Nietzsche and Wagner

Nietzsche and Wagner

Author: Joachim Köhler

Publisher: Yale University Press

Published: 1998-01-01

Total Pages: 204

ISBN-13: 9780300076400

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"This is the second and final volume of Tim Hilton's life of John Ruskin, one of the greatest writers and thinkers of the nineteenth century. Ruskin was the most prolific English writer there has ever been. His published works alone number some 250 titles and this is besides lectures, diaries, correspondence and tens of thousands of letters that remain unpublished. This is the first biography of Ruskin to return to the original source material, some of which has been read for the first time by the author." "It begins in 1859 with Ruskin, famous as the author of Modern Painters, The Seven Lamps of Architecture and The Stones of Venice, living in south London with his parents, his disastrous marriage over, continuing to write and travel and to tutor, amongst other pupils, Rose La Touche, a girl of ten, with whom he slowly fell in love. This relationship would develop into one of the saddest love affairs of literary history ending in tragedy in 1875, and from which Ruskin would never recover." "From 1875 onwards Ruskin was plagued by bouts of insanity and despair that would lead to total breakdown for the last ten years of his life, but, as Hilton shows, the later years, far from being a period merely of decline, were a time when the great man's intellect and imagination reached new heights. It was in these years that Ruskin produced Praeterita and most of Fors Clavigera the series of monthly letters to British workers which Hilton discusses in the context of the writer's life." "As Slade Professor of Art at the University of Oxford he founded his drawing schools, today the Ruskin School of Art. His books and lectures were on subjects ranging from history of art to social reform to botany."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Nietzsche, Wagner and the Philosophy of Pessimism

Nietzsche, Wagner and the Philosophy of Pessimism

Author: Roger Hollinrake

Publisher: Taylor & Francis

Published: 2010-11-01

Total Pages: 260

ISBN-13: 1135175233

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Nietzsche’s relationship with Wagner has long been a source of controversy and has given rise to a number of important studies, including this major breakthrough in Nietzsche scholarship, first published in 1982. In this work Hollinrake contends that the nature and extent of the anti-Wagnerian pastiche and polemic in Thus Spake Zarathustra is arguably the most important factor in the association between the two. Thus Wagner, as the purveyor of a particular brand of Schopenhauerian pessimism, is here revealed as one of the principle sources – and targets – of Zarathustra. Whilst addressed primarily to students of German Literature, this book will also be of interest to musicians, philosophers and students of the history of culture and ideas.


Young Nietzsche

Young Nietzsche

Author: Carl Pletsch

Publisher: Simon and Schuster

Published: 1991

Total Pages: 274

ISBN-13: 0029250420

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Provocative and ...persuasive...{Pletsch} has illuminated the process by which a gifted but awkward philology student became one of the modern world's most original thinkers... Deserves to be read...by anyone interested in the dynamics of creative influence and achievement.


Life of R Wagner Vol 4

Life of R Wagner Vol 4

Author: Ernest Newman

Publisher: Knopf

Published: 2014-06-25

Total Pages: 844

ISBN-13: 0804152381

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Ernest Newman's four-volume Life of Wagner, originally published between 1933 and 1947, remains a classic work of biography. The culmination of forty years' research on the composer and his works (Newman's first Study of Wagner was first published in 1899), these books present a detailed portrait of perhaps the most influential, the most controversial and the most frequently reviled composer in the whole history of western music. Newman was aware that no biography can ever claim to be complete or completely accurate: 'The biographer can at no stage hope to have reached the final truth. All he can do is to make sure that whatever statement he may make, whatever conclusion he may come to, shall be based on the whole of the evidence available at the time of writing.' In this aim he triumphantly succeeds. Volume IV completes the story from 1866 to Wagner's death in 1883. It covers the composition of Die Meistersinger and Parsifal, the completion of the Ring, Wagner's marriage to Cosima Liszt von Bülow, and the building of Bayreuth.


Wagner and Beethoven

Wagner and Beethoven

Author: Klaus Kropfinger

Publisher: Cambridge University Press

Published: 1991-07-04

Total Pages: 308

ISBN-13: 9780521342018

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This book analyzes the lifelong impact of Beethoven's music on Wagner and its importance for his conception of music drama. Kropfinger charts and scrutinizes Wagner's early responses to the composer and considers his experience as a conductor of Beethoven's music. A discussion of the Romantic "Beethoven image" leads to a careful study of Wagner's aesthetic writings, including his "programmatic explanations," the text "Concerning Franz Liszt's symphonic poems," and his Beethoven centenary essay. The penultimate chapter addresses Wagner's theory and practice of music drama, which he came to regard as the preordained successor to the Beethoven symphony. By analyzing special terms--such as "Leitmotiv"--Wagner's structural view of musical drama comes to the fore; it is a view that deepens not only our understanding of musical drama as a "hybrid" genre of art but also of purely musical structure and forms that Wagner sought to outdo.


Richard Wagner and the Anti-Semitic Imagination

Richard Wagner and the Anti-Semitic Imagination

Author: Marc A. Weiner

Publisher: U of Nebraska Press

Published: 1997-01-01

Total Pages: 470

ISBN-13: 9780803297920

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This book addresses one of the most hotly contested debates in contemporary cultural life: the question of how anti-Semitism figures in the operas of Richard Wagner. Until now, scholars have generally acknowledged Wagner's anti-Semitism but have argued that it is irrelevant to the operas themselves. Marc A. Weiner challenges that traditional view by asserting that anti-Semitism is a crucial, pervasive feature in Wagner's operas. Weiner argues that the operas exemplify and contribute to a vast collection of images that are patently anti-Semitic - and that were readily recognized as such by nineteenth-century German audiences. These images were associated particularly with the body. Through a careful examination of Wagner's music, libretti, and stage directions, Weiner reconstructs iconographies of corporeal images - iconographies of the eye, voice, smell, gait, and sexuality - that were essential to the operas and were "associated with anti-Semitism and the longing for an imagined German community".


German Freedom and the Greek Ideal

German Freedom and the Greek Ideal

Author: W. McGrath

Publisher: Springer

Published: 2013-12-18

Total Pages: 387

ISBN-13: 1137369485

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This book traces this German idea of freedom from the late Enlightenment through the early twentieth century. McGrath shows how German intellectual and artists invoked the ancient Greeks in order to inspire Germans to cultural renewal and to enrich their understanding of freedom as something deeper and more urgent that political life could offer.


Wagner

Wagner

Author: Curt von Westernhagen

Publisher: CUP Archive

Published: 1978

Total Pages: 724

ISBN-13: 9780521219327

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"Why produce another biography of Wagner? There are a number of answers to this question. In the first place, the archives are being opened and new documents are appearing all the time. Dr von Westernhagen, a scholar who has devoted his life to Wagner, has produced the only general biography on this scale which is truly up-to-date in making use of this fresh archive material. In the second place, there is a need for a biography which focuses on Wagner's artistic achievements. In recent years Wagner has become a 'problematic' figure, largely because recent biographies have concentrated on his anti-Semitism, his egoism and his sexual life, and have presented the picture of an implausible scoundrel who by chance also wrote some music dramas. Westernhagen's approach is much more positive: his starting point is the importance and the supreme greatness of Wagner's artistry. This is therefore a positive biography, which combines an appropriate largeness of scale with factual accuracy and familiarity with the source documents. Dr von Westernhagen quotes extensively from letters and diaries to throw light, for example, on Wagner's relationship with Cosima, his idea of emigrating to America, his estrangement from Nietzsche (and the way this was later wilfully misrepresented by Nietzsche's sister, Elisabeth), and the later years as they are reflected in the so-called Brown Book, a notebook for the years 1865-82 which Wagner kept for Cosima and which was first published only in 1975. The author has also consulted the composition exercises which Wagner wrote in his teens for his teacher Theodor Weinlig, and the contents of the composer's Dresden library help to establish what were the early intellectual influences upon him. This biography concentrates on the nature of Wagner's art, its development, its achievement: the way, for instance, that Wagner was able to keep many projects in mind simultaneously, all of them dovetailing into one another with an inexorable logic. Particularly useful features of this study are the appendices which include a chronological summary of Wagner's life, a complete list of his musical and literary compositions and an up-to-date bibliography. This is a definitive biography which will stand beside Newman's classic work as an indispensable reference book for all future studies of Wagner, and a judicious account for those approaching this fascinating life story for the first time." --Dust jacket.