-01-01

Total Pages: 326

ISBN-13: 9780300064742

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El Greco, Ribera, Velázquez, Murillo--these are but a few of the great sixteenth- and seventeenth-century artists of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period. Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author sets the history of Spanish paintings within a European context and explores Spain's contact with artistic centers in Italy and the Netherlands. He discusses not only Spanish artists but also such non-Spanish painters as Titian, Ruben, and Luca Giordano, who either worked in Spain or influenced other artists there. Brown also examines the collections of foreign paintings that Spanish noblemen and prelates assembled and how these collections affected the production of art and the social status of the Spanish artist. In this up-to-date and innovative analysis of two hundred years of Spanish painting, Brown describes a country that brilliantly transformed the artistic impulses it received from abroad to fit the needs of its own society.


The Cambridge Companion to Velázquez

The Cambridge Companion to Velázquez

Author: Suzanne L. Stratton-Pruitt

Publisher: Cambridge University Press

Published: 2002-03-25

Total Pages: 256

ISBN-13: 9780521660464

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The Cambridge Companion to Velázquez offers a synthetic overview of one of the greatest painters of Golden Age Spain and seventeenth century Europe. With contributions from art historians and those working in other disciplines, this book offers fresh approaches to the vast literature on this artist. The essays also guide the reader to an understanding of Velázquez's work--his training in his native Seville, reflections in his oeuvre of artistic currents from outside Spain, and how Velázquez's religious paintings may be understood within the religious context of Counter-Reformation Spain.


The Vanishing Man

The Vanishing Man

Author: Laura Cumming

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9780701188443

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In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velazquez, he bought the picture and set out to discover its strange history. When Laura Cumming stumbled on a startling trial involving John Snare, it sent her on a search of her own. At first she was pursuing the picture, and the life and work of the elusive painter, but then she found herself following the bookseller's fortunes too - from London to Edinburgh to nineteenth-century New York, from fame to ruin and exile. An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velazquez, bringing us closer to the creation and appreciation of his works than ever before


I, Juan de Pareja

I, Juan de Pareja

Author: Elizabeth Borton De Trevino

Publisher: Square Fish

Published: 2008-04-29

Total Pages: 0

ISBN-13: 9780312380052

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When the great Velázquez was painting his masterpieces at the Spanish court in the seventeenth century, his colors were expertly mixed and his canvases carefully prepared by his slave, Juan de Pareja. In a vibrant novel which depicts both the beauty and the cruelty of the time and place, Elizabeth Borton de Treviño tells the story of Juan, who was born a slave and died an accomplished and respected artist. Upon the death of his indulgent mistress in Seville, Juan de Pareja was uprooted from the only home he had known and placed in the charge of a vicious gypsy muleteer to be sent north to his mistress's nephew and heir, Diego Velázquez, who recognized at once the intelligence and gentle breeding which were to make Juan his indispensable assistant and companion—and his lifelong friend. Through Juan's eyes the reader sees Velázquez's delightful family, his working habits and the character of the man, his relations with the shy yet devoted King Philip IV and with his fellow painters, Rubens and Murillo, the climate and customs of Spanish court life. When Velázquez discovers that he and Juan share a love for the art which is his very life, the painter proves his friendship in the most incredible fashion, for in those days it was forbidden by law for slaves to learn or practice the arts. Through the hardships of voyages to Italy, through the illnesses of Velázquez, Juan de Pareja loyally serves until the death of the painter in 1660. I, Juan de Pareja is the winner of the 1966 Newbery Medal. Latino Interest.